The Daily Poem

Louise Glück was born in New York City in 1943. She is the author of numerous poetry collections, including Winter Recipes from the Collective (2021); Faithful and Virtuous Night (2014), which won the National Book Award; Poems: 1962-2012 (2012), winner of the Los Angeles Times Book Prize; and The Wild Iris (1992), which won the Pulitzer Prize; and Ararat (1990), which won the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress. In 2020, Glück was awarded the Nobel Prize in Literature. Her other honors include The New Yorker’s Book Award in Poetry, the Wallace Stevens Award from the Academy of American Poets, the William Carlos Williams Award from the Poetry Society of America, and the National Book Critics Circle Award. She has also received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the National Endowment for the Arts. A member of the American Academy and Institute of Arts and Letters, Glück was elected a Chancellor of the Academy of American Poets in 1999 and named the 12th Poet Laureate Consultant in Poetry to the Library of Congress in 2003. Glück has taught English and creative writing at Williams College, Yale University, Boston University, the University of Iowa, and Goddard College. She died in 2023.

-bio via Library of Congress

Francis Thompson was born in Northwest England in 1859. The son of Catholic converts, as a boy he was initially educated for the priesthood. When he was 18, at his parents' insistence, he entered Owens College in Manchester to follow in his father's footsteps and study medicine. But before long, he left for London hoping to pursue what he believed was his true vocation of being a writer. As a result of ill health and subsequent medical treatment, like many before him, Thompson became addicted to opium. He soon fell into a life of despair and destitution, sleeping on the banks of the Thames with London's homeless and selling matches just to stay alive.

Yet it was during this time, in the midst of all his hunger, deprivation and hopelessness, that he was most able to see the kingdom of Heaven. These devastating experiences honed his poetic focus and insights. In 1888, Thompson sent a tattered and torn manuscript to the Catholic periodical Merry England. Its editors, Wilfrid and Alice Meynell, devout Christians themselves, not only recognized Thompson's poetic ability, they took him under their care and gave him a home. They also arranged for the publication of his first book in 1893, simply titled Poems, which included The Hound of Heaven. The poem was immediately recognized as a masterpiece.

Thompson spent the years from 1893-1897 nursing his frail health in a monastery in Wales. He died of tuberculosis on November 13, 1907. He was 47. After his death, Alice Meynell wrote that no change in poetic tastes in the years to come could ever "lessen the height or diminish the greatness" of Thompson's profound accomplishment. In his eulogy for Thompson, G. K. Chesterton simply concluded: "He was a great poet." Among those who would be influenced by Thompson was the young J. R. R. Tolkien, who purchased a volume of Thompson's works in 1913, and later claimed that it had played an important role in his own writing.

-bio via HoundofHeaven.com

Today’s poem–benign anthem of the resilient human spirit or a hymn to radical autonomy?–has divided audiences for more than a century.

Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypt Grammar School, where he studied with the poet T.E. Brown, and the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley’s poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899).

Henley edited the Scots Observer (which later became the National Observer), through which he befriended writer Rudyard Kipling, and the Magazine of Art, in which he lauded the work of emerging artists James McNeill Whistler and Auguste Rodin. Henley was a close friend of Robert Louis Stevenson, who reportedly based his Long John Silver character in Treasure Island in part on Henley.

-bio via Poetry Foundation

What do John Donne, Paul Simon, and AC/DC have in common? Today’s poem. Happy reading!

Today it’s Whitman (and Dylan) on the march of progress.

Today’s poem imagines what you might do when you’re through paying taxes.

Today’s poem is an ekphrasis on a portrait of the poet himself–all that the portrait does and doesn’t capture or convey.

Today’s poem is a lighter take on the self-portrait ekphrasis. What is it about the self-portrait that is so intriguing to poets, anyway?

Elizabeth Jennings (1926-2001) was born in Boston, Lincolnshire but moved to Oxford at the age of six where she lived for the rest of her life. She studied at St. Anne’s College, Oxford and worked in advertising, at the City Library and briefly in publishing before becoming a full-time writer. Her consistent devotion to poetry yielded over twenty books during her life, a New Collected Poems appearing in 2002. Although initially linked to the group of poets including Kingsley Amis, Philip Larkin and Thom Gunn known as ‘The Movement’, Jennings’ work doesn’t share their irony or academic wit. However, the unassuming technical craft of her poetry and its emotional restraint are qualities that were praised by the poets and critics of the period and continued to be abiding characteristics of her work. An important theme is her Catholicism and many of her poems have a devotional aspect. Her intense musing on spirituality encouraged a sensitivity towards others, evident in the pained tenderness of some of her poems. Jennings’ sincere and scrupulous work gradually built both critical acclaim that weathered changes in poetic fashion, and a genuine popularity. Amongst the many honours awarded her work are the W.H. Smith Literary Award, the Somerset Maugham Award and a CBE. Although consistent in its tone and concerns, her poetry continued to develop and mature – later work demonstrating a more flexible approach to form whilst retaining her clarity.

-bio via Poetry Archive (where you can also hear Jennings reading her own poem)

Richard Howard (born Oct 13, 1929, died march 31, 2022) was credited with introducing modern French fiction—particularly examples of the Nouveau Roman—to the American public; his translation of Charles Baudelaire’s Les Fleurs du Mal (1984) won a National Book Award in 1984. A selection of Howard’s critical prose was collected in the volume Paper Trail: Selected Prose 1965-2003, and his collection of essays Alone with America: Essays on the Art of Poetry in the United States since 1950 (1969) was praised as one of the first comprehensive overviews of American poetry from the latter half of the 20th century. First and foremost a poet, Howard’s many volumes of verse also received widespread acclaim; he won the 1970 Pulitzer Prize in Poetry for his collection Untitled Subjects. His other honors included the American Book Award, the Harriet Monroe Memorial Prize, the PEN Translation Medal, the Levinson Prize, and the Ordre National du Mérite from the French government. For many years, Howard was the poetry editor of the Paris Review.

Evaluations of Howard usually judge his work as a poet to be his most important contribution to contemporary American literature. However, his work has and continues to attract a wide and enthusiastic audience among readers, academics, and critics alike.

-bio via Poetry Foundation