The investigation deepens. Guided by Faria’s sharp logic, Dantès begins to recall crucial details: the letter from Elba, carried openly in hand, visible to all—including Danglars. As they dissect the official wording of the denunciation, a new truth emerges—his arrest wasn’t chance, but choreography.

The letter was never secret. But the accusation claimed it was. And someone close knew exactly how to turn a harmless delivery into a charge of treason.

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With patient questioning, Abbé Faria begins to narrow the field. Who had reason to keep Dantès from becoming captain? Who stood to gain? The name emerges: Danglars—the Pharaon’s supercargo, a man with a grudge, a motive, and an ear in the right place at the wrong time.

The mystery of Dantès’ downfall starts to take shape—not as fate, but as strategy.

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Dantès finally tells his story—what he remembers of it. From his voyage to India to the moment of his arrest, the details spill out: Captain Leclère’s death, a mysterious letter, a joyful engagement, and a wedding feast turned nightmare. And then… the blank of prison.

Faria listens carefully. When Dantès finishes, the abbé offers a guiding principle: if you wish to find the author of a crime, ask who profits. From emperors to bureaucrats, it is the same logic: power, gain, and fear of being replaced. And Dantès, it turns out, was not so insignificant after all.

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As Dantès marvels at Faria’s brilliance, the abbé deflects the praise with a paradox: perhaps captivity created the mind Dantès admires. Without suffering, there may have been no focus—no illumination. But Dantès has something else weighing on him: his own story, still untold.

For the first time, Dantès prepares to share the mystery of his imprisonment—and Faria, ever curious, leans in to listen.

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Faria’s genius has no limits—even the thread in his bedsheets is repurposed for escape. In this passage, he explains how he smuggled raveled seams from one prison to another, stitched them back invisibly with a fish-bone needle, and crafted the rope ladder he still keeps hidden, waiting for fate to crack open a door.

But as Dantès listens, a new idea takes root: perhaps Faria could unravel something even more important—his past.

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Just when Dantès believes he’s seen it all, Faria reveals even more: a homemade lamp fueled by meat fat, lit with linen, flint, and sulfur disguised as medicine. Then, from behind the bed—another secret: a tightly coiled rope ladder, crafted and hidden with surgical precision.

For every need, Faria has devised a tool. And for every obstacle, he has already imagined a way through.

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Dantès finally sees it: the completed manuscript—sixty-eight linen strips densely written in flawless Italian, rolled like sacred scrolls and stitched together from shirts and handkerchiefs. Faria’s masterwork isn’t just theoretical—it’s tactile, legible, and finished. Alongside it, he unveils the pens, penknife, and larger knife he crafted from an iron candlestick.

For Dantès, it’s like touring a museum built inside a miracle.

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Dantès follows Abbé Faria through the narrow tunnel into his legendary cell—and finds not grandeur, but brilliance in disguise. With sunrays marking hours and a hidden cache beneath the hearth, Faria transforms stone into sanctuary. His intellect is matched only by his meticulous preparation.

In a world of dust and darkness, this room holds treasure of a different kind: knowledge, devotion, and one man’s life’s work.

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Every Wednesday, Friday, and Saturday, Abbé Faria celebrates—not for prayer, but for fish. In this passage, he reveals the astonishing creativity behind his writing tools: pens made from cartilage, ink from fireplace soot and wine, and—when the moment truly mattered—his own blood.

For Dantès, wonder turns to reverence. What seemed supernatural is now something even more profound: human will refined into genius.

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Abbé Faria’s intellect continues to astonish. In this passage, he reveals how he recreated his world from memory: transforming shirts into parchment, languages into tools, and his mind into a living library. With no books and no ink, he still summons the voices of Shakespeare, Dante, Montaigne, and more.

Where others rot in solitude, Faria studies, refines, and prepares.

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