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Journalist Rachel Sylvester investigates the case of 'Australia's worst serial killer'. And discovers, in a story about mothers who have been accused of murdering their own children, there is one man who connects them all: a doctor called Roy Meadow.
Our thanks to The Francis Crick Institute for sharing recordings and insights.
Reporter: Rachel Sylvester
Producer: Gary Marshall
Music supervisor: Karla Patella
Sound design: Rowan Bishop
Podcast artwork: Lola Williams
Executive producer: Basia Cummings
Hosted on Acast. See acast.com/privacy for more information.
Birds, frogs, dolphins, and humans—we're all big talkers. Turtles, on the other hand, are considered to be silent. But are they? In this episode, we challenge what we know about some of our quieter planet-mates.
Threshold is nonprofit, listener-supported, and independently produced. You can support Threshold by donating today. To stay connected, sign up for our newsletter.
Operation frog sound! Send us your frog sounds for an upcoming episode. We want you to go out, listen for frogs and toads, and record them. Just find someone croaking, and hit record on your phone. It doesn’t matter if there’s background noise. It doesn’t even matter if you’re not sure whether or not you’re hearing an amphibian—if you think you are, we would love to get a recording from you.
Please also say your name and where you are in the world, and then email the recording to us at [email protected]
Episode links:
Gabriel Jorgewich-Cohen
Turtle Island
Zippers are the most common machine all around us. But it's a minor miracle how that came to be.
Pictures of early zippers and other links at articlesofinterest.substack.com
Two options for full show notes, including links to stories, games, and related topics!
Next week: For the mailbag, send voice notes to postgamesmailbag (at) gmail. Please keep them under 90 seconds and include your name and pronouns.
Countless video games depict death, but few ask us to contemplate our mortality. Thank goodness. Mario wouldn’t be nearly as fun if we had to attend every goomba’s funeral.
And yet, as I approach 40 and my death anxieties find new ways to keep me awake, I wonder if video games could be uniquely equipped to help us emotionally grapple with the big question that has no answer: what comes next?
So, I called an expert. Video game writer and narrative director Kaitlin Tremblay has written three games exploring the many sides of death: A Mortician’s Tale, Seasonala Cemetery, and the upcoming Ambrosia Sky.
Don't let the topic fool you. This is an uplifting conversation. And hey, if you're listening to this episode, then I can guarantee one thing: you're alive.
Act 1: A life of making games about death
Act 2: How death in games can help us
Patreon Bonus: Why I keep playing this tiny game about dying
Act 3: News of the Week
Find episode notes and more at www.post.games. Subscribe to the Patreon for early access to episodes, additional segments, and bonus materials at patreon.com/postgames.
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See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hello, and welcome to Your Greek Word On A Sunday, a weekly, bite-size podcast for anyone curious on language, etymology and connections. I am your host, Emmanuela Lia and wherever you are in the world, if you want to entertain your brain for a few minutes, this is the podcast for you. Let's Go!
When Homer described the colour of the sea as 'wine-dark' in both the Odyssey and the Iliad, I'm sure he didn't anticipate the avalanche of misconceptions that would follow what-probably- was a moment of lyrical inspiration for the Greek Bard. And if you're wondering how can such a description cause linguistic mayhem , I urge you to ask the world wide web the following question: Did ancient Greeks have a word for the colour blue? And further more: were the ancient Greeks able to see the colour blue? Because no misconception is complete unless it's followed by a conspiracy theory nowadays. To save you the trouble the answers are 'yes' and 'yes' .What they didn't have, was the same vocabulary or colour palette as us. What we call today a shade of a colour to the ancient Greeks was the colour itself. So, as a modern example, burgundy would not be a shade of red but a colour of its own. Blue was not in the picture because there was turquoise, like the stone and the word for the lighter shade , that arrived in English through Latin and French in 1879, was first used by innovator, photographer and printer Edward Steichen, to describe a colour in his print of the solar spectrum. The Greeks used it in several combined words to define the exact shade but the colour of the sky, on a great, Greek, sunny day was ΚΥΑΝΟ/CYAN
Instagram @yourgreeksunday ,
Blue Sky @yourgreeksunday.bsky.social
email [email protected]
I have had a meditation practice for about 15 years now. I started hoping it would calm me down, and it has. But it’s also made me more aware of the strangeness of my mind. Certain thoughts emerge seemingly out of nowhere. Many of them return again and again. Why? And what relationship should you have to your thoughts when you realize you’re not the one controlling them?
Mark Epstein is a psychiatrist and also a Buddhist. He’s spent decades observing the mind through those two distinct traditions, and has written many books that helped build a bridge between them, from his 1995 landmark book, “Thoughts Without a Thinker,” to his latest work, “The Zen of Therapy.” So I thought it would be interesting to talk to him about what he’s learned about the mind after all these decades of observing it.
Mentioned:
Open to Desire by Mark Epstein
Book Recommendations:
John & Paul by Ian Leslie
Essays After Eighty by Donald Hall
Kairos by Jenny Erpenbeck
Thoughts? Guest suggestions? Email us at [email protected].
You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.html
This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Elias Isquith, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Awkward, strange, utterly confounding. Every Editor in Chief has a different origin story and all of them are odd. Featuring Ruth Reichl, Graydon Carter, Linda Wells, Jim Nelson, and Adam Rapoport.
How does a museum place a value on a priceless work of art? And how much does it cost to keep it safe? Zachary Crockett appraises the situation.
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
“Myrtle Beach was a good place, if you stay in your place, I’ll put it like that.”
At the height of segregation, when everywhere else was divided. Black and white people danced together to the biggest R&B acts of the time at Charlie’s Place. How was this possible? And who was the mythic proprietor of this mythic space?
Subscribe to Pushkin+ to binge the entire season early & ad-free in Apple Podcasts or at Pushkin.fm/plus.
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Melvyn Bragg and guests discuss the evolution of lungs and of the first breaths, which can be traced back 400 million years to when animal life spread from rock pools and swamps onto land, as some fish found an evolutionary advantage in getting their oxygen from air rather than water. Breathing with lungs may have started with fish filling their mouths with air and forcing it down into sacs in their chests, like the buccal pumping that frogs do now, and slowly their swimming muscles adapted to work their lungs like bellows.
While lungs developed in different ways, there are astonishing continuities: for example, the distinct breathing system that helps tiny birds fly thousands of miles now is also the one that once allowed some dinosaurs to become huge; our hiccups are vestiges of the flight reaction in fish needing more oxygen; and we still breathe through our skins, just not enough to meet our needs.
With:
Steve Brusatte
Emily Rayfield
And
Jonathan Codd
Producer: Simon Tillotson
Reading list:
Roger B. J. Benson, Richard J. Butler, Matthew T. Carrano and Patrick M. O'Connor, ‘Air-filled postcranial bones in theropod dinosaurs: physiological implications and the ‘reptile’–bird transition’ (Biological Reviews: Cambridge Philosophical Society, July 2011)
Steve Brusatte, The Rise and Fall of the Dinosaurs: A New History of a Lost World (Mariner Books, 2018)
Jennifer A. Clack, Gaining Ground: The Origin and Evolution of Tetrapods (2nd edition, Indiana University Press, 2012)
Camila Cupello et al, ‘Lung Evolution in vertebrates and the water-to-land transition’ (eLife, July 2022)
Andrew Davies and Carl Moore, The Respiratory System (Elsevier, 2010)
Kenneth Kardong, Vertebrates: Comparative Anatomy, Function, Evolution (8th edition, McGraw-Hill Education, 2018)
Ye Li et al, ‘Origin and stepwise evolution of vertebrate lungs’ (Nature Ecology & Evolution, Feb 2025)
P. Martin Sander and Marcus Clauss, ‘Sauropod Gigantism’ (Science, Oct 2008)
Goran Nilsson, Respiratory Physiology of Vertebrates: Life With and Without Oxygen (Cambridge University Press, 2010)
Steven F. Perry et al, ‘What came first, the lung or the breath?’ (Comparative Biochemistry and Physiology, Part A: Molecular & Integrative Biology, May 2001)
Michael J. Stephen, Breath Taking: The Power, Fragility, and Future of Our Extraordinary Lungs (Grove/Atlantic, 2022)
Mathew J. Wedel, ‘The evolution of vertebral pneumaticity in sauropod dinosaurs’ (Journal of Vertebrate Paleontology, Aug 2010)
In Our Time is a BBC Studios Audio Production
Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.
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