Artist Lucy Culliton paints almost exclusively her own homelife on the farm. She takes us through her inspiration and philosophy, including the importance of rescue animals in her life – all eight dogs, four horses, parrots, goats and 47 sheep.

Plus, meet the sculptor using discarded plastic lids to create large-scale 'constellations'.

And what makes for 'disobedience' in Art, and how does gender matter?

Art historian Kate Bryan on her favourite Art love stories of the 20th Century.

Filmmaker-turned-photographer Amos Gebhardt guides us through ‘Small acts of resistance’, a glittering triptych of queer love.

And the spirit and life lessons of the iconic Melbourne artist Mirka Mora, the subject of a big new exhibition.

Savanhdary Vongpoothorn on the family stories and mythical sagas at play in her meditative Slow Art.

Plus, step into the outback landscapes of painter Zhou Xiaoping.

And two artists discuss a new artwork about an environmental tragedy.

The visionary Turkish artist and his studio collaborate with computers to make hallucinatory public art.

We go into the studio of Kate Just, who's knitting a feminist project bound for the Museum of Contemporary Art.

And Tony Albert and Brook Andrew discuss the legacy of significant Australian artist Gordon Bennett.

Sandra Hill was 6 years old when she was taken from her family in 1958. As part of the stolen generation, it wasn't until years later that Sandra found herself able to reconnect with her culture and community through art.

Pulitzer prize-winning Australian art critic Sebastian Smee on finding new ways to work as a critic during the pandemic, being an ally and how he came to art.

Last year marked 45 years of Independence for Papua New Guinea. For this RN Summer edition of the Art Show, we explore the role that art has played in the country's development and engagement with Australia since 1975.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

Influential artist Lindy Lee reflects on her long career; plus the art collective Still Nomads claiming new space for young African Australian artists.

Megan Evans is a multi-disciplinary artist and curator whose art examines Australia's colonial history, looking at the impact that history has had on her own life and the lives of Aboriginal and Torres Strait Islander peoples.