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Almost everything we buy nowadays has been in a box at some point. Goods are shipped in boxes. Products ordered online arrive at our doorstep in boxes. Boxes are so ubiquitous that some strategists use them as an unconventional macroeconomic indicator to gauge retail spending. Now, shipments of boxes are falling dramatically. At the same time, prices for boxes have actually been going up. So, what's going on? And what does it suggest about the health of the US consumer and the broader economy? In this episode, we speak with Ryan Fox, containers and packaging analyst for Bloomberg Intelligence. We talk about the box industry overall, how companies choose their packaging, and what makes the perfect box.

Read more:
Lula, Xi Decry Tariffs and Urge BRICS Unity Amid Trump Threats
What Declining Cardboard Box Sales Tell Us About the US Economy

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“Imagine the feeling of pressing play on a cassette tape that’s just arrived from some 5,000 miles away…”

What is a 'Tape Letter'? Why did people exchange news and greetings with each other on cassette, and how did they do it?

Our series starts with an overview of the Tape Letters Scotland project, and a flavour of the anticipation and excitement of sending and receiving long distance cassette recordings.

“For us it was a novelty, sort of like a joke. Whereas Mum and Dad, they were more emotional…”

Episode credits

Contributors: Assia Ali, Mohammed Farooq, Nassir Ellahi, Izaz Ur Rahman, Khadijah Khurram, Mirza Muhammad Saeed, Parveen Sajid, Nadira Saddiq, Faria Khan, Saima Begum, Nasreen Ali, Akeel Ahmad, Shavana Abdul-Jabbar, Seriya Iqbal, Aqsa Mohammed, Kausar Arshad

Cassette tape donors: Mohammed Ishaq, Sameena Kauser Younus, Shavana Abdul-Jabbar, Khadijah Khurram, Rehana Ahmad

Project director: Wajid Yaseen

Podcast presenter: Tabassum Niamat

Podcast production & sound design: Steve Urquhart

Tape Letters Scotland is a Modus Arts project, made possible by The National Lottery Heritage Fund. 

Today we're floating through the canals of Venice to unveil the magnificent history of The Gritti Palace. Discover how this stunning 15th-century palazzo, once the private residence of a Venetian Doge, was transformed into an unparalleled luxury hotel, becoming a cherished haven and muse for literary giants from Ernest Hemingway to Somerset Maugham - spoiler alert, ghosts, writers and Venetian doges all feature!

Episode Begins: 04:10

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Check into The Gritti Palace here.

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In this episode of The Water Road we visit a floating market on the Shropshire Union Canal, and hear from some of the people trading from their boats. Guests include Julie Tonkin of the Roving Canal Traders Association who tells us about her canal art; Helen Tidy of Wild Side Preserves; the artist, Emma Bradley; Kate Newman who makes glass items; and Paul Partridge from the Baked on Board pizza boat.

The Water Road is produced and presented by Adam Porter.

Music includes: Pomp and Circumstance March #4 by Edward Elgar, Ruins of Athens march by Beethoven, March from the English Folk Song Suite by Ralph Vaughn Williams, the Nutcracker March by Tchaikovsky and the Guadalcanal March by Richard Rodgers and Richard Russel Bennett.

Conducors include: Arturo Toscanini, Arthur Fiedler, Thomas Beecham and Henry Wood.

The First King of England: Æthelstan and the Birth of a Kingdom (Princeton University Press, 2025) by Professor David Woodman is a foundational biography of Æthelstan (d. 939), the early medieval king whose territorial conquests and shrewd statesmanship united the peoples, languages, and cultures that would come to be known as the “kingdom of the English.” In this panoramic work, Dr. Woodman blends masterful storytelling with the latest scholarship to paint a multifaceted portrait of this immensely important but neglected figure, a man celebrated in his day as much for his benevolence, piety, and love of learning as he was for his ambitious reign.
Set against the backdrop of warring powers in early medieval Europe, The First King of England sheds new light on Æthelstan’s early life, his spectacular military victories and the innovative way he governed his kingdom, his fostering of the church, the deft political alliances he forged with Europe’s royal houses, and his death and enduring legacy. It begins with the reigns of Alfred the Great and Edward the Elder, Æthelstan’s grandfather and father, describing how they consolidated and expanded the “kingdom of the Anglo-Saxons.” But it was Æthelstan who would declare himself the first king of all England when, in 927, he conquered the viking kingdom at York, required the submission of a Scottish king, and secured an annual tribute from the Welsh kings.
Beautifully illustrated and breathtaking in scope, The First King of England is the most comprehensive, up-to-date biography of Æthelstan available, bringing a magisterial richness of detail to the life of a consequential British monarch whose strategic and political sophistication was unprecedented for his time.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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For the inaugural episode of 开门见山 | Gateway to Global China, Yangyang spoke with Jing Wang and Christian Sorace about the legacies of Covid-19, five years after the novel coronavirus upended all of our lives.

When Brian Eno first heard 'I Feel Love' by Donna Summer, produced by Giorgio Moroder in 1977, he declared that he had 'heard the sound of the future'. It was the first pop song to be entirely produced on a synthesiser and quickly came to be seen as an important milestone in the history of record production, pointing the way forward to the dominance of electronic technology in the decades following its release. Equally, it's a song which was immediately embraced by gay clubbing communities; when Sam Smith recorded their cover of it in 2019, they could describe it as a 'queer anthem'. In this episode, the first of a new series focussing on songs from the 1970s and 80s, I ask what it is about 'I Feel Love' which has inspired these responses and what might link these two key strands of its history.

All the songs discussed in this episode, including the original recording of 'I Feel Love' can be heard here. The theme from A Clockwork Orange is not on Spotify but at the time of writing can be found here. If you've enjoyed the episode please leave a review on Apple podcasts. Thank you.

With very special thanks to Paul Wierdak, the producer of this episode. 

Two days after Hurricane Katrina hit, people who lived in the Fischer Housing Projects were still trapped – and it didn’t seem like anyone was coming to help. So 20-year-old Jabar Gibson came up with a plan.

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Products often tell you exactly how they’re intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children’s electrolyte solution Pedialyte that many adults swear by as a hangover cure.

You’ll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man’s Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany.

Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring’s supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart.

If you have any cultural mysteries you want us to decode, please email us at [email protected], or leave a message on our hotline at 347-460-7281.

Sources for This Episode

Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man’s Quest for the Cure, Penguin, 2018.

Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017.

Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017.

Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010.

Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015.

Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016.

Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999.

Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017.

Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016.

Russel, Ruth. “Hangover Remedies? I’ll Drink to That!,” Idaho Statesman, Jan. 1, 1978.

Sloan, Kate. Making Magic, 2024.

Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018.

Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990.

Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013.

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