The Daily Poem

Happy New Year!

Ring out the old year with one of The Daily Poem’s favorite poets–Richard Wilbur.

Poet, novelist, and environmentalist Wendell Berry lives in Port Royal, Kentucky near his birthplace, where he has maintained a farm for over 40 years. Mistrustful of technology, he holds deep reverence for the land and is a staunch defender of agrarian values. He is the author of over 50 books of poetry, fiction, and essays. His poetry celebrates the holiness of life and everyday miracles often taken for granted. In 2016, Berry was awarded the Ivan Sandrof Lifetime Achievement Award by the National Books Critics Circle. In 2010, Barack Obama awarded him with the National Humanities Medal. Berry’s other honors include the T.S. Eliot Prize, the Aiken Taylor Award for poetry, the John Hay Award of the Orion Society, and the Richard C. Holbrooke Distinguished Achievement Award of the Dayton Literary Peace Prize. Berry’s poetry collections include This Day: Collected & New Sabbath Poems (2014), Given (2005), A Timbered Choir: The Sabbath Poems 1979-1997, Entries: Poems (1994), Traveling at Home (1989), The Selected Poems of Wendell Berry (1988), Collected Poems 1957-1982 (1985), Clearing (1977), There Is Singing Around Me (1976), and The Broken Ground (1964).

Critics and scholars have acknowledged Wendell Berry as a master of many literary genres, but whether he is writing poetry, fiction, or essays, his message is essentially the same: humans must learn to live in harmony with the natural rhythms of the earth or perish. His book The Unsettling of America: Culture and Agriculture (1977), which analyzes the many failures of modern, mechanized life, is one of the key texts of the environmental movement. Berry has criticized environmentalists as well as those involved with big businesses and land development. In his opinion, many environmentalists place too much emphasis on wild lands without acknowledging the importance of agriculture to our society. Berry strongly believes that small-scale farming is essential to healthy local economies, and that strong local economies are essential to the survival of the species and the wellbeing of the planet. In an interview with New Perspectives Quarterly editor Marilyn Berlin Snell, Berry explained: “Today, local economies are being destroyed by the ‘pluralistic,’ displaced, global economy, which has no respect for what works in a locality. The global economy is built on the principle that one place can be exploited, even destroyed, for the sake of another place.”Berry further believes that traditional values, such as marital fidelity and strong community ties, are essential for the survival of humankind. In his view, the disintegration of communities can be traced to the rise of agribusiness: large-scale farming under the control of giant corporations. Besides relying on chemical pesticides and fertilizers, promoting soil erosion, and causing depletion of ancient aquifers, agribusiness has driven countless small farms out of existence and destroyed local communities in the process. In a New Perspectives Quarterly interview Berry commented that such large-scale agriculture is morally as well as environmentally unacceptable: “We must support what supports local life, which means community, family, household life—the moral capital our larger institutions have to come to rest upon. If the larger institutions undermine the local life, they destroy that moral capital just exactly as the industrial economy has destroyed the natural capital of localities—soil fertility and so on. Essential wisdom accumulates in the community much as fertility builds in the soil.”

Dorianne Laux is the author of several collections of poetry, including What We Carry (1994), a finalist for the National Book Critics Circle Award; Smoke (2000); Facts about the Moon (2005), chosen by the poet Ai as winner of the Oregon Book Award and also a finalist for the Lenore Marshall Poetry Prize; The Book of Men (2011), which was awarded the Paterson Prize; and Only As the Day is Long: New and Selected (2019). She has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and has been a Pushcart Prize winner. Laux’s free-verse poems are sensual and grounded, and they reveal the poet as a compassionate witness to the everyday. She observed in an interview for the website Readwritepoem, “Poems keep us conscious of the importance of our individual lives ... personal witness of a singular life, seen cleanly and with the concomitant well-chosen particulars, is one of the most powerful ways to do this.” Speaking of the qualities she admires most in poetry, Laux added, “Craft is important, a skill to be learned, but it’s not the beginning and end of the story. I want the muddled middle to be filled with the gristle of the living.” She was first inspired to write after hearing a poem by Pablo Neruda. Other influences include Sharon Olds, Lucille Clifton, Anne Sexton, and Adrienne Rich.Laux has taught creative writing at the University of Oregon, Pacific University, and North Carolina State University; she has also led summer workshops at Esalen in Big Sur. She is the co-author, with Kim Addonizio, of The Poet’s Companion: A Guide to the Pleasures of Writing Poetry (1997). She lives in Raleigh, North Carolina, with her husband, poet Joseph Millar.

-bio via Poetry Foundation

John Mason Neale was born in London to evangelical parents. His father’s early death meant that Neale attended many different schools; he eventually earned a degree from Trinity College, Cambridge. While at Cambridge, Neale moved from an evangelical to a strongly Anglican religious orientation. He helped found the Cambridge Camden Society, which later became the Ecclesiological Society, at Cambridge in 1839; the group’s main goal was to align church architecture, decoration, and ritual with its teaching. Neale was ordained a deacon in 1841 and a priest in 1842. His role in mid-19th-century British religious history is complex: many of his innovations, including establishing the Society of Saint Margaret for the nursing of pensioners and the poor, seemed too close to Roman Catholicism for Anglican leaders of the day.  Nonetheless, Neale’s literary and religious output was immense. He wrote books and pamphlets on a wide range of spiritual and material issues. Neale’s other volumes included novels, books for children, and works on church history. He penned a multivolume History of the Holy Eastern Church (1847, 1850, and a posthumous volume in 1873). Neale’s interest in Eastern Christianity led him to translate Hymns of the Eastern Church (1862), though he translated many other kinds of hymns, including from Latin, for Anglican use. Neale is best remembered as a hymnist whose collections include Hymns for Children (1843), Hymns for the Sick (1843), Carols for Christmas-tide (1853), and Carols for Easter-tide (1854). Perhaps his most famous carol is “Good King Wenceslas.” Neale’s early death, at age 48, was not widely recognized at the time; however, the archbishop of Canterbury celebrated its centenary.

-bio via Poetry Foundation

Merry Christmas from The Daily Poem!

Today’s poem is T. S. Eliot’s unconventional look at the very familiar story of the Three Wise Men.

Today’s poem is a familiar favorite, just right for the “darkest evening of the year.”

Ruth Moose is the author of Making the Bed (Main Street Rag Press, 2004) and The Sleepwaker (Main Street Rag Press, 2007). Her poetry has been published in former U.S. Poet Laureate Ted Kooser's column, "American Life in Poetry."

-bio via Poetry Foundation

Gerard Manley Hopkins is considered to be one of the greatest poets of the Victorian era. However, because his style was so radically different from that of his contemporaries, his best poems were not accepted for publication during his lifetime, and his achievement was not fully recognized until after World War I. Hopkins’s family encouraged his artistic talents when he was a youth in Essex, England. However, Hopkins became estranged from his Protestant family when he converted to Roman Catholicism. Upon deciding to become a priest, he burned all of his poems and did not write again for many years. His work was not published until 30 years after his death when his friend Robert Bridges edited the volume Poems.

-bio via Poetry Foundation