Welcome to The B-Side! Here we talk about movie stars, movie directors, and sometimes - sometimes - the companies that made the movies those stars and directors made! We were lucky to speak with Christine Vachon and Pamela Koffler of Killer Films in honor of Metrograph’s 30th Anniversary program, with screenings starting on August 2, 2025.

Vachon and Koffler speak on curating the celebratory program, which includes Office Killer. We also dish on myself and Conor’s time as interns at Killer many years ago, some B-Sides (including A Home at the End of the World, The Safety of Objects, Dark Waters), and how Killer has survived this ever-changing industry of independent film.

There’s a wonderful discussion about wigs in film (prompted by Colin Farrell’s bad wig in the first act of A Home at the End of the World), an appreciation of Dark Waters getting made and getting discovered to this day, and line producers “carrying the burden of the budget.”

Vachon mourns The Safety of Objects being swallowed by the tragedy of 9/11 while Koffler suggests why the independent ensemble drama has gone by the wayside. There’s discussion on the dangers of saying “good enough” during pre-production as well as Vachon and Koffler shouting out Killer Films B-Sides they personally love (The World to Come, Vox Lux, Dirty Girl). I shout out She Came to Me, an underrated, recent gem.