Star Trek VI: The Undiscovered Country (1991) marks the final adventure for the crew of the 1966 incarnation of the franchise. In this episode, we take a look at the Cold War allegory of this film, as well as the characters' arcs since our "introduction" to them in Star Trek: The Motion Picture.

Plus, Dr. Drea completes her ranking of these films! Will you be surprised?

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Star Trek IV: The Voyage Home (1986) doesn't take itself too seriously, but it humbles us by asking us to de-center the human culture and the things we over-value, to recognize the triviality of some of our human norms and the way we alienate those who are different, and to stretch our minds to be open and accepting of the unknown.

This episode was recorded in front of our live Discord audience. To join our Discord channel, click here.

In this special episode of the podcast, we take a look at the spectacular third season of Star Trek: Picard with two of its writer/producers, Christopher Monfette and Matt Okumura. This episode was recorded as a panel at San Diego Comic-Con 2023 and doesn't have the best audio, but we want to thank Garrard Whatley for working his magic and getting it to where it is. 

Star Trek III: The Search for Spock (1984), though not as well executed as Star Trek II, successfully carries its big emotional moments, from the shocking murder of Kirk's son to the heart-crushing destruction of the Enterprise. Loss after loss, the story weighs heavily on anyone rooting for Kirk. Here, Dr. Drea describes the risks he faces psychologically, due to the shock and suddenness of his personal losses and explains the differences between typical grief and traumatic grief.

In our analysis of Star Trek II: The Wrath of Khan, we join Admiral James T. Kirk and his Starfleet friends as they are once again pulled into a risky adventure. Since his infamous attempted coup on the Enterprise 15 years ago, Khan Noonien Singh is noticeably more emotional, ragged from years of hard survivorship on an inhospitable planet, but he's also deeply preoccupied with revenge. But as both the film and science can attest, achieving revenge is rarely as satisfying or as personally rewarding as we hope it will be.

When the survival of the whole planet is at stake, how much do purpose, logic, wisdom, and emotion matter? Do we rely on gut instincts or unfiltered logic to make critical decisions? The original cast of Star Trek reunite to represent the voyages of the Starship Enterprise in their first film, Star Trek: The Motion Picture (1979). Dr. Drea especially observes the internal struggle building within Spock, who is recently rejected by his Vulcan community due to his inability to suppress emotions to an extreme degree as his culture dictates; his elders chastise him for allowing feelings like yearning, friendship, and exhilaration to distract or break his mental discipline.

The last film in the Star Wars sequel trilogy, The Rise of Skywalker (2019), seems to ret-con or reduce plot points in the previous film; and serves insights about the core theme of intergenerational trauma!

In one of the most divisive Star Wars films to date, The Last Jedi (2017) serves an unapologetic tale of the embittering consequences and casualties of perpetual war, reminding audiences that there are no true winners; just power grabs. Those who are truly liberated are the elite, the profiteers, and the arms dealers who benefit from people stuck in their ideologies. In totality, the film's messages become enticing, if not exhilarating: Find true peace by shifting the power dynamics. Abandon traditions, ties, legacies, and all the harms that come with them. Burn it down. Burn it all down.