Deeper into the forest we go, tracking the story of the wizard-like teacher Drona to its source in water and in fire.

Why do the gods do what they do? What's up with all the weeping and washing in the Odyssey, and can baking five cakes in one day get us some answers? Poet Bethany Dixon and I sat down on a summer's day to explore the feminine characters of the Odyssey, and the result is a wide-ranging exploration of gender, the divine, and the good trouble of being alive.

A blind king, a visit to the king of the fishermen, and yet another hunting trip gone wrong: it's part two of the epic of the Mahabharata, as brought to life by performance storyteller Jay Leeming.

A plunge into the mythic cosmos of the Mahabharata, an epic story in which the destinies of gods and humans intertwine and the roll of a die decides the fate of an entire kingdom.

A king without a queen marries a river goddess who then does a few monstrous things; that's the news straight from the start of the Mahabharata, a beautiful Hindu epic in which gods and humans mingle in both lovely and destructive ways.

It's tough being a sage who lives forever, especially when the world crashes and burns and you're left crawling through an apocalyptic wasteland; but in that darkness there are still surprises to be found. A cosmic legend of murk, hope and mangoes from the Hindu epic the Mahabharata, as told by performance storyteller Jay Leeming.

Theater director Sam Buggeln talks with performance storyteller Jay Leeming about myth, theater, the supernatural, and bringing the Odyssey to the stage.

Part two of the Welsh story of "Branwen, Daughter of Llyr," brought to life by performance storyteller Jay Leeming.