In 1938, pianist and jazz pioneer Jelly Roll Morton was running a bar in New York, unable to get anyone to play his music and having failed to make much money out of his compositions. It was there that broadcaster Alistair Cooke came across him and persuaded folklorist Alan Lomax to record Morton at the piano, singing and reminiscing about his days in New Orleans. The resulting tapes form the basis for this programme. Historian Marybeth Hamilton examines the recordings, which lay untouched for years because of their explicitly violent and misogynistic content, but nevertheless paint a vivid portrait of the early days of jazz. The programme contains some strong language which may offend.