Nowadays, the content mill churns out superhero fare at maximum capacity. Whether that’s the endless multicoloured sludge of the interconnected MCU across platforms, or the Justice league being released twice - with viewers being able to see both the soy Whedon and self-serious Snyder cuts, but what if we told you that there was a time before society took seriously movies based on baby brained picture books? And these two films from the Y2K era, more than anything else, changed that.

Today the Shuffle Bois are looking at Christopher Nolan’s “Batman Begins” and “The Dark Knight.” the two films most responsible for the legitimising of superhero content as “art.” While the hosts acknowledge that these films undoubtedly rock, they also discuss the half-baked Y2K politics of the films, the exponentially increasing gaping plot holes across all three films, and why Christopher Nolan is in fact a neo-feudalist.