A Cabinet of curiosity (also known as a wonder-room) is an encyclopaedic collection of objects assembled in post-Enlightenment Europe by noblemen, landowners and merchants who were fascinated by science and natural history.

In the second of our 5-part series looking at the houses shortlisted for this year's Historic Houses Association Collections Award (sponsored by Dreweatts) we discuss the finest intact Cabinet of curiosities in any country house in England - housed at Burton Constable Hall in the East Riding of Yorkshire. The ancestral home of the Constable family, Burton Constable is an impressive Elizabethan house set in Capability Brown parkland, with later work by John Carr of York. Housed within its 'Georgianised' rooms, this remarkable collection was assembled by polymath William Constable and includes an equatorial telescope, a concave burning mirror and antiquities including Roman coins and wax seals.

Geoff speaks with Alistair Hutson and Sarah Burton (both of the Burton Constable Foundation, which now owns the house) about the history of this exceptional home, and why they think it should be considered for the HHA Collections Award this year.

What do you think? Give this episode a listen, and please send us your thoughts or drop us a comment.

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Over the next five weeks, we will be exploring the history and collections of the five shortlisted candidates for this year's Historic Houses Association Collections Award (sponsored by Dreweatts). Geoff is a judge in this year's awards, along with Francis Terry (architect), Rita Konig (interior designer), Tessa Murdoch (art historian) and Will Richards (Chairman of Dreweatts).

First up is one of the great country houses of Scotland - Scone Palace in Perthshire. This gothic revival pile is particularly significant owing to its location adjacent to the 'Moot Hill;' for centuries the location of the Stone of Scone (upon which the early Kings of Scotland were crowned). The seat of the Murray family, Earls of Mansfield, for over 400 years, the collection housed at Scone is exceptional and of national importance.

Joining Geoff and Rory on this week's episode is the current custodian of Scone, and heir apparent to the Earldom of Mansfield, William Murray (Viscount Stormont).

Please join us for this fascinating discussion, and send us your thoughts or drop us a comment - we'd love to hear from you.

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The challenge for all portraitists is in painting not only what they see but in trying to distil and capture the essence or spirit of their subject in oil, ink or watercolour. This challenge applies as much to those who paint portraits of buildings as it does to those who paint people. On The Country House Podcast we often talk about how houses are far more than mere bricks and mortar - they are living, breathing family homes that imbibe and embody the spirits of those who live and work in them.

In this week's podcast episode, Geoff interviews co-host Rory Fraser about one of his main vocations - painting buildings (from ancestral homes and castles to cottages, colleges, churches and holiday villas). They discuss what inspired Rory to begin doing this, why and how he goes about the process, and the unique joys and challenges of using watercolours rather than other mediums.

Rory is currently taking Christmas commissions - the perfect gift for friends and family members, whether it's a portrait of a cherished family home or another significant building such as a church (great wedding or anniversary gifts), university or school, or something else entirely! Rory can work from photographs, so please don't hold back even if you live abroad!

For more information, please get in touch via Rory's website (www.rory-fraser.com) or send a direct-message on Instagram to Rory (@roryfraserr) or through our podcast page (@thecountryhousepodcast).

Pricing as follows (based on him painting from photographs):

A4 - £400

A3 - £600

A selection of prints from Rory's series on follies are also available (ranging from £65 to £95)

https://www.rory-fraser.com

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This week Geoff 'goes it alone' (Rory's on holiday) and visits Somerleyton Hall in Suffolk, where he's joined on the podcast by Hugh and Lara Crossley, Lord and Lady Somerleyton. The seat of the Crossley family since the late 19th century, Somerleyton has a fascinating story to tell.

Aside from the theatrical Jacobethan/Italianate architecture and the usual story of the rise and decline of the estate's fortunes in the 20th century, Somerleyton Hall - and the dedication and vision of the current Lord and Lady Somerleyton - also embodies the revival of country houses in recent decades. In particular, Geoff talks with Lord and Lady Somerleyton about the ongoing diversification of estate revenue streams (including the implementation of some unique new elements).

In this episode, we gain an insight into Lord and Lady Somerleyton's ongoing self-awareness in their role as stewards and custodians, and their personal recognition of their perceived position of privilege and responsibility in the local community and as overseers of an extensive working estate.

Please do tune in to learn more, and like and share if you wish. Comments and thoughts are always welcome.

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The shooting lodges of the Scottish Highlands have beguiled and entranced people from all walks of life for generations. But beyond the romantic facade - the magnificent architecture and breathtaking scenery - lies a complex and at times troubled past that continues to echo down through the centuries.

Joining Geoff and Rory on this week's episode is architectural historian, writer and proud Highlander - Mary Miers - who authored a book on 'Highland Retreats' and who is unafraid of tackling the storied past of Scotland's shooting lodges head-on whilst simultaneously celebrating their many delights.

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James Bond is one of Britain's most iconic fictional characters, and without a doubt the most famous spy in the world. And the man behind the legend - author Ian Fleming - lived a life almost as thrilling as Bond's.

In this high-octane podcast episode, Rory guides Geoff through the life (and many country houses) of Fleming - from his time at Eton and Sandhurst, via his string of high-profile love affairs and service in WWII, to his love of the island nation of Jamaica. All fuelled, of course, by gallons of champagne and thousands of cigarettes.

It was at Goldeneye, Fleming's coastal estate in Jamaica, that the author would pen the first of his Bond novels - Casino Royale - in 1952, and it was at Goldeneye that all subsequent James Bond novels were written.

Please let us know what you think of this episode by leaving a comment, and feel free to share with us your favourite Bond quotes!

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How a fire reduced this 18th century Palladian house to a mere shell... and the questions that it raises.

This week, Geoff and Rory are joined by Cornelia Van Der Poll - an Oxford academic and co-founder of Restore Trust - a lobbying group that encourages the National Trust to focus on its founding principles to safeguard our nation's heritage for all to enjoy.

In this fascinating episode, we discuss Clandon Park in Surrey - from the architectural and social history of this wonderful Palladian-come-Baroque house (the former seat of the Earls of Onslow) to its current status as one of the most controversial country houses of recent times; after a devastating fire in 2015 reduced the house to a shell, debate continues to rage over whether to restore the house fully or do something 'alternative' with the insurance pay-out.

What are your thoughts on the future of Clandon Park? Please leave comments!

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How a humble Venetian artist became synonymous with Britain's country house collections...

This week Geoff and Rory are joined by renowned Canaletto expert, Charles Beddington, to discuss all things Canaletto! From the artist's humble Venetian beginnings to his 'discovery' by the British Consul in Venice - Joseph Smith - who became Canaletto's patron and agent, placing him firmly on the map for Grand Tourists.

In time, paintings by Canaletto would become the souvenir-du-jour for Britain's travelling aristocrats - with the Duke of Bedford commissioning 24 paintings - of which twenty hang in the dining room at Woburn Abbey (one of the famous 'Canaletto Rooms' that we discuss on this podcast episode!)

Please join us, and if you enjoy this episode please like it and write us a review. Please also send in questions for our soon-to-be-resurrected Q&A episodes!

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Every summer, dozens of country houses open their gates for festival-goers, with a huge array of different events hosted within the grounds of our most cherished estates. Off the back of our recent episodes on 'Capability' Brown and Vache Baroque Festival, we have chosen this week to dedicate an entire episode to festivals held on country estates, where fabulous houses provide the most beautiful of backdrops.

In this light-hearted episode, Rory takes Geoff on a tour of different types of country house festivals - from the Game Fair at Ragley Hall and motor racing at Goodwood, to Badminton Horse Trials and The Grange Opera Festival.

Please join us, and if you enjoy this episode please like it and write us a review. Please also send in questions for our soon-to-be-resurrected Q&A episodes!

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This week, Geoff and Rory are joined by countertenor, arranger of classical music and co-founder of 'Vache Baroque', Jonathan Darbourne, to discuss the storied history of the The Vache - an elegant, privately owned Elizabethan country house nestled in the gently rolling Chiltern Hills - and the Baroque music festival he directs every summer in its grounds.

Every year in late August and early September, the discreet and immensely private gardens of The Vache are to be found buzzing with people immersed in music and surrounded by beauty, as Vache Baroque celebrates baroque music in all its splendour. The festival transforms this magical Grade II‑listed country house setting into a vibrant, multi-sensory stage with pop‑up performances, art installations and opera under the trees, all designed to captivate both novice aficionado alike.

With a keen vision for community outreach and engaging audiences who aren't usually exposed to baroque (or classical) music, Vache Baroque succeeds both in reaching new audiences with music and championing the history and importance of country houses and their place in our nation's history. Critics have lauded its 'astonishing acoustics' and 'thrilling performance', while audiences delight in the relaxed, picnic‑style ambience as evening opera unfolds beneath the Chiltern sky.

Please join us for this fun episode celebrating music, the country house and their enduring relationship with each other. If you like this episode please like it and write us a review. Please also send in questions for our soon-to-be-resurrected Q&A episodes!

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