The Chatterbox

Featuring Fernando Haddad on Brazilian political economy and where Brazil fits into a world capitalist system structured by relationships of domination and unequal exchange. Haddad is Finance Minister of Brazil. He served as mayor of São Paulo and in 2018 was the Workers’ Party (PT) presidential candidate.

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Buy From Apartheid to Democracy at UCPress.com

Read the latest issue from The Nation‘s Books & the Arts section TheNation.com/books-and-the-arts

In this week’s episode of Talk Eastern Europe, Adam, Alexandra, and Nina come together to discuss the ongoing Serbian protests and explore the latest European Union reports on the progress of candidate countries, including those from our region. They also unpack the latest developments surrounding the Czech government formation and discuss recent updates from Poland.

Later in the episode, Alexandra and Nina speak with Christopher Herwig, a photographer known for his remarkable project documenting hundreds of unique bus stops across the post-Soviet region. Christopher shares how his journey began and reflects on how these striking examples of urban architecture may represent glimpses of freedom of expression within the Soviet Union.

For our Patreon supporters, Christopher stays on to delve deeper into his fascination with Soviet metro stations and the stories behind their grand, distinctive designs.

Listen here: https://www.patreon.com/posts/episode-243-143049188

Check out Christopher’s books:

Soviet Bus Stops 1a nd 2 and Soviet Metro Stations: https://www.herwigphoto.com/Soviet-Bus-Stops

And his newest book on Trucks and Tuks: https://www.herwigphoto.com/Trucks-and-Tuks

With Testo Junkie, Pornotopia, An Apartment in Uranus and Can the Monster Speak, Paul B. Preciado became established as one of the most exciting and challenging social thinkers of our time. His latest book Dysphoria Mundi (Fitzcarraldo), a mutant text assembled from essays, philosophy, poetry and autofiction, draws on the experience of the Covid pandemic and the social convulsions that accompanied and followed from it to argue that dysphoria, far from being a form of mental illness, is the defining condition of our age. In what is his most accessible and significant work to date he seeks to make sense of a world in ruins around us, at the same time mapping a joyous, radical way forward.

Preciado was joined by Nathalie Olah, author of Bad Taste and Steal as Much as You Can.

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Interview with Julia Cagé, co-author with Thomas Piketty of 'A History of Political Conflict: Elections and Social Inequalities in France, 1789–2022'

Who votes for whom and why? Cagé and Piketty comb through more than two hundred years of data from some 36,000 French municipalities to show how inequality has shaped the formation of political coalitions, with stark consequences for economic and political development.
Cagé and Piketty argue that today’s tripartite division of French political life—a competition among a bourgeois central bloc and distinct factions of the urban and rural working classes—has a precise, and revealing, historical analogue. To understand contemporary tensions, we can look to the end of the nineteenth century and the beginning of the twentieth, another period when runaway economic inequality produced such a three-way rivalry. Cagé and Piketty show that tripartition has always been unstable, whereas the binary political conflict enabled by relative equality and typical of most of the twentieth century facilitated social and economic progress. Comparing these configurations over time helps us envisage possible trajectories for the French political system in the coming decades.
With its many changes in governmental structure since 1789, France is an ideal laboratory for studying the vicissitudes of modern political life in general, and electoral democracy in particular. Using France as a model, A History of Political Conflict offers a powerful framework for understanding the complex project of building and sustaining democratic majorities.

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Javier Mejia is a Stanford University lecturer who specializes in the intersection of social networks and economic history. His research interests also include entrepreneurship and political economy, with a particular focus on Latin America and the Middle East. He holds a Ph.D. in Economics from Los Andes University. Mejia has previously been a Postdoctoral Associate and Lecturer at New York University-Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is also a frequent contributor to various news outlets, currently serving as an op-ed columnist for Forbes Magazine.

Twitter (X): https://twitter.com/JavierMejiaCInstagram: https://www.instagram.com/javier_mejia_c/LinkedIn: https://www.linkedin.com/in/javier-mejia-cubillos-64504562/Spotify: https://open.spotify.com/show/3WqEZXavqg3qstoLKwtllF?si=589f4216d414448fApple Podcasts: https://podcasts.apple.com/us/podcast/the-economic-and-political-history-podcast/id1708348817

Nigerian modern art is having a moment. In London, the Tate has opened a critically acclaimed exhibition, called “Nigerian Modernism,” featuring more than 50 artists who experimented with vibrant new styles in the mid 20th century in the giant and influential West African nation. More generally, the artists of this era have become more recognized outside of their home country in recent decades, from early figures who laid the groundwork like Aina Onabolu to a towering figure of the 1950s like Ben Enwonwu to younger innovators of the 1950s and 1960s such as Uche Okeke and Demas Nwoko, with many more important names to know and bodies of work to discover.

This was an earth-shaking time in Nigerian history, when a near-century of British colonial domination was shed and the many problems of a fragile new independent nation had to be faced. These artists were part of figuring out how to express that new sense of identity in images. But their art was not always so celebrated, sometimes dismissed as derivative of European art.

The scholar and curator Chika Okeke-Agulu has been important to the recent re-estimation of Nigeria’s art history. He teaches at Princeton, and is the author of, among many other things, of Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria, a book that personally excited me very much when I first found it. With the Tate show drawing a fresh wave of interest, art critic Ben Davis thought Okeke-Agulu would be an excellent guide to what this art was, what it meant, and why it still demands attention today.

On this episode, Alina Utrata talks to Connor O'Brien, a PhD Candidate at University of Cambridge researching a conceptual history of good governance and sovereign debt. They discussed a little-known tool for climate finance called "debt for nature swaps". While they might sound nice, they're actually an insidious tactic of finance guys taking control of government policies amidst the green energy transition. But also they discussed how these financial tools also show more broadly the power of international financial regimes and their relationship to state sovereignty, local power and control and authoritarian or private power. 

For a complete reading list from the episode, check out the Anti-Dystopians substack at bit.ly/3kuGM5X.

You can follow Alina Utrata on Bluesky at @alinau27.bsky.social

All episodes of the Anti-Dystopians are hosted and produced by Alina Utrata and are freely available to all listeners. To support the production of the show, subscribe to the newsletter at bit.ly/3kuGM5X.

Nowhere Land by Kevin MacLeod

Link: https://incompetech.filmmusic.io/song/4148-nowhere-land

License: http://creativecommons.org/licenses/by/4.0/

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Andy Burnham recently said that the government is ‘in hock to the bond markets’, and the political turbulence of the past few years, not least the downfall of Liz Truss following her ‘mini-budget’, would seem to back this up. But the bond markets are only part of the picture: the actions of the Bank of England and the fiscal rules a government sets for itself also play significant roles in the decisions a chancellor can make. In this episode James is joined by former Bank of England chief economist Andy Haldane and Daniela Gabor, professor of economics at SOAS, to consider why governments are so afraid of ‘bond vigilantes’ and the increasing influence of central banks on policy since the financial crisis of 2008. Should the Bank of England remain independent? And what room for manoeuvre does Rachel Reeves have in her budget next month?

Read more on politics in the LRB: ⁠https://lrb.me/lrbpolitics⁠

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Zombies, werewolves and...ChatGPT?

In this week’s spooky special, Ellen and Alona are joined by historian and “monster consultant” Surekha Davies, who argues that humans have always created monsters to understand the world—and ourselves.

In her new book Humans: A Monstrous History, she explores a history of monsters, as well as the weird and horrifying monsters we’ve created in modern day life, including through Silicon Valley’s visions for artificial intelligence. Is technology pushing flesh-and-blood humans to the margins?

The three also discuss “monsterification” in political rhetoric as a way to frame the Other, including discourse about asylum seekers.

Plus, Ellen and Alona talk celebrity authors: banger or dud?

Surekha’s book ‘Humans: A Monstrous History’ is available now.

Halloween Werewolf Intro by miksmusic.

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Watch the video recording of this Keynote here on YouTube.

In the space of a single generation (1950 to 1980), the journalist and author William F. Buckley led a small band of little-known conservatives to the peaks of political power and cultural influence.

Ten years before his death, Buckley chose journalist and historian Sam Tanenhaus to tell the full story of his life, granting him extensive uncensored interviews and exclusive access to his most private papers. The result, “Buckley: The Life and the Revolution,” published in June 2025, has received a great deal of attention and prompted wide and intense debate.

In a live on-stage conversation at Cornell's College of Arts and Sciences, Peter Loewen, the Harold Tanner Dean of Arts and Sciences, and Tanenhaus discuss Buckley and the true meaning of his life and legacy in the Age of Donald Trump.

Follow eCornell on YouTube, Facebook, Instagram, LinkedIn, TikTok, and X. 

Dr. Margaret J. Wiener is a Professor of Anthropology at the University of North Carolina at Chapel Hill. Her book Visible and Invisible Realms: Power, Magic, and Colonial Conquest in Bali (University of Chicago Press) won the 1995 Victor Turner Prize for Ethnographic Writing, awarded by the Society for Humanistic Anthropology. Her publications have been grounded in many years of field research on the island of Bali, Indonesia’s most famous province, as well as foraging in colonial archives and libraries in The Netherlands. She considers herself an empirical philosopher, who brings an ethnographic sensibility to the clashes involved in colonial encounters while asking broad questions about practices of knowing and making worlds. Inspirations from thinkers in the interdisciplinary field of science, technology, and society (STS) inform her recent book Magic’s Translations: Reality Politics in Colonial Indonesia (Duke University Press, 2025), the topic of today’s conversation. Dr. Wiener examines how the category of magic traveled from Europe through the imposition of colonial rule and the birth of anthropology. 

Her current research extends her longstanding interest in the worlds different practices produce to multispecies entanglements and conflicting visions of the future.