In our second quarantine installment, we again review the best and brightest in the month’s streaming new release movies, from the supernatural romps of ONWARD and EXTRA ORDINARY to the teen-girl psychodrama of NEVER RARELY SOMETIMES ALWAYS and SELAH AND THE SPADES.

In our first remote edition during the pandemic, we review three new releases that can be watched at home since we no longer have movie theaters: Pete Davidson’s first starring role in BIG TIME ADOLESCENCE, the stylized pica drama SWALLOW, and the small-town feminist crime caper BLOW THE MAN DOWN.

In our February edition, we recap the Oscars and review five movies we’ve both fully seen: THE INVISIBLE MAN, PORTRAIT OF A LADY ON FIRE, HARLEY QUINN: BIRDS OF PREY, COME TO DADDY, and DOWNHILL.

In our first episode of 2020, we assess Sam Mendes’ sudden Oscar frontrunner 1917, dueling death row dramas JUST MERCY and CLEMENCY, and delightful January garbage LIKE A BOSS.

Rebecca and Jason each count down their five favorite (and least favorite) movies of the year, with more than a few surprises along the way...and, most importantly, a comprehensive discussion of the true movie of the year: CATS.

In our December review roundup, we offer a Christmas feast including capsule reviews of THE TWO POPES, KNIVES OUT, A BEAUTIFUL DAY IN THE NEIGHBORHOOD, and STAR WARS: THE RISE OF SKYWALKER, plus full reviews of LITTLE WOMEN, BOMBSHELL, and UNCUT GEMS.

Our new monthly movie roundups continue with fan-favorite special guest Ashley De La Torre. We discuss Edward Norton’s MOTHERLESS BROOKLYN, Kasi Lemmons’ HARRIET, Trey Edward Shults’ WAVES, Alma Har’el’s HONEY BOY, Melina Matsoukas’ QUEEN & SLIM, and Noah Baumbach’s MARRIAGE STORY.

In our first-ever monthly episode, we dive into four of October’s biggest and/or best movies: JOKER, PARASITE, JOJO RABBIT, and PAIN & GLORY. We’ve both seen all four and are ready to debate!

For what might be the only time so far this year, we’ve both seen one of the movies and we absolutely love it: Lorene Scafaria’s feminist crime caper HUSTLERS. Jason also recounts the many failings of THE GOLDFINCH and is captivated by the expressiveness of Keira Knightley’s jaw in OFFICIAL SECRETS.

After catching up about their first foray into international travel and Rebecca’s delayed reviews of Tarantino’s latest (and also NOTTING HILL), Jason surprises her by loving the Jillian Bell comedy BRITTANY RUNS A MARATHON, then they dive into the murky waters of controversial faux-trans romance ADAM and the hard-hitting exposé ONE CHILD NATION.