In this episode, Chris, Sam, and Jaymie dissect a page from Mick Napier’s book, Improvise.

In this episode, Chris, Sam, and Jaymie are joined by James Mastraeini to discuss the launch of The Comedy Co-op LA.

In this episode, Chris, Sam, and Jaymie discuss the concept of character types in comedy.

In this episode, Chris, Sam, and Jaymie pull a page from Truth in Comedy by Charna Halpern and dissect each and every word.

Here is the excerpt:

Every director has heard the dreaded, familiar "My character wouldn't do that." There is nothing a character won't do. When an actor discovers a new character in his personality, he must find what will make him go further — to do the unexpected. Developing characters proved to be one of the most useful elements of the Harold for Chris Farley when he moved on to Saturday Night Live.

"I was able to come up with many different characters. In one Harold, I could do five characters, and maybe hone those just a little bit and try 'em again," says Farley. "There are so many different characters you can do in one given Harold — five characters can easily emerge."

KEY POINTS FOR CHAPTER NINE

*Commit to the physical.

*Let your environment affect you.

*Be specific with your objects.

*Reveal yourself through your character.

In this episode, Chris, Sam, and Jaymie try to figure out what “Don’t Think, React” really means, if anything.

In this episode, Chris, Sam, and Jaymie are joined by Jim Keating to each discuss each’s own rules for teaching and performance.

In this episode, Chris works through what it means to not feel like you’re funny in the world of comedy.

In this episode, Chris, Sam, and Jaymie are joined by David Bridel to discuss clown, medical clown, Commedia dell’arte, spontaneity, and the futility of trying to figure out what’s next.

In this episode, Sam provides a definitive history of improvisation.

In this episode, Chris, Sam, and Jaymie discuss what it means to be deliberate in improvised performance.