By Jason Yap
5
33 ratings
The podcast currently has 66 episodes available.
When Boston Dynamics, an engineering and robotics design company went viral for successfully creating the now famous Atlas dancing robots video, it caught more than a few people in the world of dance by storm. Would our jobs be threatened by robots too now? Enter the fascinating world of Choreorobotics, a field that explores the convergence of dance choreography and robotics technology.
At the forefront of this interdisciplinary domain is Dr. Kate Sicchio, a choreographer, media artist, performer and Assistant Professor in Dance and Media Technology at Virginia Commonwealth University, whose groundbreaking work has garnered international acclaim. Dr. Sicchio's pioneering research delves into the creative possibilities of integrating technology into dance performance, pushing the boundaries of what is possible when humans and machines collaborate on stage. Sicchio's contributions to the field of dance and technology have earned her recognition as a leading figure in the emerging field of "digital dance" or "dance and technology.''
Continuing a brand new season and month of Dance Technology, this episode investigates Choreorobotics, dancers’ attitudes towards technology and what the future holds for aspiring tech enthusiasts in the world of arts and culture. Ready to discover the roboticist within you? Join us as we foreground dance in the background!
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SaaS, also known as software as a a service or web-based software, operates on a subscription basis, providing users with centrally hosted solutions accessible anytime, anywhere. This model has transformed countless industries, including entertainment, communication, and, most notably, education. As dance studios and activity centers worldwide sought efficient management solutions, Jackrabbit Technologies emerged as a pioneer in cloud-based class management software.
Under CEO and co-founder Mark Mahoney's leadership, Jackrabbit Technologies has grown into a multi-million dollar company serving over 5 million students across more than 15,000 locations in 36 countries. Mahoney's entrepreneurial spirit and dedication to innovation have earned him numerous accolades, including the NC Tech Exec of the Year, the Michael J. Bryan Award for entrepreneurial excellence, and recognition as a Charlotte area Top 50 Entrepreneur and Most Admired CEO.
Kickstarting a brand new season and month of Dance Technology, this episode explores one of dance technology’s greatest successes in modern times, the impact of SaaS on the performing arts, as well as what the future holds for Mark and his thriving team of pioneers. Ready to discover the tech geek within you? Join us as we foreground dance in the background!
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Long before the formulation of the world’s first MA in Screendance by the LCDS, the genre had already dated as far back to the early days of cinema. Gene Kelly emerged as a prominent figure during the 1940s and 50s after he starred in and co-directed the classic film "Singin' in the Rain" (1952). In contemporary cinema, dance continues to play a significant role through films such as "Black Swan" (2010), "La La Land" (2016), which have all brought dance back into the spotlight for the next generation of creators to continue evolving.
One such creator is dancer, choreographer, and creative director hailing from the vibrant city of Los Angeles, California - Mike Tyus. Tyus has graced the stages of renowned companies including Cirque Du Soleil, Pilobolus Dance Theater, while collaborating with visionaries like Sidi Larbi Cherkoui and Inbal Pinto. His choreographic style is a captivating fusion of his diverse training, blending elements from circus theater, acrobatics, ballet, and Greco-Roman wrestling to create a truly unique and mesmerizing art form as evidenced with the likes of the LA Dance Project and Joffrey Ballet. In 2020, he established Mike Tyus & Co, a dance company dedicated to bringing his visionary work to life, with an impressive repertoire of over 13 films and a litany of original works and branded commercial campaigns featuring SONY, Apple, and Abercrombie & Fitch.
Continuing a brand new season and month of Dance Choreography, this episode ponders about the ideas and potential of creating dance for the camera, and what it takes to succeed as a screendance choreographer. Ready to discover the filmmaker within you? Join us as we foreground dance in the background!
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While most of us aspiring contemporary dancers will decide to undergo formal training under the foundations of Graham, Cunningham, Limon and various others, a small subset has diverted into the wondrous world of puppet theatre. One such performer, choreographer and now puppeteer is Duda Paiva. After a few more years thriving as an independent theatrical artist, he initiated the Duda Paiva Company in Amsterdam, Holland, in 2004.
Duda was educated as an actor, ballet and Butoh dancer in both Brazil and Japan. He moved to the Netherlands in 1996, where he worked as a professional contemporary dancer and choreographer. Curious and adept at researching multidisciplinary art forms, Paiva pushes the boundaries of visual theater and creates an exciting and unique idiom, blowing life into foam sculptures.
Kickstarting a brand new season and month of Dance Choreography, this episode explores the choreographic mystery behind creating for both humans as well as puppets, how to find constant harmony and what the future ultimately holds for this art form. Ready to discover the puppeteer within you? Join us as we foreground dance in the background!
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Costumes, costumes, costumes... they are everywhere, aren't they? From festive occasions to theatrical performances and even on the silver screen in movies. Whilst studying dance, I was always captivated by the costume design at the School of Theatre and Arts Entertainment. They were the ones I interacted with most, as they were responsible for crafting costumes and set designs for various other departments including Music, Drama and Chinese Opera.
Rike Zöllner hails originally from Germany and was trained at The Royal Welsh College of Music and Drama (MA) after obtaining a degree in Literature and Performing Arts in France. Over the years, she has collaborated with choreographers such as Dimitris Papaioannou, Ben Wright, Theo Clinkard and Colette Sadler to name a few. In 2019 she was awarded as an Honorary Associate of the Royal Welsh College Of Music And Drama, and is now pursuing her PhD whilst also acting as academic assistant in the art history department of the Offenbach University of Art and Design back in Germany.
Continuing a brand new season and month of Dance Fashion, this episode explores the intricacies of costume design in dance, how it differs from other art forms and how to pursue one as a full-fledged career. Join us as we foreground dance in the background!
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As a dancer, have you ever wondered about the significance of the clothes on your back? For most, the selection of brands and gear is a deliberate choice, a conscious decision shaping their dance journey. A notable name in this arena is SMK Dancewear, a label bearing the imprint of its founder and designer, Sandra Meynier Kang. The brand's ethos revolves around eco-friendly textiles, zero waste production, and a vegan, locally made product range.
Sandra Meynier Kang, is a French native who has followed a unique path in both the fashion world and rhythmic gymnastics. Her journey intertwines her passions for rhythmic gymnastics, design and ethical fashion based on eco-friendly and upcycled textiles and accessories. She graduated in 2008 from Atelier Chardon Savard, a French fashion design school based in Paris, and in 2010 she moved to Seoul as a fashion commercial agent to work for a few designer brands before creating her dancewear brand in 2017.
Kickstarting a brand new season and month of Dance Fashion, this episode delves into dancewear industry, unraveling its trials and triumphs. From collaborations and fashion expos to navigating the establishment of a dancewear brand in an unfamiliar country. Ready to discover the designer within you? Join us as we foreground dance in the background!
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Have you ever suffered a catastrophic injury? How does one recover and regain peak condition following damage to the anatomy? Amidst the many inherent challenges within the dance sphere — a beacon of hope shines at the NYU Langone Orthopedic Hospital through the presence of the Harkness Center for Dance Injuries. Beyond their exceptional array of services encompassing physical therapy and injury prevention programs, they also provide comprehensive educational offerings, both online and in person. A noteworthy accomplishment is the full accreditation, secured in 2020, of the Harkness Center’s Postgraduate Performing Arts Physical Therapy Fellowship Program by the American Board of Physical Therapy Residency and Fellowship Education (ABPTRFE).
At the nexus of this endeavor is Dr. Donald Rose, a distinguished sports medicine physician and orthopedic surgeon. He stands as the founding director of the Harkness Center for Dance Injuries at NYU Langone Orthopedic Hospital. Dr. Rose's realm of expertise encompasses the management of injuries unique to dancers, and he diligently conducts research aimed at refining dance injury treatments. His impactful contributions extend further, as he serves as an orthopedic consultant to esteemed dance companies, including the Alvin Ailey American Dance Theater, Martha Graham Dance Company, Dance Theatre of Harlem, and the now-defunct Cedar Lake Contemporary Ballet
Continuing a brand new season and month of Dance Science, this episode delves into the intricate underpinnings of both sports and dance medicine, as well as the challenges inherent in ensuring the enduring health and career trajectories of dancers. Ready to discover the caretaker within you? Join us as we foreground dance in the background!
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What exactly is Dance Science? What are the main foundations that constitute its rich and detailed history? Given dance's unique position at the intersection of arts and sports, it was inevitable that this field would eventually enter the mainstream. One pioneering institution that played a crucial role in this transformation was the Trinity Laban Conservatoire of Music and Dance, with one individual standing out as a driving force behind this revolution – Professor Emma Redding.
Professor Emma Redding is a distinguished practitioner, educator, and researcher in contemporary dance and performance science. Prior to her role as Director of the VCA, she served as Professor in Performance Science and Head of Dance Science at Trinity Laban. Her contributions include co-authoring the first-ever Master's degree in Dance Science and being a key figure in establishing dance science as a recognized field of study in Higher Education. She has also assumed leadership roles as a founding partner of the UK's National Institute for Dance Medicine and Science and as a Past President of IADMS.
Kickstarting a brand new season and month of Dance Science, this episode delves into its foundations, significance in the performing arts, and how it could become an integral part of every dancer's education. Ready to discover the scientist within you? Join us as we foreground dance in the background!
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What does it take to stand out as a podcaster anyways? Is the craze for this new medium truly justified for the world of dance? Like in every other sector, the field of dance-related podcasts is now beyond saturated. Yet, that didn’t discourage me from starting a show, completing a full season and then embarking on a whole new one right after! It starts with your message and the value it brings to listeners who are looking to learn something from you which they cannot do elsewhere - which I did through one of the first podcasts I ever listened to, The Dance Podcast.
Lauren Ritchie is the host and one of the earliest pioneers of dance podcasting, starting as far back as 2016. After a highly competitive career as a dancer, having trained in ballet, jazz, tap and lyrical styles, she transitioned into a coach, educator, writer and adjudicator for part two of her glittering career. Recognizing the lack of mental skills training in dance, Lauren created programs dedicated to educating and empowering dancers’ mental health as well as fitness to optimize their training, subsequently transforming her experiences into 5 seasons totaling 160 episodes on her podcast.
Continuing a brand new season and month of Dance Media, this episode explores the role of podcasts as performing arts media and what it takes to excel as a dance podcaster. Ready to discover the podcaster within you? Join us as we foreground dance in the background!
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Is journalism dead? What is the most trusted form of media today? While there isn’t a definitive answer, one company comes admirably close. Dance Media Publications is a multi-varied media platform that covers dance like no other and has been consistently delivering engaging content to the most dancers, dance professionals and dance lovers globally. Among its many satellite publications, the Dance Edit podcast stands out as a prominent voice for daily news and updates revolving around the world of dance.
Margaret Fuhrer was formerly the Editor in Chief and Producer of the Dance Edit Podcast. A journalism graduate from NYU, her writing has been published on esteemed platforms such as The New York Times, The Huffington Post, and The Brooklyn Rail. Margaret has also worked on other Dance Media outlets such as the Dance Spirit, Pointe and the Dance Magazine, the latter in which she now devotes her work to as Features Editor. Best of all, she is the author of the book American Dance: The Complete Illustrated History, published in 2014.
Kickstarting a brand new season and month of Dance Media, this episode uncovers the secrets of pursuing a career in journalism and ambition to work for the best media companies in the arts. Ready to discover the journalist within you? Join us as we foreground dance in the background!
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The podcast currently has 66 episodes available.