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Tessa Hulls is the 2025 Pulitzer prize winner for her graphic memoir Feeding Ghosts. Tessa is only the second graphic novelist to be awarded a Pulitzer Prize, the first being Art Speigleman for Maus in 1992. Tessa was kitchen staff for this past legislative session in Juneau. She worked in the legislative lounge every day making legislators' breakfasts and lunches. No one knew she was an author and certainly no one expected the woman serving us our soup to be announced as the 2025 Pulitzer Prize winner.
We discuss her incognito lounge staff role and how it helped her cope with her newfound international fame. Here is a description of Hulls' book which we will be discussing today:
"Feeding Ghosts is a powerful graphic memoir that explores the enduring impact of history and generational trauma on three generations of Chinese women. The memoir follows Hulls' grandmother, Sun Yi, a journalist who fled Shanghai after the 1949 Communist victory, and the ways her experiences shaped her daughter and granddaughter. The book delves into themes of love, grief, exile, identity, and the haunting legacy of trauma."
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Send us a text
Tessa Hulls is the 2025 Pulitzer prize winner for her graphic memoir Feeding Ghosts. Tessa is only the second graphic novelist to be awarded a Pulitzer Prize, the first being Art Speigleman for Maus in 1992. Tessa was kitchen staff for this past legislative session in Juneau. She worked in the legislative lounge every day making legislators' breakfasts and lunches. No one knew she was an author and certainly no one expected the woman serving us our soup to be announced as the 2025 Pulitzer Prize winner.
We discuss her incognito lounge staff role and how it helped her cope with her newfound international fame. Here is a description of Hulls' book which we will be discussing today:
"Feeding Ghosts is a powerful graphic memoir that explores the enduring impact of history and generational trauma on three generations of Chinese women. The memoir follows Hulls' grandmother, Sun Yi, a journalist who fled Shanghai after the 1949 Communist victory, and the ways her experiences shaped her daughter and granddaughter. The book delves into themes of love, grief, exile, identity, and the haunting legacy of trauma."
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