The Amis Papers

Another attempt at a state-of-the-nation comic novel, but this time feeling detached, as if Amis is no longer up to date with British society. In this discussion I refer to "Who let the dogs out?" by the Baha Men, Evelyn Waugh's Vile Bodies (1930), whether Mean Mr Mustard makes sense as an 80s nickname, and Lionel Blair's cultural footprint. Amis is groping towards a point about nature and nurture and whether it is possible to escape the criminal underclass, but this is thin gruel.

Also mentioned:  The Martin Chronicles podcast

A long hot summer in Italy - it's 1970 and Keith Nearing is 20, working his way through the canon and thinking about sex with his companions.  A sprawling novel about the reconfiguration of social mores in the aftermath of the sexual revolution - not for nothing does it start with Larkin's Annus Mirabilis.  In this discussion I highlight Katha Politt's criticisms of the depiction of female characters, the slightly uncertain period detail, parallels to Adrian Mole, Lucky Jim and Jenny Bunn from Take a Girl Like You  (1960), and end by exploring whether Amis was right to complain about critics seeing it as autobiographical.
Content note: mentions of sexual assault

Amis's short Russian novel takes us through history from Stalinism to Putin's failed state, while following a lifelong love triangle between two brothers and Zoya.  Content note: the book and the podcast include descriptions of sexual assault and reference self harm. 
I mention Adam Curtis's Russia 1985-1999: Trauma Zone (available in the UK on BBC iPlayer) and Kingsley Amis's novel Jake's Thing as a book that is enjoyable to read.
I spend some time trying to tease out Amis's moral point, that a person, people or nation without conscience cannot survive, but am uneasy with its application to the narrator.

Amis's second short story collection is diverse in subject, style and antiquity - including  a science fiction story that reveals that Earth is unimportant and doomed, a fantasy where poets make big money film deals and screenwriters starve, and a commentary on the way that society has left the old rules of status and masculinity behind, featuring Big Mal Bale who reappears in Yellow Dog.  There are short funny stories too.

Mentioned in this episode:



Extract from 
Experience (2000)

Another review of the book 
Another review

Contemporary reviews 


Mason’s Life by Kingsley Amis

The publication of Yellow Dog was greeted with dismay by the papers, writers and fans. "Embarrassingly bad" was the memorable description by novelist Tibor Fischer.  Tibor Fischer review 

Parts are aggressively unpleasant- the tedious brutality of old-style London gangsters, the extravagant cynicism and hypocrisy of the tabloid journalists, and the grimy business of the pornography industry, but looked at in the right light it is a comprehensive and nuanced exploration of masculinity in the late 20th century, arguing that we must outgrow our instincts to create a society for all.  

On the way I discuss 90s laddism and the prevalence of 'ironic' sexism, Humbert Wolfe's view of the British press Epigram to The Uncelestial City (1930) and whether the strength of the critical response was driven by Amis's shift in politics after 9/11.

Amis's second short story collection is diverse in subject, style and antiquity - including  a science fiction story that reveals that Earth is unimportant and doomed, a fantasy where poets make big money film deals and screenwriters starve, and a commentary on the way that society has left the old rules of status and masculinity behind, featuring Big Mal Bale who reappears in Yellow Dog.  There are short funny stories too.

Mentioned in this episode:



Extract from 
Experience (2000)

Another review of the book 
Another review

Contemporary reviews 


Mason’s Life by Kingsley Amis

Carol Morley's 2018 film adaptation of Night Train places the action in New Orleans.  The podcast discusses how the book's mystery has been altered to make it more of a conventional noir, why it was filmed in 'Covid style' with empty rooms and few people, and why the viewer may find the ending unsatisfying.   Worth watching if you like the book; there is a spolier section at the end of the episode in case you plan to do so.

We jump across the Atlantic to a modern noir, with a disillusioned alcoholic cop investigating the death of her beautiful and successful friend.  A comic novel light on jokes, with an emphasis on the meaninglessness of existence and the impossibility of happiness.  The podcast ponders whether a work that shows the police as bigoted, lawless and incompetent counts as "copaganda", where the phrase "the sense of an ending" comes from and what it means, and whether the ending is as bleak as it seems.

Content note: discussion of suicide and child sexual abuse.

We reach the halfway point of Amis's fiction, a long meditation on the realities of the writer's life and the futility of revenge.  Some poetic allusions to Philip Larkin's The Trees and Wendy Cope's Tumps (typically useless male poets), and the mystery of what a planesaw is, enliven Amis writing at the top of his game on the sad and depressing life of Richard Tull, a novelist whose early promise has evaporated into hackwork.

Amis follows a Nazi doctor from his death as a respectable suburban physician in America back through New York to Portugal, Rome, and wartime Germany.  On the way we discover the strangeness of eating and relationships told backwards, the significance of 1960, and whether those guilty of monstrous crimes are monsters or ordinary people.

Diane LeBlond 2013 Etudes britanniques contemporaines “Martin Amis and ‘the
Nature of the Offence’: from Expressions of Outrage to the Experience of Scandal”