The egoless band can go a lot further than most bands. A strong element of that is embracing creative changes of direction - agreeing on it and being brave about it. Let’s face it, something we know about longevity is that taking creative risks is not an option - at some stage every band must do it. As fans, we all have a favourite Bowie album and a least favourite one. The same goes for every band, and that includes English indie-rockers Editors. 

Impressive then, that Editors have forged a new creative direction not once, but twice. The latest incarnation is hardly as an indie-rock band at all, but as an electronic outfit that has dived wholly into the musical scene that is electronic body music - so much so, they even named their new album (their 7th), EBM.

Less a genre and more a philosophy, this certainly makes good copy for the new Editors record. Indeed, keyboard player and backing vocalist Elliott Williams even suggested it could have been on the album’s cover sleeve.

They’ve pulled it off with aplomb, with an album that has a motor on it, and absolutely no filler whatsoever. And when you think about it, the move - as radical as it seems - is more an organic evolution of where the band has been going since 2010’s ‘In This Light And On This Evening’. But then, Editors’ career has been an ongoing exercise in managing expectations. As Tom Smith puts it:

“We were this deeply alternative band that were there by accident really. We’ve always found inspiration in the shadows, it suits us. It’s why we’re still here”. 

Editors have navigated a path to longevity that covers the bases: creative shifts, changes of line-up and not getting attached to the trappings of fame. However in the end, for all the drama in their music, this is a band that has survived through pragmatism, friendship and staying grounded. It’s been a Karma Climb of sorts, and long may they go on. 

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