Let’s recap recent local #LiveNation shows at the iThinkFinancialAmphitheatre on The #PipemanRadioTour.

We are here for Season 20, Episode 66 of The Adventures of Pipeman here on W4CY Radio at www.w4cy.com

After 25 hours of traveling and no sleep. The Pipeman finally back in the USA from Adventures at The Holy Ground of Wacken Open Air (WOA), the biggest metal festival in the world. Then, Pipeman took a short break in Rome, Italy before heading to the biggest metal festival in the UK, Bloodstock Open Air (BOA) where Sepultura played its last UK performance and Pipeman spoke to them as well as many others . Now over 125 interviews later from the last 3 festivals, Pipeman got to cover some great local shows near our South Florida studios

First one was on Friday 8/14/26 covering a Motley Crue, Tesla, Extreme show right here at home in WPB.

And then just yesterday, Tuesday 8/18/26 was an amazing show also by Live Nation at the iThink Financial Amphitheatre. 

Tomorrow Pipeman heads to Montreal for Vans Warped Tour and then Rocklahoma on Labor Day Weekend and we are going to give some tickets away. 

Pipeman is still deciding on Vans Warped Tour in Mexico City as we were just approved.

Tune in today at 1pm ET on www.w4cy.com for all music and stories from The Pipeman Radio Tour. 

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Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”

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In this episode, Pipeman sits down with Seething Akira at Bloodstock, diving deep into the family atmosphere of the festival, what makes metal communities unique, the difference between a live show and an album, and Seething Akira’s plans for the future. They share personal stories from the pit, reflect on the evolving festival scene, discuss the unifying power of music, and highlight the importance of authentic engagement—both onstage and off.Main Topics Covered

• The unique and supportive community at Bloodstock
• Metal culture versus stereotypes
• The experience and purpose of mosh pits
• The importance of connection at live shows
• Festival formats and the fan experience
• Seething Akira’s approach to performance and songwriting
• Upcoming shows and new music from Seething Akira

Key Discussions & StoriesThe Spirit of Bloodstock

• Seething Akira explains why Bloodstock is his favorite festival, highlighting its ability to create its own scene and provide a stage for new artists through a nationwide Battle of the Bands 00:30.
• Pipeman mirrors these sentiments, expressing the sense of family felt at Bloodstock compared to other festivals 01:05.
• Multiple anecdotes about making new friends and reconnecting with people from other festivals reinforce the community vibe 01:29, 03:16.

Metal Culture Misconceptions

• Both speakers talk about the stereotype of metalheads being aggressive or unfriendly, countering this by describing how welcoming and caring the community truly is—especially towards kids and families in the pit 02:17.
• Seething Akira shares a humorous take: “Hippies are douchebags cosplaying as pleasant people, and metalheads are really nice people cosplaying as douchebags” 02:35.

Pit Etiquette and Purpose

• Deep dive into the unspoken rules and camaraderie found in mosh pits, focusing on looking out for one another (e.g., always picking someone up if they fall) 04:14.
• Discussion of negative changes at larger festivals when unfamiliar crowds are introduced, such as increased aggression, which goes against the spirit of the pit 04:45.

Live Shows vs. Albums

• Emphasis on the emotional transfer and connection possible at live shows, which can’t be replicated through recordings 05:07.
• Seething Akira on Seething Akira’s aim to offer a fun escape from life’s challenges at their shows 05:42.
• Reflections on the power of seeing the audience connect with lyrics and making songs their own 10:36 – “It’s like a dandelion, the song blows away and becomes theirs.”

Festival Comparisons & Format

• Seething Akira recommends Radar Fest for its diverse acts and two-stage format, preventing band conflicts and enhancing the fan experience 08:00.
• Pipeman shares frustrations with festivals that force difficult choices between acts and praises formats that keep fans engaged 08:22.

Upcoming Plans for Seething Akira

• Heavy focus on songwriting and releasing new material next year 13:02.
• Upcoming shows:
  • Tuckstock in Nottingham (August)
  • Supporting MC Devo at the Saltbox, Nottingham (September)
  • European dates, including Belgium and Euroblast
  • Alton Aldea fundraiser in November
  • London show with Confessions of a Traitor in December 12:19

Notable Quotes

• “Bloodstock created their own runway. They’re incredible.” — Seething Akira 00:45
• “I’m home with my Bloodstock family because that’s what it feels like when you get here.” — Pipeman 01:05
• “Hippies are douchebags cosplaying as pleasant people, and metalheads are really nice people cosplaying as douchebags.” — Seething Akira 02:35
• “The pit is about going in there so you don’t punch people in the real world.” — Pipeman 04:50
• “At our shows for 45 minutes to an hour, none of that shit’s gonna touch you. You’re gonna have the best fucking time, and you’re gonna be able to switch it off.” — Seething Akira 05:42
• “Music’s the best therapy... for you, the artist, to get it out of you, and therapy for us, the audience, to take it and apply it to our own life.” — Pipeman 11:23

Resources & Links Mentioned

• Bloodstock Festival: https://www.bloodstock.uk.com/
• Sophie Lancaster Foundation: https://www.sophielancasterfoundation.com/
• Radar Festival: https://radarfestival.co.uk/
• Seething Akira: https://www.seethingakira.com/
• Euroblast Festival: https://www.euroblast.net/
• Confessions of a Traitor: https://confessionsofatraitor.co.uk/

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In this lively episode, Pipeman sits down with Alfred Rome from the band Dead Bait at Bloodstock’s 25th anniversary. They delve into the journey of Dead Bait, the experience of playing at Bloodstock for the first time, backstage stories, new music releases, the camaraderie of the festival scene, and the evolution of physical music formats. The episode is filled with personal anecdotes, insights into band dynamics, and an uplifting celebration of the music community.Main Topics Covered

• Dead Bait's origin story and lineup evolution
• The band’s road to Bloodstock and Metal to the Masses contest
• Performing on the New Blood stage at Bloodstock
• Backstage hospitality and being recognized by stage crew
• Winning an ESP guitar from the festival
• The vibrant atmosphere and community spirit at Bloodstock
• Launching Dead Bait’s online merch and new releases
• A nostalgic discussion on music formats: 8-tracks, vinyl, and digital streaming
• Shout-outs to friends, fellow musicians, and the supportive festival family

Key Discussions & Stories
Dead Bait's Journey and Bloodstock Debut

• Alfred Rome shares the history of Dead Bait, starting in 2021 as a four-piece band, evolving through contests and gigs, and the pivotal moment when he joined as the second guitarist in January (00:39–01:56).
• The band’s perseverance through Metal to the Masses contests, finally winning the Northampton heat and earning a slot at Bloodstock (01:56–02:05).
• The thrill of performing on the New Blood stage for a packed crowd that grew throughout the show (02:42–03:21).

Backstage Surprises & Bloodstock Energy

• Alfred Rome describes the excellent backstage support at the New Blood Stage, including being awarded a surprise ESP guitar by the crew (03:44–05:52).
• The distinct “electric” feeling in the air at Bloodstock, contrasted with other festivals (06:01–06:27).
• Enjoying legendary performances, including Lamb of God (07:12–07:30).

Band Updates & Merch Launch

• Dead Bait's presence on social media (Instagram as the main platform).
• Official online merch store launch; encouragement to support the band (08:06–08:24).
• Release of new single “Egotentric” on all streaming platforms; plans for an upcoming album to be released on multiple physical formats (08:24–08:51).

Reflections on Music Formats

• A playful discussion about the resurgence of vinyl and nostalgia for 8-tracks (08:52–09:44).
• The irreplaceable physical and sonic qualities of vinyl records (09:44–10:34).

Festival Community & Closing Thoughts

• The sense of family, kindness, and respect that defines the Bloodstock experience (12:07–13:22).
• Shout-outs to friends in other bands, specifically Following the Signs from Cork Island, and encouragement to support fellow musicians (11:28–11:56).
• Both Pipeman and Alfred Rome reflect on the special nature of the festival and its positive impact (12:01–13:24).

Notable Quotes

• “It makes my heart sing really. And just, it's such a good feeling; all of us have been musicians... We've never come and done something like this.” — Alfred Rome (03:18)
• “This is different. The air here is electric.” — Alfred Rome (06:27)
• “It's for the fans, it's by the fans, and you feel that.” — Alfred Rome (06:34)
• “There’s a purity to [vinyl] because those grooves are you. That's the sound. It can't be changed. It can't be tweaked. Once it's pressed, it's pressed there.” — Alfred Rome (10:13)
• “Like even first when I got here, I’m like, oh, I’m at home with my family at Bloodstock.” — Pipeman (12:01)
• “The level of courtesy and just respect and love—there hasn’t been any drama anywhere. ... If only the world was like that all the time.” — Alfred Rome (12:58)

Resources & Links Mentioned

• Dead Bait on Instagram: @deadbaitband
• Dead Bait’s new single: “Egotentric” (available on all streaming platforms)
• Upcoming Dead Bait merch store (watch official socials for launch)
• Following the Signs (friend band from Cork Island, performing on the EMP stage at Bloodstock)

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In this energetic episode of the podcast, Pipeman sits down with George and Connor from Change Persona at Bloodstock Festival. The conversation dives into nostalgia for old music formats, evolving music trends, live show experiences, band dynamics, and the importance of authenticity. The trio shares laughs, festival stories, strong opinions on beer, and their philosophy on keeping music fun and real.Main Topics Covered

• Nostalgia & Old Music Formats (00:46)
  • Cassette tapes, 8-tracks, and VHS tapes
  • The quirks (and struggles) of listening to and recording music in the past
• Music Consumption & Playlists (03:39)
  • How digital platforms and algorithms influence exposure to new music
  • The shift from immersive album listening to quick-track mentality
• Band Merch & Ticket Prices (04:56)
  • The rising cost of concert tickets and band merchandise
  • Personal rules for buying gig tickets (06:49)
• Festival Culture & Pit Etiquette (07:49)
  • Differences between US and UK festival crowds
  • Stories involving public urination, mosh pit mishaps, and community
  • Pit etiquette: taking care of each other, calling out dangerous behavior (36:13)
• Beer & Festival Beverages (09:48)
  • The ongoing Budweiser vs. craft/local beer debate at festivals
  • Anecdotes about beer-induced aggression and personal preferences
• Musical Evolution & Gatekeeping (21:25)
  • The struggle between evolving artistically and fan expectations
  • The “gatekeeper” mentality in rock and metal communities
  • Supporting bands through their genre shifts (e.g. Bring Me the Horizon, Metallica, Linkin Park, Rush, Iron Maiden)
• Authenticity in Writing & Performing (23:19)
  • Writing music for oneself vs. for the audience
  • The value of imperfection in live shows
  • Encouraging uniqueness and moving beyond formulaic creation
• Band Stories & Festival Experiences (34:35)
  • How Change Persona landed a spot at Bloodstock Festival
  • The supportive and family atmosphere at Bloodstock
  • Comparisons to other major festivals and their differences
• Music Scenes & Inclusivity (20:05)
  • The blending of punk, metal, and other alternative genres
  • Embracing what you love regardless of scene labels
• Upcoming Projects
  • Change Persona’s new EP and plans for release (41:11)
  • Importance of following their socials for updates

Key Discussions & Stories

• Pipeman, George, and Connor reminisce about the cassette tape era, rewinding tapes with pencils, and the charm and challenge of early music technology (00:46).
• Hilarious festival stories: adult diapers in line for barrier, Budweiser in Germany, public urination at Download, and the winds of dinosaur mosh pits (08:05; 37:58).
• Reflection on the impact of streaming playlists and the push-pull between song popularity and genuine fandom (03:57).
• Discussion of aggressive behavior in pits and how the culture of looking after each other is vital for a friendly scene (36:13).
• Insights into why bands must evolve musically, and the personal experience of shedding formulaic writing to create their best work yet (23:03; 25:13).
• Tales from the road: punk rock bowling in Las Vegas, playing Rebellion festival, and the punk/metal crossover (17:10).
• Philosophical takes on the importance of enjoying what you love and encouraging inclusivity within music subcultures (20:35).
• The inside story of Change Persona’s Bloodstock invitation, their “happy mistake,” and festival community (34:11).

Notable Quotes

• “The struggle was real.” – Pipeman (03:34)
• “If you're not best friends, you'll be like Perry Farrell and punching out your bandmate on stage.” – Pipeman (42:51)
• “Just enjoy what you enjoy and let people get on with it. Your life’s just that little bit less crap and hard.” – Connor (20:35)
• “You're never gonna please everybody… just please yourself and you'll attract your people.” – Pipeman (23:19)
• “If all these problems are so easy to solve, just don't listen to it.” – Connor (26:14)
• “It’s just a down-to-earth conversation, you know.” – Connor (44:20)
• “How do you say your name?” – Connor (44:35)
• “That'd be so brilliant. You gotta do that for the next album.” – Pipeman (46:18)
• “We started out as best friends in high school and we just done it because we all love music and we're all best friends.” – George (42:36)

Resources & Links Mentioned

• Change Persona Band: “Follow the socials and find out!” (41:18)
• Bloodstock Festival: https://www.bloodstock.uk.com/
• Rebellion Festival: https://www.rebellionfestivals.com/
• Punk Rock Bowling: https://www.punkrockbowling.com/
• Band Merch Stores: Mention of Primark for affordable band apparel (05:02)

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In this episode, Pipeman sits down with members of the Cypriot metal band Ka'aper at the Bloodstock Festival. Together, they explore the band’s journey from Russia to Cyprus, their musical influences, experiences in the tight-knit Cyprus metal community, and their unique blend of atmospheric, melodic, and dark metal inspired by ancient Egyptian mythology.Main Topics Covered

• Ka'aper’s Origins: How the band members emigrated from Russia to Cyprus and discovered a thriving local metal scene.
• Experience at Bloodstock Festival: Reflections on performing and representing Cyprus at one of Europe's premier metal festivals.
• Musical Evolution and Influences: Personal stories about early inspiration, detours in artistic pursuits, and the bands and genres that shaped their sound.
• Band’s Ethos and Message: Why being authentic and enjoying the process is central to success.
• Community and Collaboration: Insights into the supportive metal scene on Cyprus and how it brings musicians together.
• How to Connect with Ka'aper: Ways fans can support and follow the band online.

Key Discussions and StoriesJourney to Cyprus & Metal Scene Integration

• The band members moved from Russia to Cyprus and were surprised by the vibrant and strong metal community they found 00:40.
• Some members have embraced Cyprus as home, even attaining Cypriot citizenship 01:37.

Competing and Performing at Bloodstock

• Ka'aper talked about their journey to the Bloodstock festival, including competing the previous year and missing the final spot to close friends, only to qualify the following year 01:51.
• “Speaking Whispers” were mentioned as friends and last year’s Cyprus representatives 02:13.
• Emphasis on the importance of being themselves and enjoying the festival experience 02:38.

Personal Journeys in Music

• Alex shared his early love for music, inspired by his sister introducing him to Queen and Aerosmith, and his circuitous path from drawing back to guitar and metal 03:09.
• Other members discussed starting on instruments like bass after discovering bands such as System of a Down, and guidance from musical family members 05:17, 06:40.

The Metal Community in Cyprus

• The local metal community is described as friendly and deeply interconnected through social chats and jam sessions 07:06.

Bloodstock Festival Reflections

• Performing at Bloodstock is described as a “dream come true” and an exciting, welcoming experience 05:55, 07:26.

What Sets Ka'aper Apart

• Ka'aper plays heavy atmospheric and melodic metal rooted in ancient Egyptian mythology and history 07:50.
• The band encourages listeners to enjoy music for its own sake and “safe fucking metal” 08:51.

Notable Quotes

• “Our friends told us to be ourselves, to enjoy the fest in general, and yeah, probably they are right.” — Alex 02:38
• “Since then…I want to perform, I want to play music.” — Alex on childhood aspirations 03:24
• “We play very heavy atmospheric and melodic metal based on ancient Egyptian mythology and history.” — Alex 07:52
• “Listen to good music, listen to metal. Safe fucking metal.” — Alex 08:51
• “You can say whatever the fuck you want.” — Pipeman 08:59

Resources and Links Mentioned

• Ka'aper on Instagram:
  Find and follow the band for updates and merch at Copper Official (Instagram handle shared at 08:42).
• Merchandise:
  Listeners are encouraged to check out and buy the band’s shirts 08:25.

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In this electrifying episode, Pipeman sits down with Cameron Johnson of the band Microtonal at Bloodstock, diving deep into thrash and death metal culture, band origins, and stories from the metal scene. The conversation spans from the nostalgia of handmade battle vests to Microtonal’s upcoming music, providing insight into the band's influences and the evolution of crossover thrash. Listeners get an inside look at Microtonal’s philosophy, their experience supporting DRI, and Cameron Johnson's roots in metal.Main Topics Covered

• Battle Vests & Metal Nostalgia
  • DIY patches and old-school creativity 00:25
  • Metal icons featured on the hosts' and guests' vests
• Microtonal’s Band Story & Influences
  • Formation and organic growth of the band less than three years ago 04:48
  • Blending thrash, death metal, prog, black metal, and more
  • Emphasis on "Irish death thrash" and each member’s unique influences
• The Evolution of Thrash & Metal Community
  • Stories about early thrash/punk tensions and crossover 03:11
  • The role of DRI, Suicidal Tendencies, and others in uniting scenes
• Supporting Legends & Festival Experiences
  • Microtonal supporting DRI in Belfast and Dublin 02:51
  • Attending and playing at Bloodstock festival 04:27
• Personal Metal Journeys
  • Cameron Johnson’s early introduction to Metallica via his father 08:07
  • Family musical influence and drummer legacy
  • Deep dive into favorite bands and the enduring appeal of metal
• Upcoming Releases & Shows
  • Teasers for new music by the end of the year 09:20
  • Plans for more UK gigs and desire to reach a wider audience

Key Discussions & StoriesMemories of Metal Battle Vests

• Pipeman recalls crafting his own battle vest in the '80s, hand-drawing band logos like Slayer and Exodus 00:29.
• Cameron Johnson shares that his girlfriend made his first battle jacket, sourcing rare patches from Mexico and Poland 02:08.

Crossover Thrash’s Historical Barriers

• Reflections on the early scene: metalheads and punks were once divided, but bands like DRI and Suicidal Tendencies helped break those barriers 03:14.

Microtonal’s Musical Identity

• Discussing members’ varied musical backgrounds, leading to a distinct blend of thrash, death, prog, black metal, and hardcore punk 05:40.

The Power of Musical Diversity

• Both agree that thrash’s magic lies in its diversity, with the "Big Four" each sounding unique due to their mix of influences 06:29.

Origin Story of a Metalhead

• Cameron Johnson recounts how seeing Metallica’s "One" video at age five set him on his path in metal 08:07.

Upcoming Music and Touring Ambitions

• Microtonal teases new music due by year’s end and announces plans for more gigs throughout the UK and beyond 09:20.

Notable Quotes

• "We call ourselves Irish death thrash... but every kind of member brings a slice of a different sort of subgenre to make up what we are." — Cameron Johnson 05:40
• "The Big Four of thrash were not anything alike... that's because you bring other elements in." — Pipeman 06:39
• "If you go in trying to replicate something, you’re just gonna end up sounding like something that’s already been." — Cameron Johnson 06:55
• "DRI is the reason. Once they started growing their hair out, Suicidal changed, COC changed, everybody started changing." — Pipeman 03:36
• "Literally from about 5 or 6, I was just dedicated to Metallica... Lars Ulrich's my favorite drummer." — Cameron Johnson 08:27

Resources & Links Mentioned

• Microtonal Socials & Music
  • Follow Microtonal on Instagram and other social media platforms
  • Bandcamp: Search for "Microtonal" to find releases and streaming links 09:34
• Bloodstock Festival
  • Discussion about performing and attending the legendary UK metal festival 04:27

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In this episode of the Adventures of Pipeman on W4CY Radio, Pipeman interviews Ethan Shields and members of InScape at Bloodstock Festival. The conversation delves into their journey through the Metal 2 the Masses competition, the importance of community in the local music scene, changes within the band, and the significance of music in their lives. The band also shares their thoughts on social media, creativity, and how fans can connect and support them.Main Topics Covered

• Experience performing at Bloodstock and reaching the 25th anniversary edition 00:19
• InScape's journey through Metal 2 the Masses and band camaraderie 00:54
• Community among competing bands and building friendships 01:27
• The origins and evolution of InScape, including lineup changes 02:33
• Impact of new drummer Liam and the band’s musical progression 03:13
• The challenges and role of social media in today’s music landscape 03:54
• Personal moments that inspired members to pursue music 05:25
• The dedication and commitment required for lasting success in music 08:15
• Ways for fans to connect with and support InScape, including merch and social channels 09:53

Key Discussions & StoriesBloodstock and Metal 2 the Masses

• The band reflects on the surreal feeling of playing Bloodstock’s 25th anniversary 00:35.
• Metal 2 the Masses is celebrated as a supportive community rather than a cutthroat competition 01:17.

Band History & Lineup Changes

• InScape began over 14 years ago with Ethan Shields and his friend Luke, maintaining a long-lasting friendship 02:39.
• The recent addition of drummer Liam has brought fresh energy and tighter grooves, helping the band evolve musically and on social media 02:57, 03:54.

Community & Local Scene

• Members express a commitment to representing South Wales and supporting other bands, aiming to organize more gigs and boost their local music scene 01:43.

Roots in Music

• Band members share formative musical memories: discovering Linkin Park as teens, growing up listening to Iron Maiden and Dio, and inheriting musical inspiration from family 05:42, 06:28, 07:52.

The Role of Social Media

• The group discusses the challenges of modern music promotion, with praise for Liam’s aptitude in managing online presence 03:54.
• They express nostalgia for times when word-of-mouth mattered most 04:05.

Dedication and Practice

• Members stress the importance of daily practice and passion for music as keys to longevity and creative fulfillment 08:15.

Notable Quotes

• "It's not really competitive, even though it is. Everybody has respect for each other." — Pipeman 01:11
• "The recipe was there. I was the icing on the top." — Drummer Liam, on joining InScape 03:15
• "You guys got to be mates first and musicians second. Otherwise, how do you sit on a van or anything else together 24/7 without killing each other?" — Pipeman 06:15
• "If you're not practicing all the time, you kind of lose it, you know. Like anything in life, don't use it, you lose it." — Pipeman 09:17

Resources & Links Mentioned

• Website: inscapeofficial.com — For gig information, band photos, and merchandise 09:55
• Facebook: InScape Band 10:11
• Instagram: InScape Band 10:13
• TikTok: InScape Band 10:15
• Merch (Big Cartel): inscape.bigcartel.com — New merchandise, including Bloodstock exclusives 10:31

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In this episode, Pipeman interviews Ayo from Imperial Age at Bloodstock Festival. The conversation delves into the band's journey from Moscow to the UK, their genre-bending musical evolution, the significance of artistic freedom, and the realities of pursuing a music career independently. Ayo shares personal stories of risk, inspiration, and gratitude to fans, while also promoting an upcoming Kickstarter campaign for Imperial Age's new album.Main Topics Covered

• Journey from Russia to the UK and Bloodstock Festival
• The evolution and philosophy of Imperial Age's music
• Genre bending and rejecting musical labels
• The importance of loving the process in music and life
• DIY approach and the challenges of independence
• Details about the new album Kickstarter campaign
• Gratitude to fans and the metal community

Key Discussions & StoriesBloodstock Festival Debut

• Ayo describes moving to the UK after leaving Moscow due to the war against Ukraine, forming a new band lineup, and playing the main stage at Bloodstock as an "absolute dream" 00:39.
• Pipeman welcomes Imperial Age to the Bloodstock "metal family" and praises the festival's sense of community 01:05.

Band Philosophy and Musical Evolution

• Ayo explains Imperial Age's musical journey from symphonic power metal to a more genre-blending "powercore" sound, integrating breakdowns and extreme vocals 02:58.
• Both discuss the freedom modern artists have to break out of traditional genre boxes and how every song on an album can have a different vibe or genre 04:07.

Rejecting Labels and Embracing Uniqueness

• The conversation mocks the proliferation of hyper-specific subgenres in metal, emphasizing that what's most important is making music and having fun 05:08.
• Pipeman and Ayo agree that true artistry comes from experimentation and refusing to be boxed in 04:35.

Artist Motivation and Going All-In

• Ayo shares the turning point when music became a full-time pursuit, leaving behind tutoring and medical careers for the band's success, thanks to fan support 07:21.
• The challenges and sacrifices of an independent music career are candidly discussed, including the importance of burning bridges and never having a fallback plan 09:03.

The Role of Fun and Authenticity

• Both agree that fun and passion are crucial; a lack of enjoyment means audiences and competitors will notice 10:02.

New Album and Fan Support

• Ayo reveals details about Imperial Age's Kickstarter campaign for their forthcoming album, highlighting its genre-bending nature and the importance of fan pledges for independent artists 10:44.

Notable Quotes

• “When the war against Ukraine began, we said fuck it and left the country…we found a new band with a British and Italian lineup, and since then it's just been going up and up.” — Ayo 00:39
• "Our country is the UK now." — Ayo 01:51
• “Everybody today is genre bending…maybe you could call it something like powercore…to be honest, I don't even know how to call it.” — Ayo 02:58
• "Being an artist is all about experimentation and just playing what you feel, not because, oh, we have to go by this guideline of this subgenre." — Pipeman 03:42
• "I think that you should always do only the things which are fun for you." — Ayo 10:02
• "Never have plan Bs." — Ayo 09:03
• "We are running a Kickstarter campaign right now for our new album…kickstarter.imperialage.com. Every pledge is welcome." — Ayo 10:44

Resources & Links Mentioned

• Imperial Age Kickstarter campaign: kickstarter.imperialage.com 10:56
• Follow Imperial Age on all streaming platforms and social media: Search "Imperial Age"

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In this lively episode of The Adventures of Pipeman on W4CY Radio, Pipeman sits down with Pete, the drummer of Meet Your Maker, and fellow band members at Bloodstock Festival. The conversation traverses the unpredictable UK weather, the intensity of live performance, the band's Christian metalcore mission, the importance of mental health, and the sense of community that music festivals inspire.Main Topics Covered

• UK Weather and Festival Challenges
  • Adapting to unpredictable weather during festivals (00:37)
  • Packing strategies for varying conditions
• Live Performance Energy
  • High-energy performances: what makes a great set (02:27)
  • The reciprocal relationship between band and audience
• Bloodstock Festival Experience
  • First time playing at Bloodstock for the band (03:40)
  • The welcoming, family-like atmosphere at the festival
• Meet Your Maker’s Musical Philosophy
  • Advocacy for mental health and positive messaging (05:45)
  • Incorporating Christian faith authentically into their music
• The Power and Therapy of the Mosh Pit
  • The mosh pit as a safe space for emotional release (07:44)
  • Humor and inclusivity in festival culture (dinosaurs, wizards, etc.)
• Building Community in Metal
  • Embracing conversation and friendship beyond fanhood (11:10)
  • Openness to meeting people from all backgrounds

Key Discussions & Stories

• Surviving the Weather
  • Pipeman and Pete share survival strategies for the UK's “four seasons in one hour,” highlighting the adaptability required at outdoor festivals (01:21).
• Debut Festival Stories
  • Dylan, the band’s guitarist and “media maker,” recounts how Bloodstock is not only the band’s but also his own first music festival experience (03:51).
• The Band’s Purpose
  • Meet Your Maker’s commitment to spreading positivity, addressing mental health challenges in their lyrics, and being an inclusive Christian metalcore band (06:08).
• Community Vibe at Bloodstock
  • The supportive nature of Bloodstock’s Metal to the Masses competition and the camaraderie among bands and fans (04:21).
• Therapy in Heavy Music
  • Musings on the mosh pit as therapy, breaking misconceptions about aggression in metal, and why it’s a supportive community outlet (07:28).
• Festival Fun
  • Anecdotes about competing against a “wizard band,” inflatable unicorns, and the lighthearted, inclusive fun that marks Bloodstock (08:17).
• Bridging Differences
  • Pete discusses how the band’s role is to spread love and connect with people from all communities rather than preach or convert (11:06).

Notable Quotes

• “If you're not giving it all you got, then you're not sweating.” – Pete (02:14)
• “It's a transfer of emotion… If you're up there fucking going nuts, we're gonna be down here going nuts.” – Pipeman (03:06)
• “We're not there to preach to people, we're just there to be part of the community and to love on people.” (06:20)
• “For us, the pit is a safe space. Totally safe space to be who you want to be, be authentic and raw, and get it all out there.” – Pete (07:46)
• “We're not here to make fans. We're here to make friends and build a community.” – Pete (11:10)

Resources & Links Mentioned

• Bloodstock Open Air Festival
  • Bloodstock Festival Website
• Metal to the Masses Competition
  • Bloodstock Metal 2 the Masses
• Meet Your Maker
  • (No direct links mentioned during the interview)

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In this episode of the Podcast, Pipeman sits down with Cam and Kaz from Imperial Demonic at Bloodstock Festival. The conversation delves into the band’s journey from a solo project to a full DIY group, their evolution in sound, the realities of the current metal scene, and their excitement about performing at one of their biggest shows to date. The band also shares insights into their creative process, challenges of standing out in an oversaturated market, and how fans can connect and support them.Main Topics Covered

• First-time experiences at Bloodstock Festival (00:30)
• The sense of community at metal festivals (01:05)
• Imperial Demonic’s background and evolution (01:31)
• Transition from a solo/duo act to a full band (02:18)
• Writing, recording, and producing music DIY style (02:27)
• Diverse musical influences and artistic evolution (03:17)
• Reflections on genre labeling and artistic integrity (08:44)
• The challenges and realities of self-promotion and social media, especially TikTok (10:10)
• Merchandising, exclusivity, and direct fan support (09:22)

Key Discussions & StoriesBloodstock: A Milestone for Imperial Demonic

• Cam and Kaz share their excitement about playing Bloodstock for the first time.
• Discussion on the inclusive and friendly atmosphere at the festival (01:01), emphasizing the sense of metal community.

From One-Man Project to Five-Piece Band

• Cam: Evolution from a solo project to a collaborative band (01:45).
• Kaz: The first EP was Cam’s “child”; the new album is a collective effort (02:27).
• The benefits of blending influences and sharing creative responsibilities (03:17).

Musical Evolution and Influences

• Early influences: Dark Funeral, Dissection, Dimmu Borgir, Marduk, Belphegor, etc. (04:04).
• Striving for a unique sound with elements of black metal, death metal, and atmosphere (03:25).

The Nature of Black Metal and Community

• Reflection on the changing face of black metal, from its “scary” origins to today’s tight-knit, supportive community (05:33).
• Notable story: Pipe Man recounts a legendary backstage scuffle between Venom and Slayer (05:54).

DIY Ethic and Merchandising

• The challenges and rewards of handling all aspects of the band internally (02:03, 08:03).
• Merch is exclusive and in small batches—“once they’re gone, they’re gone” (09:22).
• Active on Instagram and have secured www.imperialedemonic.com (09:52).

The Reality of Promotion in Modern Times

• Difficulty standing out in today's oversaturated market (10:33).
• Mixed feelings about TikTok and viral culture; Imperial Demonic prefers authenticity over chasing trends (10:10).

Notable Quotes

• “There’s no outsiders here. We’re all fucking outsiders together.” — Pipeman (01:12)
• “It’s cool having a more varied sound... it’s going to give us wider appeal as well.” — Cam (03:49)
• “Honestly, as much as I absolutely love playing shows, I really don’t care for the entire, like, everything around it. I just want to be on stage, grab my instrument, play the show, go back to my studio, write more riffs, record." — Kaz (11:17)
• “Be true to yourself and play to your strengths.” — Cam (11:04)
• “If you’re not having fun doing this, you’re in the wrong business.” — Pipeman (11:37)

Resources & Links Mentioned

• Official website: imperialedemonic.com (09:52)
• Instagram: Most active social media channel (10:03)
• TikTok: Some presence, but not a primary focus (10:10)
• Bandcamp: Temporarily closed for the day of the festival (09:28)
• Merch: Shirts and vinyl available in limited quantities at shows (09:33)

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Stream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. 

Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.