An intimate account of Albert Einstein’s visit to Oxford in the 1930’s, casting new light on why he continues to be the world’s most famous scientist.

In 1931, Albert Einstein visited Oxford to receive an honorary degree and lecture on relativity and the universe. While teaching, he naturally chalked equations and diagrams on several blackboards. Today, one of these boards is the most popular object in Oxford’s History of Science Museum. Yet Einstein tried to prevent its preservation because he was modest about his legendary status. Having failed, he complained to his diary: “Not even a cart-horse could endure so much!”

Nevertheless, he came back to Oxford in 1932 and again in 1933—then as a refugee from Nazi Germany. In many ways, the city appealed deeply and revealed him at his most charismatic as he participated in its science, music, and politics, and wandered its streets alone. Einstein in Oxford is an eye-opening exploration of the world’s most famous scientist, told through the personal writings he left behind from an important period of his life. From the pages of his diary entries, poem, and other written observations, readers gain a deeper understanding of the unique man—and humor—who continues to fascinate the world.

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Are we alone in the universe? It’s a fundamental question for Earth-dwelling humankind. Are there other worlds like ours, out there somewhere? In Hidden in the Heavens, Jason Steffen, a former scientist on NASA’s Kepler mission, describes how that mission searched for planets orbiting Sun-like stars—especially Earth-like planets circulating in Earth-like orbits. What the Kepler space telescope found, Steffen reports, contradicted centuries of theoretical and observational work and transformed our understanding of planets, planetary systems, and the stars they orbit. Kepler discovered thousands of planets orbiting distant stars—a bewildering variety of celestial bodies, including rocky planets being vaporized by the intense heat of their host star; super-Earths and sub-Neptunes, with properties simultaneously similar to and different from both Earth and Neptune; gas giants several times the size and mass of Jupiter; and planets orbiting in stellar systems that had only been imagined in science fiction.

‎Published by: Princeton University Press

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We tend to think of our memories as impressions of the past that remain fully intact, preserved somewhere inside our brains. In fact, we construct and reconstruct our memories every time we attempt to recall them. Memory Lane introduces readers to the cutting-edge science of human memory, revealing how our recollections of the past are constantly adapting and changing, and why a faulty memory isn’t always a bad thing.

Shedding light on what memory is and what it evolved to do, Ciara Greene and Gillian Murphy discuss the many benefits of our flexible yet fallible memory system, including helping us to maintain a coherent identity, sustain social bonds, and vividly imagine possible futures. But these flexible and easily distorted memories can also result in significant harm, leading us to provide erroneous eyewitness testimony or fall victim to fake news. Greene and Murphy explain why our flawed memories are not a failure of evolution but rather a byproduct of the perfectly imperfect way our minds have evolved to solve problems. They also grapple with important ethical questions surrounding the study and manipulation of memory.

Blending engaging storytelling with the latest science, the authors demonstrate how our continuous reconstruction of the past makes us who we are, helps us to interpret our experiences, and explains why no two trips down memory lane are ever quite the same.

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A new history of human intelligence that argues that humans know themselves by knowing their machines.

We imagine that we are both in control of and controlled by our bodies—autonomous and yet automatic. This entanglement, according to David W. Bates, emerged in the seventeenth century when humans first built and compared themselves with machines. Reading varied thinkers from Descartes to Kant to Turing, Bates reveals how time and time again technological developments offered new ways to imagine how the body’s automaticity worked alongside the mind’s autonomy. Tracing these evolving lines of thought, An Artificial History of Natural Intelligence offers a new theorization of the human as a being that is dependent on technology and produces itself as an artificial automaton without a natural, outside origin.

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A thrilling exposé recounting how members of Opus Dei—a secretive, ultra-conservative Catholic sect—pushed its radical agenda within the Church and around the globe, using billions of dollars siphoned from one of the world’s largest banks.

In an era of disinformation and deep fakes, here is a real-life conspiracy which hid in plain sight for more than sixty years. Gore tells a shocking story of money and power that spans decades and continents. Documenting Opus Dei’s secret history for the first time, this thrilling work of investigative storytelling raises important questions about the dark forces that shape our society.

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For all the "selfishness" of genes, they team up to survive. Is the history of life in fact a story of cooperation?

Amid the violence and brutality that dominates the news, it's hard to think of ourselves as team players. But cooperation, Jonathan Silvertown argues, is a fundamental part of our make-up, and deeply woven into the whole four-billion-year history of life. Starting with human society, Silvertown digs deeper, to show how cooperation is key to the cells forming our organs, to symbiosis between organisms, to genes that band together, to the dawn of life itself. Cooperation has enabled life to thrive and become complex. Without it, life would never have begun.

Jonathan Silvertown is an evolutionary biologist who has published widely on plant population biology. He is the author of eight books, including Dinner with Darwin: Food, Drink, and Evolution and, most recently, The Comedy of Error: Why Evolution Made Us Laugh. Formerly Professor of Evolutionary Ecology at the Institute of Evolutionary Biology at the University of Edinburgh, and Chair of Technology-Enhanced Science Education in Biological Sciences, he is now, following retirement, an Honorary Professor in the Institute.

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Parachute Women: Marianne Faithfull, Marsha Hunt, Bianca Jagger, Anita Pallenberg, and the Women Behind the Rolling Stones

Discover the true story of the four women who worked tirelessly behind the scenes to help shape and curate the image of The Rolling Stones—perfect for fans of Girls Like Us.

The Rolling Stones have long been considered one of the greatest rock-and-roll bands of all time. At the forefront of the British Invasion and heading up the counterculture movement of the 1960s, the Stones' innovative music and iconic performances defined a generation, and fifty years later, they're still performing to sold-out stadiums around the globe. Yet, as the saying goes, behind every great man is a greater woman, and behind these larger-than-life rockstars were four incredible women whose stories have yet to be fully unpacked . . . until now.

In Parachute Women, Elizabeth Winder introduces us to the four women who inspired, styled, wrote for, remixed, and ultimately helped create the legend of the Rolling Stones. Marianne Faithfull, Marsha Hunt, Bianca Jagger, and Anita Pallenberg put the glimmer in the Glimmer Twins and taught a group of strait-laced boys to be bad. They opened the doors to subterranean art and alternative lifestyles, turned them on to Russian literature, occult practices, and LSD. They connected them to cutting edge directors and writers, won them roles in art house films that renewed their appeal. They often acted as unpaid stylists, providing provocative looks from their personal wardrobes. They remixed tracks for chart-topping albums, and sometimes even wrote the actual songs. More hip to the times than the rockers themselves, they consciously (and unconsciously) kept the band current—and confident—with that mythic lasting power they still have today.

Lush in detail and insight, and long overdue, Parachute Women is a group portrait of the four audacious women who transformed the Stones into international stars, but who were themselves marginalized by the male-dominated rock world of the late '60s and early '70s. Written in the tradition of Sheila Weller's Girls Like Us, it's a story of lust and rivalries, friendships and betrayals, hope and degradation, and the birth of rock and roll.
 
Elizabeth Winder is the author of Marilyn in Manhattan: Her Year of Joy,and Pain, Parties, Work: Sylvia Plath in New York, Summer 1953. Her work has appeared in the Chicago Review, Antioch Review, American Letters, and other publications. She is a graduate of the College of William and Mary, and earned an MFA in creative writing from George Mason University.

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The definitive account of the great Bohr-Einstein debate and its continuing legacy

In 1927, Niels Bohr and Albert Einstein began a debate about the interpretation and meaning of the new quantum theory. This would become one of the most famous debates in the history of science. At stake were an understanding of the purpose, and defense of the integrity, of science. What (if any) limits should we place on our expectations for what science can tell us about physical reality?

Our protagonists slowly disappeared from the vanguard of physics, as its centre of gravity shifted from a war-ravaged Continental Europe to a bold, pragmatic, post-war America. What Einstein and Bohr had considered to be matters of the utmost importance were now set aside. Their debate was regarded either as settled in Bohr's favour or as superfluous to real physics.

But the debate was not resolved. The problems of interpretation and meaning persisted, at least in the minds of a few stubborn physicists, such as David Bohm and John Bell, who refused to stop asking awkward questions. The Bohr-Einstein debate was rejoined, now with a new set of protagonists, on a small scale at first. Through their efforts, the debate was revealed to be about physics after all. Their questions did indeed have answers that could be found in a laboratory. As quantum entanglement became a real physical phenomenon, whole new disciplines were established, such as quantum computing, teleportation, and cryptography. The efforts of the experimentalists were rewarded with shares in the 2022 Nobel prize in physics.

As Quantum Drama reveals, science owes a large debt to those who kept the discussions going against the apathy and indifference of most physicists before definitive experimental inquiries became possible. Although experiment moved the Bohr-Einstein debate to a new level and drew many into foundational research, it has by no means removed or resolved the fundamental question. There will be no Nobel prize for an answer. That will not shut off discussion. Our Drama will continue beyond our telling of it and is unlikely to reach its final scene before science ceases or the world ends.

Jim Baggott, Freelance science writer, John L. Heilbron, Professor Emeritus of History, University of California, Berkeley Jim Baggott is an award-winning science writer. Trained as a scientist in the Universities of Oxford and Stanford, and a former lecturer at the University of Reading, he has written popular books on science, philosophy, and history. His books include Quantum Reality (2020), Quantum Space (2018), Mass (2017), for which he won the 2020 Premio Cosmos prize, Higgs (2012), and The Quantum Story (2011). His books have been translated into a dozen different languages, and he has won awards both for his scientific research and his science writing. John L. Heilbron is Professor of History and Vice Chancellor Emeritus at the University of California, Berkeley, as well as an Honorary Fellow of Worcester College, Oxford. After training in physics, he studied history of science under T. S. Kuhn in the 1960s, when Kuhn was writing The Structure of Scientific Revolutions. He is the recipient of several prizes and honorary degrees from multiple universities. His books include The Incomparable Monsignor (2022), Niels Bohr: A Very Short Introduction (2020), Galileo (2012), and Love, Literature, and the Quantum Atom (with Finn Aaserund, 2013), on Bohr's 1913 trilogy of scientific papers.

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Arguably among the worst of all medical afflictions, the dementias slowly destroy one's personality, take a tremendous emotional, physical, and financial toll on patients and families, and are irreversible and inexorably fatal. Winter's End: Dementia and Its Life-Shortening Options is constructed around a lengthy and detailed nonfiction account that is layered with the voices of approximately 100 palliative medicine practitioners, legal scholars, bioethicists, social workers, nurses, neurologists, psychiatrists, and other authorities from North America and Europe.

This book explores how and when one might prepare to foreshorten life after being diagnosed with a dementing illness, while not ignoring the reality that for most people such actions are unthinkable and unacceptable. Dan Winter was one of the exceptions, and after being diagnosed with early-onset Alzheimer's disease, he resolved to hasten his death. He struggled over what method to employ and the timing of when to act.

Winter's End is intended to catalyze conversations between clinicians, people affected by dementias, and the general public. It is a spellbinding and provocative book about a taboo subject that is increasingly germane to all aging societies that value patient autonomy.

Lewis Cohen, MD is a professor emeritus of Psychiatry and a Palliative Medicine researcher, who has received numerous literary and academic honours. He is a Guggenheim fellow and was a Rockefeller Bellagio scholar and a Bogliasco Foundation resident. He is a recipient of the Thomas and Eleanor Hackett Memorial Lifetime Achievement Award from the Academy of Consultation-Liaison Psychiatry and his research has been funded by NIH and the Robert Wood Johnson Foundation. As a medical student, Dr. Cohen studied under Anna Freud, who interested him in end-of-life issues.

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When Rowan Jacobsen first heard of a chocolate bar made entirely from wild Bolivian cacao, he was skeptical. The waxy mass-market chocolate of his childhood had left him indifferent to it, and most experts believed wild cacao had disappeared from the rainforest centuries ago. But one dazzling bite of Cru Sauvage was all it took. Chasing chocolate down the supply chain and back through history, Jacobsen travels the rainforests of the Amazon and Central America to find the chocolate makers, activists, and indigenous leaders who are bucking the system that long ago abandoned wild and heirloom cacao in favor of high-yield, low-flavor varietals preferred by Big Chocolate.

What he found was a cacao renaissance. As his guides pulled the last vestiges of ancient cacao back from the edge of extinction, they'd forged an alternative system in the process-one that is bringing prosperity back to local economies, returning fertility to the land, and protecting it from the rampages of cattle farming. All the while, a new generation of bean-to-bar chocolate makers are racing to get their
hands on these rare varietals and produce extraordinary chocolate displaying a diversity of flavors no one had thought possible. Full of vivid characters, vibrant landscapes, and surprising history, Wild Chocolate promises to be as rich, complex, and addictive as good chocolate itself.

Rowan Jacobsen is the author of eight books, including the James Beard Award-winning A Geography of Oysters and 2021's Truffle Hound. He has written for the New York Times, Harper's, Outside, Food & Wine, Forbes, Mother Jones, Scientific American, Smithsonian, Vice, and others, and he appears regularly in Best American Science & Nature Writing and Best Food Writing. He has been an Alicia Patterson Foundation fellow, a McGraw Center fellow, and a Knight Science Journalism Fellow at MIT. The creator and host of the 2022 podcast series "Wild Chocolate," he lives in Vermont.

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