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We discuss the winner of our Patron Poll, Krzysztof Kieślowski’s The Double Life of Veronique - A new film to both Hit Factory hosts, and one that has become an instant favorite.
Enigmatic, ethereal, and steeped in a gentle magical realism, the film finds ways to make grand the quotidian and the interior emotional plane of existence, transcending attempts to articulate its power and majesty with mere words.
We discuss the brilliant Irène Jacob, whose dual performance as Weronika and Veronique communicates an entire world of feeling with her eyes, and we ask if this is perhaps the most beautiful anyone has ever been onscreen. Then, we make meaning of the film's many distinct totems of symbolism - refracted images, melodies, marionettes, and their significance as links not just to the film's two protagonists, but to the imperceptible bond between all people. Finally, we discuss director Kieślowski’s initial plan to release hundreds of slightly different iterations of the film in various theaters across the globe, and how the film's subtle graces are made more meaningful by their potential absence.
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Our theme song is "Mirror" by Chris Fish.
4.3
6969 ratings
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
You voted for it, we watched it.
We discuss the winner of our Patron Poll, Krzysztof Kieślowski’s The Double Life of Veronique - A new film to both Hit Factory hosts, and one that has become an instant favorite.
Enigmatic, ethereal, and steeped in a gentle magical realism, the film finds ways to make grand the quotidian and the interior emotional plane of existence, transcending attempts to articulate its power and majesty with mere words.
We discuss the brilliant Irène Jacob, whose dual performance as Weronika and Veronique communicates an entire world of feeling with her eyes, and we ask if this is perhaps the most beautiful anyone has ever been onscreen. Then, we make meaning of the film's many distinct totems of symbolism - refracted images, melodies, marionettes, and their significance as links not just to the film's two protagonists, but to the imperceptible bond between all people. Finally, we discuss director Kieślowski’s initial plan to release hundreds of slightly different iterations of the film in various theaters across the globe, and how the film's subtle graces are made more meaningful by their potential absence.
.
.
.
.
Our theme song is "Mirror" by Chris Fish.
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