In this vibrant episode, Pipeman sits down with members of Temples on Mars at Bloodstock Festival to discuss the band's journey, the universal community of metal, and the therapeutic power of heavy music. They also delve into the unique culture of metal festivals, the band's origins across continents, and the importance of supporting independent musicians.Main Topics Covered
- Bloodstock Festival Vibes and Culture
- Stereotypes and Realities of Metalheads
- Metal as Therapy and Community
- The Origins and Evolution of Temples on Mars
- The New Zealand Metal Scene
- Writing and Performing New Music
- The Struggles and Realities of Being a Touring Musician
- Supporting Bands Through Merch and Streaming
Key Discussions & StoriesBloodstock Festival & Metalhead Community
- The welcoming, family-run nature of Bloodstock and its standing in metal festivals, as Pipeman reflected on the sense of homecoming at the event 00:52.
- The conversation highlights how metalheads appear intimidating to keep unfriendly people out but are in reality a supportive and caring community 01:32.
Metal as Therapy
- The speakers discuss how heavy music and mosh pits act as a constructive outlet for releasing emotion rather than promoting violence 03:01.
- The deeply supportive environment found in metal scenes worldwide, with people helping each other in the pit and beyond 03:15.
Temples on Mars' Story & International Roots
- The band's formation around 2018, early releases, international tours (including South Africa), and the unique parallels between cultures 03:42.
- Reflecting on the very stable lineup, emphasizing their brotherhood and shared direction 04:48.
The New Zealand Metal Scene
- Discussion of Wellington, New Zealand's close-knit metal and punk community and how similar scenes arise worldwide 06:13.
- Serendipitous connection between Wellington, NZ and Wellington, Florida 05:31.
The Power of Music and Finding Family
- Personal stories about music as a means of belonging, direction, and therapy—especially during challenging youth in conservative societies 08:50.
- Band members recall how discovering bands like Nirvana and Rage Against the Machine changed their lives 09:16.
- Acknowledgement of how metal bands often play a life-saving role for fans 10:34.
Making and Sharing Music
- Temples on Mars’ newest record, "The Last Ship," forms the core of their Bloodstock set and showcases their evolving sound 04:26.
- The internal creative process is discussed, noting the band’s tendency to be their own toughest critics 08:13.
Supporting Independent Artists
- The crucial role of merch sales for survival on the road and the inadequacy of streaming revenue 12:23.
- Calls to action for fans to buy music and merch to help bands continue touring and making music 12:34.
Notable Quotes“There's so many festivals out there, but there's only one like Bloodstock where there are no assholes here, to be blunt.”
— Pipeman 01:17“Metalheads come across as really scary people for a fucking reason, to keep the assholes out. But once you get in the tent, just everyone's so chilled.”
— Discussion at 01:32“Music is therapy. It's therapy. It's therapy.”
— Pipeman 03:01“The mosh pit is violent, but it's a safe place.”
— 03:12"Us evil, scary people are actually the nicest people that get along with everybody in the world."
— Pipeman 07:10“Warm, accessible, heavy hooks with some electronic je ne sais quoi dedans.”
— Band’s self-description 07:34“You suddenly find a family. You find other alternative kids who are wayward and suddenly that’s your connection to them... I’m not alone in this fucking world, you know. I’m allowed to be fucking weird. It’s fine.”
— 09:48"How many times have you heard somebody say, oh, this band saved my life?"
— Pipeman 10:58Resources & Links Mentioned
- Temples on Mars music:
- Spotify
- Bandcamp
- Other streaming platforms (11:45)
- Encouragement to support artists:
- Buy music and merch, buy a coffee for the band (11:53)
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