The Buzz: The JJA Podcast

Howard Mandel is an author, educator, journalist, and, since 1993, president of the Jazz Journalists Association. Howard's career crosses more than five decades of music journalism, from his early days writing for the Chicago Daily News to his current work as a contributor to publications worldwide.

As Howard prepares to step down from his role as JJA president at year's end, we found time to explore the story of the birth and evolution of the JJA and to talk through just some of the topics of interest to our community today.

Whether you're a longtime reader of jazz criticism or new to the conversations that shape how we understand this music, Howard's insights offer a window into our organization and the often invisible work of documenting and contextualizing America's most important cultural export.

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

This conversation is hosted by JJA Board Member and Chair of our Book Committee, Bob Blumenthal. Bob, along with JJA members Fiona Ross, Todd Jenkins and Katch Cartwright, share some of their book recommendations for you to consider for those on your 2025 holiday nice list. Maybe a few of the naughty people deserve some of these, too. 

The JJA’s book committee votes on Book Award nominees everyJanuary and February. The recommendations herein do not reflect any prejudgments by the committee nor should this episode be taken as any preview of what's to come with the awards. 

Here is your shopping list of books and music discussed in this episode:

Books Discussed in Detail

1. Writing Jazz: Conversations with Critics and Biographers by Sasha Feinstein
2. Guide to Jazz in Japan by Michael Pronko
3. Focus on Women in Jazz by Guy le Querrec
4. The Story of Jazz by Marshall Stearns 
5. Jazz: Its Evolution and Essence by André Hodeir
6. The Life and Writings of Ralph J. Gleason: Dispatches from the Front by Don Armstrong
7. Going Back to T-Town: The Ernie Fields Territory Big Band by Carmen Fields
8. Master of the Drums: Gene Krupa and the Music He Gave the World by Elizabeth J. Rosenthal 
9. Cross Rhythms: An Introspective into the Life and Musicality of Joe Chambers by Joe Chambers and Cristian Schorr
10. Oceans of Time: The Musical Autobiography of Billy Hart by Billy Hart and Ethan Iverson
11. The Jazz Barn: The Music Inn, the Berkshires, and the Place of Jazz in American Life by John Gennari
12. Becoming Ella Fitzgerald by Judith Tick
13. Stomp Off, Let's Go: The Early Years of Louis Armstrong by Ricky Riccardi
14. Song for Someone: The Musical Life of Kenny Wheeler by Brian Shaw and Nick Smart
15. Sax Expat: The Biography of Don Byas by Con Chapman
16. Black Mystery School Pianists and Other Writings by Matthew Shipp
17. Run the Song: Writing About Running, About Listening by Ben Ratliff

Books Referenced

1. Sophisticated Giant by Maxine Gordon (about Dexter Gordon)
2. Gene Krupa: His Life and Times by Bruce Crowther
3. Rhythm Man: Chick Webb and the Beat that Changed America by Stephanie Stein Crease
4. The Swing Era by Gunther Schuller 

Albums Referenced 

1. Friday and Saturday Night at the Blackhawk by Miles Davis (includes essay by Ralph J. Gleason)
2. Dizzy on the French Riviera by Dizzy Gillespie (includes essay by Ralph J. Gleason)

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

In fall 2023, three veteran jazz journalists, Bill Milkowski, Rick Mitchell, and Howard Mandel, sat down for a wide-ranging conversation, a portion of which is collected here to remind us all why we fell in love with music in the first place.

From first album purchases to legendary festival moments, they share the records and live performances that impacted them. Whether it's Howard's early attraction to Bill Evans, Rick's reverence for Jimi Hendrix, or Bill's memories of Blind Faith, these are the musical origin stories behind three respected voices in jazz journalism.

This episode captures what happens when writers stop analyzing and start remembering. It is all about the the music that made them who they are, and why. Yes, it's still all about the music.

Check out our playlist of the music mentioned and excerpted in this episode. 

And here are the two episodes making up the discussion this episode is excerpted from:

Part I: Jazz Journalism, Then and Now, with Veteran Writer Bill Milkowski and host Rick Mitchell

Part II: Bill Milkowski with Rick Mitchell and Howard Mandel, reminiscing

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

Michelle Zeto, Geoffrey Himes, and Rob Shepherd have each built careers in music journalism and broadcasting. They discuss how genre categories shape both criticism and listening, the difference between being a savant and a polymath, and whether the post-genre world is liberating or limiting. The conversation explores the role of critics as translators, the rise of playlist culture, and why attention spans may not be as new a problem as we think.

In this episode, we explore: 

• How musicians themselves often resist the "jazz" label—and what that means for writers 
• Why shorter attention spans might not be the crisis we think 
• The tension between consumer advisor and cultural translator 
• What human curation offers that algorithms can't 
• Whether broad knowledge serves critics better than deep specialization

Learn more about our guests:

• Michelle Zeto and "Jammin' Jazz" 
• Geoffrey Himes and "Hard Rain and Pink Cadillacs"
• Rob Shepherd and PostGenre.org

Our host:

• Lawrence Peryer

And our organization, the Jazz Journalists Association. 

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

Today we have JJA president Howard Mandel hosting a compelling discussion on political activism in jazz with three remarkable musicians who have dedicated their careers to both artistic excellence and social change.

Our first guest is Terri Lyne Carrington, the four-time Grammy-winning drummer, composer, and producer who serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice. As an NEA Jazz Master and Doris Duke Artist, Terri Lyne has spent four decades advocating for women, transgender, and nonbinary musicians while reimagining jazz's aesthetic possibilities. Her recent work includes the acclaimed album "new STANDARDS vol.1," featuring compositions by women, and a powerful reconceptualization of Max Roach and Abbey Lincoln's "We Insist!" for the modern era.

Joining her is Orbert Davis, the Emmy Award-winning trumpeter, composer, and educator who co-founded the Chicago Jazz Philharmonic. As host of "The Real Deal with Orbert Davis" on 90.9 FM WDCB, Orbert has built extraordinary cultural bridges through his "Immigrant Stories" concert series and groundbreaking collaborations with Cuban musicians. His work transforms jazz into a vehicle for international understanding and social healing.

Our third guest is Marc Ribot, the innovative guitarist whose extensive collaborations include work with Tom Waits, Elvis Costello, and John Zorn. Beyond his acclaimed recording career spanning over 25 albums, Marc has emerged as a fierce advocate for musicians' economic rights through his organizing work with the Content Creators Coalition and efforts to reform the American Federation of Musicians.

Together, these three artists explore what jazz activism means today—from challenging gender inequities and supporting immigrant communities to fighting for fair compensation and workers' rights. Their conversation reveals how jazz continues to serve as both artistic expression and instrument of social change.

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

Michael Ambrosino hosts this episode of The Buzz, a discussion with Josh Antonuccio, Matt Powers, and Jon Irabagon as they explore the effects of AI on journalism, music, production, education, and jazz. 

Josh is an associate professor within the media production and recording industry major in the School of Media Arts and Studies at Ohio University. He's worked extensively within higher education since 2007, establishing innovative music and media industry curriculums and developing the expansion of experience-based music industry education. He is also the director of Ohio University's Music Industry Summit.

Jon is a multi-reed instrumentalist, composer, arranger, band leader, and faculty member at the University of Illinois in Chicago, where he teaches jazz saxophone and courses in jazz history. Winner of the 2008 Thelonious Monk Saxophone Competition, a Rising Star Award in DownBeat magazine's alto and tenor saxophone categories, and a recipient of the Philippine Presidential Award, Jon's latest album is "Server Farm," a musical exploration of how artificial intelligence affects our lives.

Matt is a professor at the University of Washington's Department of Communication, where he's the co-director of the Department's Center for Journalism, Media and Democracy. His book, "The Journalist Predicament: Difficult Choices in a Declining Profession," explores journalism within the transformations confronting the profession. He's also the co-editor of "Rethinking Media Research for Changing Societies," exploring how researchers can make sense of the massive changes confronting politics and the media.

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

In this episode of The Buzz, JJA board member Bob Blumenthal speaks with two 2025 book award winners: Jonathan Grasse and Elijah Wald.

Jonathan Grasse teaches music at California State University, Dominguez Hills, focusing on world music, theory, and composition. He wrote the definitive English-language study of Brazilian regional music in Hearing Brazil: Music and Histories, and Minas Gerais and examined Milton Nascimento and Lô Borges's 1972 album in The Corner Club. His latest work, Jazz Revolutionary: The Life and Music of Eric Dolphy (Jawbone Press), won JJA's 2025 Biography of the Year.

Elijah Wald is a musician and author of over a dozen books, including Escaping the Delta: Robert Johnson and the Invention of the Blues, The Dozens (about insult games in rap development), and How the Beatles Destroyed Rock and Roll: An Alternative History of Popular Music. He also wrote Dylan Goes Electric, which inspired the film A Complete Unknown. With a PhD in ethnomusicology and sociolinguistics plus a Grammy for production and liner notes, Wald's Jelly Roll Blues: Censored Songs and Hidden Histories earned JJA's 2025 Book of the Year for history, criticism, and culture.

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

Join host Michael Ambrosino as he speaks with three veteran jazz publicists—Ann Braithwaite (Braithwaite & Katz Communications), Lydia Liebman (Lydia Liebman Promotions), and Matt Merewitz (Fully Altered Media)—about the evolving nature of jazz promotion. 

The group discusses how they build relationships between artists and audiences, adapt to media fragmentation, create engaging content in the age of AI, and measure success in their campaigns. 

These industry insiders share candid insights about the challenges of breaking through the noise and connecting jazz artists with listeners in today's digital world, while revealing the passionate commitment that keeps them going in an increasingly complex promotional landscape.

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

The 2025 JJA Awards just dropped, and in this special episode The Buzz is breaking down the winners in some of the leading categories. 

Host Lawrence Peryer is joined by guests Neil Tesser and Mark Ruffin to discuss lifetime achievements, standout performers, and why some names keep winning year after year.

Both guests bring unique perspectives - Mark from his years as a writer and radio programmer and personality, Neil from his work as a critic and broadcaster who's earned his own lifetime achievement award.

The full list of 2025 JJA Awards is available online at jjajazzawards.org.

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.

Three accomplished jazz authors share their journeys from traditional publishing to successful independent careers. Join host Lawrence Peryer as Debbie Burke, Steve Cerra, and Rick Mitchell reveal the tools, economics, and creative freedom they've found in self-publishing. Learn how these writers are reshaping the jazz book world by taking control of their work - from manuscript to marketing. 

Whether you are a jazz enthusiast or an aspiring author, this conversation offers valuable insights into turning passion projects into world-class publishing ventures.

Topics include: creative control vs. traditional publishing, royalty structures, marketing strategies, production challenges, and the advantages of independence in specialized fields of writing.

Support for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.

This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. 

For more from the Jazz Journalists Association, go to JJANews.org.