In any given week, Jeremy could have shows with 5 different artists. We talk about his preparation approach, and how he manages each situation with care, and how to keep getting hired by prioritizing the artists' needs.

Andrew grew up on a tour bus, travelling with his family band. He started cutting his teeth at 11 when he replaced the drummer. Since, he’s moved to Nashville from northern Canada to tour full time with High Valley, and explains how to legally move to the US as a musician.

Between a knife fight and a basketball injury, Hubert’s lucky to be alive, let alone play drums. He is no stranger to adversity, and talks about taking action, creating forward momentum, ensuring your always better than you were yesterday.

Zack’s shares some of his most memorable moments with Springsteen, Bowie, Gwen Stefani, and how he’s used drumming to really explore other cultures.

Not receiving credit for a song/album you’ve recorded on sucks. Wolf’s been improperly credited (or not-credited) for Grammy-winning albums. He covers all of the details on how he makes sure he receives proper credit now.

Stan has different goals than most drummers, he doesn’t want to tour, he doesn’t want to depend on drumming to pay his bills. He wants drumming to be his creative outlet, and not a burden. He explains why he’s opted out of the touring world, and uses drumming to enrich his life daily.

We always hear the advice telling us to take every gig we get offered. At some point in our career, it becomes really important to know when not to take a gig. Wolf gives us his criteria for taking or not taking gigs.

After spending a decade on tour with Katy Perry as music director and drummer, Adam’s joined the house band for American Idol. He gives us a closer look at how these two gigs challenge in different ways as a drummer

The industry is changing faster than it ever has in the past. To thrive and succeed, it’s become imperative to adapt and reinvent how you play, how you work, and how you run your business. Wolf’s been kicking ass as a drummer, producer, and drum programmer for decades, and shares how he’s been in a constant state of change.

Jimmy is the OG of drum programming and had a front seat to the transition that took place as drum programming began to take over modern record productions. He shares what it was like, why it happened, and where it’s at now.