Pablo Picasso’s Guernica is probably the most well known painting of the 20th century, and has become a universal symbol of the horrors of war. But it has also been the subject of renewed controversy in recent weeks in Spain - over a yet another request by the Basque government for the painting to be displayed at least temporarily in Bilbao. The current request comes ahead of the 90th anniversary of the bombing that the painting evokes - when during the Civil War the Nazi Condor Legion unleashed a relentless aerial assault on the Basque town.

The long-running debate over moving the painting to the Basque Country centres on competing claims, with Basque sovereignists arguing that it should be displayed in the same location as the events it commemorates, against Spanish government’s insistence it remain at Museo Reina Sofía in Madrid for reasons of conservation and national heritage. Today on Sobremesa, we discuss the controversy and the relationship between the work’s power and universality and the concrete, historical atrocity inflicted on Gernika the town.

To do so Eoghan is joined by Brittany Kennnedy, Senior Professor of Practice at Tulane University’s Department of Spanish and Portuguese. Brittany is the author of Between Distant Modernities: Performing Exceptionality in Francoist Spain and the Jim Crow South.

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