Working remotely as a studio musician has become increasingly popular. Wolf has done a lot of both and breaks down the pro’s and con’s of each arrangement, and why he prefers one over the other.

Stanley’s got pocket, and he shares about how he develops it, what he listens to on stage, how he interacts with percussionists, and what records he thinks help develop great feel.

We all fall into a trap where we look up to our favourite drummers and make an attempt to emulate what they do because if it works for them, it must work for me… Josh shares his insights on how to discern any incoming advice.

• If Sean’s not out with FGL, he’s speaking to school students about how to achieve success in their lives, to which Sean is a perfect example who at 47, is performing at his best. 

Dave Debunks rumours about the body mechanics of a drummer, and about practice.

Joe was on the brink of finding a new career, when he started building a career with Ellie Goulding. Assuming the role of Creative Director for earlier tours, and now working endlessly as a musical director to develop a new approach, rather than playing along to a wall of tracks for an arena show, finding ways to create the tracks live.

Despite being a hired gun, Ben explains how he and the whole band act as a group who are all mutually invested in Rag N Bone Man's success.

Charles explains the difference between drumming for Ed Sheeran, Gaga, Kayne, and Ayo.

With a decade of arena tours under his belt with Carrie Underwood, Garrett’s been through it all and gives us 5 specific experiences where he’s learned his lesson the hard way on stage, and how he avoids it for the next time.

Chris explains how crucial it is to diversify your revenue sources and deconstructs his day to day responsibilities as a bandleader with Thomas Rhett.