This week, Sonny talks to Alyssa Rosenberg (The Washington Post) and Peter Suderman (Reason Magazine), his old friends from Across the Movie Aisle, about the world of movies and movie writing post-Trump. Is Christopher Nolan right that Hollywood studios should be looking to foreign box office dollars? Does Netflix have buyer's remorse about their mega-deals with super-producers? And now that The Trump Show is coming to a close, will the world of cultural writing be able to focus a bit more on, you know, the culture?

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This week on the show, Sonny talks to Shannon Moore, the Director of Field Marketing at Allied Global Marketing’s Washington, DC office. Sonny’s been a working film critic for 15 years or so, and the first question he always gets—after “What’s your favorite movie?” which he refuses to answer on general principle—is “How do you see the movies? Do you, like, get a private screening?” So he decided to have Shannon on to talk about this and other facets of marketing movies.

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Sonny is joined today by Natalie Metzger, VP of development and production at Vanishing Angle. She is a Spirit Award nominated producer whose credits include GREENER GRASS, THUNDER ROAD, THE ROBBERY, and THE WOLF OF SNOW HOLLOW. Metzger is currently in post-production on Josh Ruben’s horror comedy WEREWOLVES WITHIN (Ubisoft), Jim Cummings’ thriller THE BETA TEST, and Sean Mullin’s baseball documentary IT AIN’T OVER. Metzger’s feature directing credits include AT&T original documentary ALONE IN THE GAME (AFI Docs, Outfest) and healthcare documentary SPECIAL BLOOD, which won the Dolores Huerta Award for Best Director at the Long Beach Indie Festival and Best Feature Documentary at California Women’s Film Festival.

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This week, Sonny is joined by Mark Graham, the Editor-in-Chief of Decider, a website dedicated to helping solve one of society's most pressing and important issues: What movies and shows should I watch? They discuss how Mark and his team decide what to cover for Decider and why, looking at the ways in which non-traditional audience metrics can help determine what’s worth writing about. Plus! Mark offers up some tips for would-be freelancers on getting your work published.

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Sonny is joined this week by Phil Contrino, the Director of Media and Research for the National Association of Theatre Owners. Topics of discussion include the state of the movie theater business (spoiler: it’s kind of dire at the moment, given news that Regal’s U.S. screens are shuttering again), the relative safety of moviegoing as opposed to dining out or attending church (spoiler: it’s much safer!), and what role the government might play in helping ensure theaters don’t go out of business.

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This week, Sonny talks to Zack Stentz (“X-Men: First Class,” “Thor,” “Terminator: The Sarah Connor Chronicles”) about his work with Netflix on the film “Rim of the World” and the hit new show, “Jurassic World: Camp Cretaceous.” What’s it like pitching the service that has everything? How is the world of TV evolving as different streaming services aim for different markets? And how can filmmakers working with kids protect them from being exploited?

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This week, on the Bulwark Goes to Hollywood, Sonny talks to Chris Yogerst about his new book, “Hollywood Hates Hitler: Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures.” Chris is an assistant professor of communication at the University of Wisconsin-Milwaukee in the department of Arts & Humanities. He has written for the Washington Post, Hollywood Reporter, and most frequently at the Los Angeles Review of Books.

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This week, Sonny talks to “Feeding the Dragon” author Chris Fenton. For seventeen years, Fenton served as president of DMG Entertainment Motion Picture Group and GM of DMG North America, internationally orchestrating the creative and business activities of DMG—a multi-billion dollar global media company headquartered in Beijing. He is currently CEO of Media Capital Technologies and a Trustee of the US-Asia Institute.

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This week, Sonny talks to Gerry Daly, who has 15 years experience in home entertainment sales, including 13 years with 20thCentury Fox, working in Category Management. Also, at one time was an elections & politics blogger with a fairly sizeable audience, quoted in the Wall Street Journal, Washington Post, and New York Post.

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Sonny Bunch talks to David Guglielmo, who in only a few years has cast over 20 feature films, including the critically acclaimed THE STANDOFF AT SPARROW CREEK as well as the upcoming RUN HIDE FIGHT, premiering at this year’s Venice International Film Festival. Additionally Guglielmo writes, directs, and produces his own independent films such as NO WAY TO LIVE and HOSPITALITY.

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