The deadCenter 2019 film festival has finally arrived and we are kicking off our coverage with a filmmaker interview on one of the festival’s most anticipated curiosities. Award-winning independent Oklahoma filmmaker Mickey Reece rejoins The Cinematic Schematic to talk about his new movie Arrows of Outrageous Fortune playing at this weekend’s 2019 deadCenter Film Festival in downtown Oklahoma City. Reece is also joined by Oklahoma City comedian turned star, Alex Sanchez. The official synopsis for Arrows of Outrageous Fortune reads: George Arrow bequeaths his only son, Henry, a mansion filled with insane women. Reece and Sanchez talk about how the idea for the film came about before delving into the story’s influences and methodology. Sanchez elaborates on how he balanced his personal brand of humor with the movie’s dramatic opening scenes. Listen to the full interview to get a taste of what you can expect to see in Reece and Sanchez’s treat to this year’s deadCenter attendees. Stay tuned to thecinematropolis.com for more reviews, interviews, and 2019 deadCenter festival insights! The easiest way to get quick updates is to subscribe to The Cinematic Schematic podcast or following us on Facebook or Twitter @thecinematrop. Special Guests Guest: Mickey Reece Arrows of Outrageous Fortune writer/director Guest: Alex Sanchez Stars […]

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The Cinematic Schematic returns in this special May edition to give a spoiler-free review of one of the most anticipated movies of the summer, John Wick: Chapter 3 – Parabellum. Sound Trek‘s Alexandra Bohannon joins us to look at the third entry of Keanu Reeve’s critically acclaimed John Wick action vehicle collaboration with director Chad Stahelski. Picking up moments after the twisted events of John Wick: Chapter 2, Wick (Keanu Reeves) is now the most wanted man in the criminal underworld. Before Wick can attempt to clear his name, he must fight his way through every assassin in New York City. With nowhere left to run, Wick must turn to his mysterious past to find a new path forward into the future. With a twelve million dollar excommunicado bounty put on his head by the High Table, every bounty hunter in the world wants a slice of John Wick. On his search for a way out, he encounters many faces, new and old, including his friend Winston(Ian McShane), an old flame named Sofia(Halle Berry), a deadly assassin,(Mark Dacascos), an Adjudicator from the High Table(Asia Kate Dillon), and an old mentor (Anjelica Huston) among many others. The John Wick series continues […]

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At long last, we’ve arrived at the conclusion of Marvel’s 22 movie epic that has spanned 11 years of filmmaking. After earning $350 million at the U.S. box office and $1.2 billion worldwide, it’s hardly hyperbole to say Avengers: Endgame is the most anticipated movie of the last decade. The Cinematic Schematic is here with a quick spoiler-free review followed by an in-depth discussion reflecting on the film’s themes and how well it wraps up “The Infinity Saga.” Joining us for this review discussion is Sound Trek‘s Alexandra who is coming hot off her GoodTrash Media special analyzing the last Marvel Cinematic Universe(MCU) release, Captain Marvel. To complete the panel, we’re also re-joined by Geek Girl Features’ Chelsea Ratterman who brings two Avengers: Endgame watches worth of viewings and infinite MCU knowledge to the table. Alexandra, Chelsea and I begin our talk with s brief spoiler-free review discussion before moving into a spoiler-filled debrief and reflection on the grand conclusion to the MCU so far. Listen for our verdicts on the film and analysis of the entire MCU. Special Guest Chelsea Ratterman Writer, Geek Girl Features Oklahoma Film Critics Circle Member Twitter @cinephilechels Time Stamps 4:30 – Spoiler-Free Avengers: Endgame Review 25:53 […]

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The Cinematic Schematic has your horror filmgoing needs covered with a special bonus deep dive conversation reviewing one of our most anticipated movies of the spring, Jordan Peele’s follow up to Get Out, Us. Since making waves with 2017’s Oscar-winning Get Out, Jordan Peele has appeared unstoppable. After coming out of what appeared to be nowhere but a career as a comedian, everyone was excited to see what Peele’s new creative voice in Hollywood would do next. He’s since produced another Oscar winner, BlacKkKlansman, and the highly anticipated Twilight Zone reboot for CBS’s streaming service. According to the written review by Christopher Shultz,Us begins with a flashback to 1986, where our protagonist Adelaide (played as a child by Maddison Curry and as an adult by Lupita Nyong’o) wanders away from her bickering parents at the Santa Cruz boardwalk and discovers a spooky hall of mirrors down on the beach. Upon entering, she meets another little girl who looks exactly like her. This proves traumatizing for the girl, who stops speaking for an unknown period of time, though Peele suggests it’s quite a while. We then flash forward to an adult Adelaide, on route to her summer vacation home with husband […]

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To celebrate the release of Spider-Man: Into the Spider-Verse on Blu-ray, The Cinematic Schematic is taking a special look back at two of the most beloved entries of the franchise. Lani Diane Rich from Chipperish Media and the Listen Up A-Holes podcast joins the show to take a closer look at Sam Raimi’s Spider-Man 2 (2004). Previously considered the gold standard of the franchise and the high bar to reach for all superhero movies, Spider-Man 2 remains a beloved film fifteen years after its theatrical release. With so many advancements in the genre since its debut, including the rise of the Marvel Cinematic Universe, does Spidey’s film featuring a showdown with Doctor Octopus remain the standard it once was? Join Lani and I for the full conversation. Following our 2004 trip down memory lane, comic book scholar, Listen Up A-Holes co-host, and The Cinematropolis contributor Joshua Unruh and I review and reflect on the Oscar-winning Spider-Man: Into the Spider-Verse. What makes Miles Morales’ first big screen appearance so special? Has Spider-Verse usurped Spider-Man 2 as the greatest in the series? Hear our takes on the answers to those questions by tuning in to hear the full analysis of both films. […]

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It’s time to get out your sample 2019 Oscar ballot and start making prediction notes for this Sunday night’s big show! Fortunately, we’ve got just the nominee breakdown you need to put together a winning list on the latest episode of The Cinematic Schematic. In part two of our special 2019 Oscar podcast episode, Laron Chapman and myself are joined by Geek Girl Features writer, Chelsea Ratterman, and Collider deputy editor, Adam Chitwood, to discuss our hopes and predictions for this year’s 91st Academy Awards. This year’s Academy Awards are holding the show without a host or a consistent plan of action for the ceremony. We weigh in on the state of the Oscars and what the lack of a host could mean for this year’s presentation. For a deep dive conversation into the 2019 Best Original Score nominees, make sure to listen to part 1 of our 2019 Oscar special featuring a Sound Trek analysis of the nominees with Alexandra Bohannon. Special Guests Adam Chitwood Deputy Editor, Collider Oklahoma Film Critics Circle Member Twitter @adamchitwood Chelsea Ratterman Writer, Geek Girl Features Oklahoma Film Critics Circle Member Twitter @cinephilechels Follow The Cinematic Schematic Podcast Hear all of this and more of our past […]

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While we continue our month looking at stop-motion films, we can’t help but stop and take a closer look at the tumultuous and oftentimes controversial 2019 Oscars. In part one of our two-part The Cinematic Schematic 2019 Oscar special, Sound Trek host Alexandra Bohannon and co-host Caleb Masters sit down to discuss the 2019 Best Original Score nominees and what makes each score one of the year’s best. Which of these scores stands the best chance at a win? Tune in to get our thoughts and analysis on each nomination in the Best Original Score category! Today’s Sound Trek Selections Black Panther, Ludwig Göransson – “Wakanda” Isle of Dogs, Alexandre Desplat – “Six Months Later + Dog Fight” Mary Poppins Returns,Marc Shaiman – “Overture” BlackKklansman, Terence Blanchard  – “Blut und Boden (Blood and Soil)” If Beale Street Could Talk, Nicholas Britell- “Eden (Harlem)” BONUS – Vice, Nicholas Britell – “Main Title Orchestra Suite” The “Evil Triad” in the BlackKklansman score Follow The Cinematic Schematic Podcast Hear all of this and more of our past and future episodes by subscribing to The Cinematic Schematic and leaving us a rating on Apple Podcasts! Like The Cinematropolis on Facebook Follow The Cinematropolis on Twitter and Instagram @thecinematrop

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Happy New Year listeners! In this month’s edition of The Cinematic Schematic examining M. Night Shyamalan’s career, Daniel Bokemper joins me to review the highly anticipated follow up Unbreakable and its backdoor sequel, Split, Glass. All January long, we’ve been reflecting on Shyamalan’s career. Take an even close look by reading about the highs and lows of his storytelling in these in depth essays. Alexandra Bohannon takes us back through M. Night Shyamalan’s career by looking at his collaborations with James Newton Howard in The Sixth Sense, Unbreakable, and eventually the much-maligned The Last Airbender. Don’t worry, the film score analysis ends with a twist! The show closes with part 3 of our ongoing audio diary interview series with the minds behind Shifter (two of The Cinematropolis co-founders), Jacob and Zachary Burns. We recap their experience filming the first phase of the movie, discuss what they are doing between phase one and phase two, and how they are beginning to prepare for post-production.  If you want to be a part of the making of a bold new time travel film, consider contributing to the Shifter Indie Go Go at SHIFTERFILM.COM. If you enjoy the episode, please consider leaving a review on Apple Podcasts. Time Stamps 1:45 – Glass spoiler-free review […]

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Guest: Wade “Dankmus” Nixon Youtube Video Composer Follow Dankmus on Twitter @dankmus Welcome back to Sound Trek’s new film composer spotlight interview series on The Cinematic Schematic! Each month hosts Alexandra Bohannon and Caleb Masters will sit down for a talk with a composer working in the entertainment industry to discuss the blood, sweat, and musical notes that go into creating the iconic themes and catchy tunes that accompany our favorite pieces of entertainment every day. This spotlight series will help listeners learn more about the lives and journeys of the composers behind the iconic themes we all know and love. This month’s guest, Wade “Dankmus” Nixon, is an internet composer who has carved out a name for himself by creating his own unique sound through the sounds of the beloved animated program, The Simpsons on Youtube. Alexandra begins the interview by delving into the origins of his love for music and approach to remixing music. Listen to the full conversation with Dankmus to hear about his life as a composer and journey into creating his own style of internet music by remixing The Simpsons. Wade “Dankmus” Nixon’s channels Dankmus on Youtube Dankmus on Sound Cloud Today’s Sound Trek Selections “-STEAMED-HAMS-“ “-DR-ZAIUS-“ […]

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  Guest Lorne Balfe Film/TV/Video Game Score Composer Follow Lorne Balfe on Twitter: @Lornebalfe Like Lorne Balfe on Facebook @Lornebalfemusic Visit lornebalfe.com for more information on his past and future projects   Welcome back to Sound Trek’s new film composer spotlight interview series on The Cinematic Schematic! Each month hosts Alexandra Bohannon and Caleb Masters will sit down for a talk with a composer working in the entertainment industry to discuss the blood, sweat, and musical notes that go into creating the iconic themes and catchy tunes that accompany our favorite pieces of entertainment every day. This spotlight series will help listeners learn more about the lives and journeys of the composers behind the iconic themes we all know and love. Today’s special guest is the composer of last summer’s biggest action movie box office and critical hit, Mission: Impossible – Fallout, Lorne Balfe! Balfe joins us for an in-depth conversation about his journey to becoming a film composer and his experience writing the film score for one of 2018’s most popular films. He reflects on the unique and experimental opportunities that Mission: Impossible – Fallout offered as a production and how the process of writing music for movies is different in 2018 […]

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