When Orson Welles found an investor for a cheap little noir thriller, legend has it he devised a scheme. His opening sequence took up almost 10 pages of script, with descriptions and action all spread out. Except when he actually filmed it, he used only a high-tension, 12-minute “virtuoso” single tracking shot that became signature to Touch of Evil — but also fooled execs into thinking he’d be under budget and on time every day. As genius as Welles’ move was, Rob Long says he was also a practitioner of Haraka Baraka. And you should be too.

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