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This is the second of three episodes on the Art of Producing. In this one, I talk about the mics and equipment I use in my studio, and the reasons why.
The example used for this series features an album project for singer-songwriter Corrie Lynn Green. It is an acoustic-based project, although there are some electric guitars and bass on some songs. I explain why I make certain decisions for this project, and how a recording with a different artist or genre would require a different approach.
Corrie’s album, “Time To Be Brave,” will be released on Outer Marker Records on September 6, 2024, and distributed by Native DSD as a download purchase only. But you can listen to all the songs for free (in mp3) on the Native DSD web site. https://www.nativedsd.com/label/outer-marker-records/
The third and final episode of this series on producing will look at mixing and mastering.
email: [email protected]
www.youtube.com/c/DWFearn
https://dwfearn.com/
4.9
3636 ratings
Send us a text
This is the second of three episodes on the Art of Producing. In this one, I talk about the mics and equipment I use in my studio, and the reasons why.
The example used for this series features an album project for singer-songwriter Corrie Lynn Green. It is an acoustic-based project, although there are some electric guitars and bass on some songs. I explain why I make certain decisions for this project, and how a recording with a different artist or genre would require a different approach.
Corrie’s album, “Time To Be Brave,” will be released on Outer Marker Records on September 6, 2024, and distributed by Native DSD as a download purchase only. But you can listen to all the songs for free (in mp3) on the Native DSD web site. https://www.nativedsd.com/label/outer-marker-records/
The third and final episode of this series on producing will look at mixing and mastering.
email: [email protected]
www.youtube.com/c/DWFearn
https://dwfearn.com/
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