The Chatterbox

Veronica and Charity Bowers, a young Christian missionary and her daughter, are killed when the Peruvian Air Force shoots down a small passenger plane in 2001. The plane had been mistaken for a drug smuggling plane and was shot down as part of a joint anti-drug agreement between the CIA and the Colombian and Peruvian governments.

President Donald Trump has made the Bowers's deaths newly and urgently relevant since he began ordering the U.S. military to strike down alleged drug smuggling boats in the Caribbean and eastern Pacific Ocean in September 2025. By early November, the U.S. had launched a total of 17 strikes, killing at least 70 people, and those figures seem to grow almost by the day. The attacks are illegal under both U.S. and international law. The administration also provided no documentation of the alleged drug trafficking. 

The attack on the Bowers family pierced the veil that obscures drug war foreign policy because of their nationality, skin color, and relatability. More than 20 years ago, House Oversight Committee hearing members Jan Schakowsky and Elijah Cummings demanded accountability after U.S. drug interdiction forces killed the Bowers. They demanded to know how such a mistake could happen, and how we could prevent the loss of innocent life going forward.

“The kind of action we saw in Peru … amounts to an extrajudicial killing,” said Schakowsky at the time. Cummings added, “The Peruvian shootdown policy would never be permitted as a domestic United States policy precisely because it goes against one of our most sacred, due process principles — namely, that all persons are presumed innocent until proven guilty.”

Now, a new administration openly celebrates summary execution of alleged drug smugglers without a hint of due process, and is now threatening to topple another government to prevent the U.S. from sating its appetite for illicit drugs. 

The story of Veronica and Charity Bowers is a stark reminder of how aggressive drug policy is wasteful and futile, how we never seem to learn from past failures, and how the generations-long effort to stop people from getting high also — and necessarily — treats human lives as expendable.

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The months-long US-China trade tensions have reignited global attention on rare earths, the critical minerals that power everything from smartphones to fighter jets. When Beijing used export controls to restrict rare earth supplies to the United States, it pushed Donald Trump to negotiate a truce in Busan, South Korea. But was that truce the end, or just the beginning, of a new phase in great power competition? As the US and its allies race to reduce dependence on China, the battle for control over supply chains is intensifying. How long will it take to diversify rare earth production? What strategies can governments adopt to build economic resilience? And how should companies navigate an era of geoeconomic rivalry? In this episode of All Things Policy, Manoj Kewalramani talks to Pranay Kotasthane about the future of rare earths, strategic competition, and the shifting balance of global power.

All Things Policy is a daily podcast on public policy brought to you by the Takshashila Institution, Bengaluru.

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find out more on our research and other work here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://takshashila.org.in/research-areas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Do animals make music? Are the languages of whales and birds truly songs? To answer this, we must first understand what we mean by music as human animals—and how it might emerge across the animal kingdom. From Messiaen’s transcriptions of bird calls to the rhythmic gaits of horses echoing in the blues, we’ll hear how animal behaviours form an unwitting orchestra and explore whether music is uniquely human or a shared language with our animal cousins.

This lecture was recorded by Milton Mermikides on the 29th of October 2025 at LSO St Luke’s, London

Milton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. 

He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      

Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium. 

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-animals

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In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race.

The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era.

Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity.

With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike.

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Author Hajar Yazdiha discusses the book, The Struggle for the People's King: How Politics Transforms the Memory of the Civil Rights Movement, reviewed in the November 2025 issue of Contemporary Sociology by Tara Leigh Tober.

In this episode of Unpopular Front’s author series, I spoke to political theorist, writer, and researcher Laura K. Field. Laura has written for The Bulwark, The New Republic, Politico, and is a scholar in residence at American University, a senior advisor at the Illiberalism Studies Program at Georgetown, and a fellow at the Brookings Institution.

She is also the author of Furious Minds: The Making of the MAGA New Right, out now from Princeton University Press. I had the honor to blurb this book:

“A pathbreaking intellectual history from the world’s preeminent researcher of the contemporary American right. Furious Minds scrupulously chronicles the coalescence of a modern movement that took place as much online as in the seminar room or the corridors of power. Essential reading to understand today’s political situation.”

Laura’s book charts the rise of a group of malcontent intellectuals as they go from a scrappy group of bloggers fantasizing about an authoritarian America to joining a seditious conspiracy against the Republic and providing legal architecture for a coup. It also gives a very helpful taxonomy of the different schools of MAGA thought. We talked about all that, the strange influence of Leo Strauss and his students, and how JD Vance has embraced the New Right thinkers.

If you’re in the New York City area, Laura will be doing an event on December 4th at the CUNY Graduate Center from 5:00 PM to 7:00 PM with intellectual historian Richard Wolin. That’s 365 Fifth Avenue, Room 8301. Click the link to RSVP.

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague’ focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.’ "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.’ It’s about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.

Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. 

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