Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.

Download PDFs of all the texts from dekersaint.com/badvibesclub.

‘Lubaina Himid - A conversation + Keywords’ (2019) in Lubaina Himid: Workshop Manual. Oxford: Modern Art Oxford.

Pollock, G. (2017) ‘“How the political world crashes in on my personal everyday”: Lubaina Himid’s Conversations and Voices: Towards an Essay About Cotton.com’, Afterall: A Journal of Art, Context and Enquiry, 43, pp. 18–29.

Whitley, Z. (2019) ‘As Purple is to Lavender: Visible Strategies in Lubaina Himid’s Paintings, 1999-2017’, in Lubaina Himid: Workshop Manual. Oxford: Modern Art Oxford.