I’m joined by Matthew Specktor, author of The Golden Hour: A Story of Family and Power in Hollywood. Part novel, part memoir, and entirely entertaining, Matthew’s book is a revealing look at life in Hollywood when you’re not on the A-list but occasionally adjacent to it. In addition to relating the drama that makes any family intriguing, Matthew’s book is a keen look at Hollywood in a time of flux, as the rise of the super agencies and the internationalization of the Hollywood studios radically altered the American cinematic landscape. If you enjoyed the episode, I hope you check out his book. And please, share this with a friend!

On this week’s episode, I’m joined by Evan Jonigkeit, the star and producer of Henry Johnson. Based on the play of the same name by David Mamet, Henry Johnson is Mamet’s first film in a dozen years and a beguiling provocation; I greatly enjoyed discussing not only the meaning of the movie with Jonigkeit but also how difficult it is to get a picture like this—a series of Socratic dialogues, a movie of complex ideas made for adults—in front of audiences. 

Henry Johnson is available to rent now from the film’s website and is playing in a handful of locations (including a one-night stop at the Aero in Los Angeles and a residency at Bryn Mawr). I hope you check it out. And if you enjoyed this episode, please share it with a friend!

On this week’s episode, I’m joined by Jeremy Workman, the director and producer of Secret Mall Apartment. We discussed the difficult process of getting your subjects to trust you, the trickiness of distributing an indie documentary in the modern cinematic landscape, and the importance of having a big star like Jesse Eisenberg willing to do a little press for you. The movie’s playing in theaters now; you can see if it’s in a cinema near you here. And if you enjoyed this episode, please share it with a friend!

On this week’s episode I’m rejoined by Scott Mendelson of The Outside Scoop to talk about the state of the box office thus far through 2025. It’s better than 2024—thank you, Minecraft—but not as good as 2023. Plus, we delve into some of the discussion surrounding Sinners’s box office, particularly the foreign and domestic splits. Does its strength in North America demonstrate that Hollywood should be less concerned with appealing to foreign audiences and more worried about making big bucks (and better movies) for the homegrown crowd? All that and more on this episode; if you enjoyed it, I hope you share it with a friend!

On this week’s episode, I talked to Andrew Ortenberg of Briarcliff Entertainment about distributing tricky movies like The Apprentice and Magazine Dreams. How have the economics of cinematic distribution improved for distributors with the infrastructure in place to handle it? How have the various video-on-demand tiers shifted over the last few years? What should folks keep in mind before they declare a movie a hit or a flop? And why are family movies an under-utilized resource for the indie set? All that and more on this week’s episode. If you enjoyed it, please share it with a friend!

On this week’s episode, I’m joined by New York Times film critic Alissa Wilkinson to discuss her new book about Joan Didion, We Tell Ourselves Stories. I mentioned the book in a newsletter a couple of weeks back, but I wanted to focus on the ways in which the political world has borrowed showbiz’s penchant for image calibration, from the ways in which issues are decided upon to the means by which politicians decide which voters to target. Didion, of course, was a natural observer of these shifts, having spent years in Hollywood before becoming one of the nation’s most interesting political observers. If you enjoyed this episode, I hope you both pick up a copy of Alissa’s book and share this with friends!

On this week’s episode, I’m joined by Ray Mendoza, who cowrote and codirected the new A24 movie Warfare with Alex Garland (Civil War, Ex Machina). We discussed the journalistic process of rebuilding the day’s actions portrayed in the film from the memory of those who participated, Mendoza’s work with Garland on Civil War, and the cinematic experience of trying to help people understand what it’s like to go into battle after getting your brain rattled. The movie releases on April 11, and I strongly recommend watching it in a theater to get that fully immersive sonic effect. And if you enjoyed this episode, I hope you share it with a friend.

I am pleased to be rejoined this week by Bobby Miller to discuss his new novel, Situation Nowhere. Imagine Brazil by way of Idiocracy but goopier: That’s Situation Nowhere. We talked about some of his influences, the state of our increasingly recursive culture, and why we need to bring back shaming folks for selling out. If you’re in Los Angeles, check out Bobby’s event on Saturday at The Redwood Bar! And if you enjoyed this episode, please share it with a friend. (And listen to last year’s episode with Bobby about the Blu-ray release of his film, The Cleanse.)

On this week’s episode I’m joined by Ross Benes, the author of the forthcoming book 1999: The Year Low Culture Conquered America and Kickstarted Our Bizarre Times. It comes out in a few weeks and I hope you take a gander at it; we spent most of our time discussing the ways in which professional wrestling and the Insane Clown Posse help explain the phenomenon that is Donald J. Trump and his ascent through the political landscape, but there’s more to the book than that. And if you enjoyed this episode, I hope you share it with a friend!

Sonny Bunch sits down with filmmaker Jonathan Gruber to discuss his new documentary, Centered, which explores the life and legacy of Joe Lieberman. As the first Jewish Vice Presidential candidate, Lieberman made history—only to later shake up politics by breaking with his own party. With the film releasing today, they dive into his career, key political battles, and the impact of centrism in modern politics.