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Terri Lyne Carrington’s energetic & fluid way of playing deeply resonates with me. It has a searching quality which always moves the music forward. She always keeps me engaged and wondering what’s going to happen next.
When I first saw her live in 1999 with Herbie Hancock’s “Gershwin’s World” project. I still remember that magical feeling of really digging the music, yet having no clue what they were doing. To this day I can still tap into how that felt. That says something about an artist: if their art can sustain a feeling over decades – that’s powerful!
It was a pleasure to finally get to talk to her and I’m excited to share our conversation with you now!
By Pablo Held5
4646 ratings
If you like this series, please consider supporting me on Patreon.
Terri Lyne Carrington’s energetic & fluid way of playing deeply resonates with me. It has a searching quality which always moves the music forward. She always keeps me engaged and wondering what’s going to happen next.
When I first saw her live in 1999 with Herbie Hancock’s “Gershwin’s World” project. I still remember that magical feeling of really digging the music, yet having no clue what they were doing. To this day I can still tap into how that felt. That says something about an artist: if their art can sustain a feeling over decades – that’s powerful!
It was a pleasure to finally get to talk to her and I’m excited to share our conversation with you now!

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