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Guest: Palesa Mazamisa - Show Director
The Market Theatre has curated an undoubtably intriguing season of productions to
celebrate Women’s Month with I Am A Woman and Ruined.
Every year in August, our country marks Women’s Month, where we pay tribute to
the more than 20 000 women who marched to the Union Buildings on 9 August 1956
in protest against the extension of Pass Laws to women. Women’s Month allows us
as society to gauge how far we have come in transforming society, particularly the
unequal power relations between women and men.
Nqobile Sipamla, Mzansi’s favorite actress returns to the Market Theatre to give a
performance of a lifetime in I Am A Woman which premiers Tuesday 19 July to
Sunday 14 August 2022.
Guest: Makgati Molebatsi - Arts advisor, Curator and Senior Art Specialist, Aspire Art Auctions.
Guest: Mary Corrigall - Mary Corrigall is an art historian, author, journalist and consultant. She established Corrigall & Co in 2016 to further research into the African art
The business of art from a perspective of the collection of art. What makes something valuable and collectible? What makes one artist more bankable than another?
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas.
Guest: Salamina Mosese, actor and now author
Salamina has always dreamed of becoming an author but always put it off, when covid 19 hit, she decided to go after her dream and write.
Tumi visits her Gogo in Soweto for the holidays. She and her twin cousins often help Gogo in her spaza shop. Gogo’s Goodies is the oldest spaza in all of Soweto and Gogo’s pride and joy. When Gogo leaves for a few days, Tumi has one of her crazy ideas: They will open the shop and run it themselves and earn loads of money! But they’ve never had to do it without Gogo, and things quickly get out of hand, making the spaza more famous than ever
Guest: Charles Boyes
Carrol Boyes graduated with a fine arts degree from the University of Pretoria. Like most art graduates in the country, she had dreams of taking the art world by storm but was met with the tough reality that a career as a sculpturer was not feasible in South Africa. Instead, she made a career of teaching English to high school students and art to juniors. At the age of 35, she decided to start her own functional art
business after 15 years of teaching. She experimented with jewellery before finding her niche in home décor accessories and kitchenware. She launched her business in 1989 from her home in Cape Town where she focused on cutlery and flatware specifically.
Mathebe Molise was born and bred in Johannesburg. In 2013 she qualified as a Chartered Accountant after which she spent 5 months in Boston, Massachusetts in the United States. Following her secondment in Boston, Mathebe joined a top investment bank as a credit analyst and had different roles while at the bank over 8 years.
Guest: Mathebe Molise
We now live in an era where streaming is how we all consume TV, thanks to companies like Netflix and Hulu, which have established a very distinct way that consumers consume creativity and a very specific way that people develop stories. We have a binge culture, which almost mandates how quickly television makers and production firms must create to fulfil demand. We're having a think about the business of television in its current form, where it's going, and whether or not you know, and that also speaks to consumerism, consumerism culture, which inevitably is dictating content, which inevitably is dictating how she'll be able to do her job to the best of her ability. ability or not, you know, given whatever resources that she might or might not have in an organization like and SABC.
Guest: Lala Tuku
Jazzy July is keeping Jazz alive in Newtown. Since its launch in 2018, aneclectic mix of South Africa’s most innovative voices will be part of this year’sexciting bill of the Jazzy July at the Market Theatre. The Music festival haspreviously hosted some of Mzansi’s greats with the likes of Nduduzo Makhathini,Thandi Ntuli, Nomfundo Xaluva, Siya Makuzeni and Ami FakuJazzy July will be back live this year from Friday 8 July to Saturday 30 July. Thisyear’s unmissable installation will feature Sydney Mavundla 8-9, Carlo Mombelli15-16, Billy Monama 22-23 and Marcus Wyatt 29-30 July. Jazzy July is a platformthat consistently showcases homegrown musicians.The Jazzy opened this evening at 7pm and ended at 9pm, and there will be show tomorrow as well. Zodwa was there
Guest: ZODWA Shongwe – Producer for the Market theatre
Guest: Boitumelo Motau
The Drowning Eye is a little-known play by Frantz Fanon, written in 1949. Part love poem, part surrealist narrative, and part philosophical treatise, Fanon’s play reads as a testimony to the power and possibilities of love as an act of resistance. This contemporary reimagining of the text explores the edge between love, shadow and violence. Tamara Guhrs and Stacy Hardy join forces with KwaSha, the Market Theatre Lab and Windybrow Arts Centre, to present this work at a time when Fanon’s writing has new relevance for a generation of young South Africans questioning the limits and possibilities of revolution today.
The Drowning Eye is performed in the midst of the exhibition, Revolutionary Love, which seeks to explore the role of historical loves within revolutionary movements. Both works are made possible by funding from the French Institute South Africa (IFAS) and Mazarz, with additional research supported by the Neubauer Collegium for Culture & Society, University of Chicago.
Guest: Tamara Guhrs
Tutu Puoane is a South African Jazz singer. She grew up in the township of Mamelodi, Pretoria. By 1997 she had already been performing in Johannesburg downtown. Realizing her passion for singing, Tutu went on to study jazz vocals at the University of Cape Town with Jelena Reveshin and Virginia Davids.
Guest: Tutu Puoane
From the publisher's feed
Features on events other than sport with playlisted Music, 20:00 to 00:00 friday