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Not all greatest hits albums are for house-people and little thems. Some, like “1967-1970” (and its red, commie companion) are as essential as the bands they represent. This week, the Twerk Twins dish deep on the packaging, origin, and legacy of these history-making collections and their 2023 remixes, and also ask:
🦦 Would John have loved the 2011 Target-only 7” mix of “I Am The Walrus”?
📻 Is recycling the original hip-hop?
🌭 (Angry Chicago Guy:) How come The Red Album put ketchup around its plump, juicy frank of a logo? (Slowly, legitimately in crisis-mode:) And how come Tony Larussa got too woke to drive drunk no more?
EPISODE LINKS
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Please support our scrappy show. Score some sweet merch or find us on Patreon.
Come hang with us on Facebook/Twitter/Instagram!
Drop us a review on Apple Podcasts!
By Untitled Podcast Productions LLC4.6
113113 ratings
Not all greatest hits albums are for house-people and little thems. Some, like “1967-1970” (and its red, commie companion) are as essential as the bands they represent. This week, the Twerk Twins dish deep on the packaging, origin, and legacy of these history-making collections and their 2023 remixes, and also ask:
🦦 Would John have loved the 2011 Target-only 7” mix of “I Am The Walrus”?
📻 Is recycling the original hip-hop?
🌭 (Angry Chicago Guy:) How come The Red Album put ketchup around its plump, juicy frank of a logo? (Slowly, legitimately in crisis-mode:) And how come Tony Larussa got too woke to drive drunk no more?
EPISODE LINKS
Like and subscribe!
Please support our scrappy show. Score some sweet merch or find us on Patreon.
Come hang with us on Facebook/Twitter/Instagram!
Drop us a review on Apple Podcasts!

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