The Amory Score

Did you think we forgot about you? We’re back. It’s time to talk about the Album with absolutely nothing to talk about.

We did it! We finished The Afterman and also, holy shit, Coheed released a new Album and we talked about that.

IT’S TIME!! The brand new format for The Amory Score is here as we stop taking years to do a single album and just knock one out every few months. Welcome back. We all need Mayo today.

THE BOOK IS DEAD WE ARE FREE

This brings an end to this untenable “one song every 2-5 months” structrure we’ve been doing. Simply our schedules are a disaster. The episodes will be about the same distance apart but about full albums for the last couple.

MAYO DEFTINWOLF WAS IN HIS GLORY

one more episode. and then we are free

We will finish this album this year. We will. No matter how bad this book gets, we will make it through, and together we will all stand on the other side as Coheed experts. But the trial doesn’t get easier.

We’re back and ready to tackle the worst combination of song and chapter we have yet seen on The Amory Score.

Content Warnings for sexual assault and misogyny, even beyond the usual level of that stuff that comes from covering a story like The Amory Wars.

The Amory Score is back. At the rate of an old Newgrounds Cartoon we will drag ourselves over the finish line on this terrible book this year. It’s going to happen. Just you wait.

Hello! We recorded this episode in something resembling reasonable time and it has sat on my hard drive unedited for over a month. Classic Jackson. I accept all blame. Anyway, here’s the best song on the whole album.

Amory Scores are like busses. You wait months for one and then two come along at once. But in our defence we had no idea Coheed were going to drop a song today, let alone one as powerfully stupid and deserving of immeidiate attention as a sequel to Jessie’s Girl, that is also now a horror movie about how women do be crazy bro.

Please, enjoy the bonus episode.

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