The Drunk Duck Quackcast

The process of adaptation is quite interesting. Stories go through all sorts of changes when they're transferred from one medium to another. A lot of the time we bemoan that as “not staying true to the original” or “the book was better”, but there are many times where the adaption is really interesting in its own right, even though it's quite different from what it started out as. A straight out bad adaptation (in my opinion) is Peter Jackson's “the Hobbit”. Instead of simply transforming the story to better fit the medium of film, it was changed to accommodate current fashionable Hollywood tropes- an A, B, C, and D story structure, romantic interests, tragic heroic characters, nemesis characters, high speed action sequences etc. It didn't retain any of the spirit of the story it was based on. Retaining the “spirit” seems to be the important part of making a good adaptation, details don't matter so much. In that vein, Conan the Barbarian is considered to be quite a good film. It's the only successful Conan adaption from the original stories apart from the comic series. For the movie they changed details about the character (supposed to have square-cut long black hair instead of ragged brown hair, supposed to be swarthy skinned, and his origin was changed massively). The story in the film was loosely based on a few different Conan stories, but mainly it was its own thing. The story of the film stayed true to the theme of Robert E Howard's philosophy and character even though the details were all wrong, this made it a very good adaptation because it's the theme of the stories and character that makes Conan so good, NOT the details. Later adaptations in the form of other films, games, and TV series never managed to get that same vibe. In the Quackcast we cover things like War of the Worlds, Robin Hood, the Marvel Universe, DC movies and so on. What are some good or bad adaptations that you've seen and why did they succeed or fail? This week Gunwallace has given us the theme to TRUMPed, or rather the “making-off” the theme for TRUMPed. You can see what boundless taste and sense of style this fellow has in his choice of theme tunes, no Eleanor Rigby style classical sounding stuff for the blonde haired buffoon, Heavenly choirs and stately piano pieces are far too serious, subtle, stylish and sensible! Nothing less than a bubblegum jingle will please the Pres! Topics and shownotes VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Links Banes' creen Adaptations newspost - https://www.theduckwebcomics.com/news/2020/feb/20/page-to-screen-adaptations/ Featured comic: Hyperbolic Fabrications Presents - https://www.theduckwebcomics.com/news/2020/feb/16/featured-comic-hyperbolic-fabrications-presents/ Featured music: TRUMPed - - https://www.theduckwebcomics.com/TRUMPed/, by Rawdale, rated M. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/

What happens to characters after the big action scene or climactic moment? This could be anywhere in the story but it's usually close to the end. Do they process any of the things that have happened to them to lead them up to that point or do they just forget about everything and simply act as if nothing except the last 4 seconds matter? The later seems to be the trend in a lot of badly written fiction, and it's a notable trope in 80s style action films. Death of family members or lovers are irrelevant when you have a hot action star standing next to you! “So, what are you going to do now?” Someone always asks… “Well I thought I'd settle down somewhere and open a bar.” replies the characterless hero, displaying complete disregard for the entire list of things that happened to them throughout the course of the story and instead recites a meaningless and tired line that was written before their writer was even born. And THAT my friends is what we call bad writing ;) Unless you're deliberately writing something spoofy, it's usually worthwhile to reward the audience: They've just sat through your story, hopefully they'll be invested in your characters. The audience really, really appreciates when those character acknowledge the effects and existence of events that you saw happen to them earlier on in the story. It makes the characters more believable and rounded, and it really helps with the suspension of disbelief. Like anything though you can overdo it. You don't want the characters traumatised over every on-screen death (unless specifically called for), and you don't want them going on and on about something that happened to them in the story, just acknowledging it and showing some effect on the character is enough usually. It's a good idea to remember what it was too! Don't forget about it and mix things up like in The Witcher wherethe writers forget Yennifer gave up her uterus for magical plastic surgery to look beautiful so she could grab the prized easy posting of court magician in her home country and lord it over the people there, and instead the story centers around how they “forced” her to give up her baby-making parts in order to be allowed to practice magic… Your job as a writer is to keep your story straight or your character growth will be a nonsense and you will look like a fool. This week Gunwallace has given us the Music to GeMiTo 2073 - A slow, quiet intro, thoughtful pacing, introspective wailing electric guitar riff. This one creeps in gently and takes care of you. This rock ballad wants to make sure you’re ok, Topics and shownotes Links Tantz's The Day After newspost - https://www.theduckwebcomics.com/news/2020/feb/14/the-day-after/ Tantz's anime - https://www.imdb.com/title/tt9288892/ Featured comic: Coquin - https://www.theduckwebcomics.com/news/2020/feb/11/featured-comic-coquin/ Featured music: GeMiTo 2073 - https://www.theduckwebcomics.com/GeMiTo_2073/, by Marcorossi, rated T. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

There are a couple of approaches when it comes to making a big creative project: planing it all out or working things out as you go i.e. flying by the seat of your pants. Well in reality it's a spectrum and those are the two extremes. Most of us work somewhere between those two, sometimes with more or less planning etc… I've tried a lot of different mixtures myself! Improvising as you go can be thrilling, it can really keep the creative juices flowing. It works best when you have a really good idea of the world you're working with, the characters and how they think. The downside to it is that you can easily lose focus and hit a creative brick wall. It also means it's harder to make big, coherent story arcs with clever ideas, good structure and payoffs for loyal readers. This approach is best for comic strips or very experienced creators. Planning everything is a good way to go if you want a nice tight story with a good structure and pay-offs for readers. If you create this way you'll always have a direction to go in and won't really run into any blocks. It's also easier to get team members on board to help you. The disadvantage is that it takes a lot of work to set it up at the beginning and if you plan too hard you can lose motivation when you're creating things because you're just working to a per-determined plan. This approach is best for graphic novels, team projects, or commercial projects. Most of us will work somewhere in between. I used to fly by the seat of my pants and just work pay to page… I've also tried working from a fully written script. At the moment I work from a broad outline: I know what happens in the full chapter and the action on each page, but not what the action looks like or how many panels I should have. I've let myself have some creative freedom so my creativity isn't stifled and I can develop tings as I go without being too restricted- but my main plan is always there to go back to when I need it. What's your method? This week Gunwallace has given us the theme to Dozer Manifesto - Start your engine… The sound of the powerful diesel motor as it comes time life… you can smell the fumes. Dry, dusty, industrial, rocky, the guitar thrums with a mechanical rhythm, hot and fast. Topics and shownotes VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Links Planning newspost - https://www.theduckwebcomics.com/news/2020/jan/29/planning-ahead-vs-the-thrill-of-discovery/ Featured comic: The Second Crimean War - https://www.theduckwebcomics.com/news/2020/feb/02/featured-comic-the-second-crimean-war/ Featured music: Dozer Manifesto - https://www.theduckwebcomics.com/Dozer_Manifesto/, by Arborcides, rated T. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/

I recently had to upgrade my main computer because Windows isn't supporting Windows 7 any longer and I don't want to install Windows 10 on the perfectly functioning old one in case it ruins it and my main programs can't run any longer… SO I had to get a new PC. This got me thinking though: The barrier to getting into digital art is lower now than ever! Back in the day it was hard to get into and very expensive! Getting a powerful enough machine with all the programs and hardware wasn't cheap. Back in the early 2000s Photoshop was the only really good art program, you needed a PC with at least a gig of ram, Wacom were the only people that made real tablets and the big sizes were only for industry professionals. My 12x12 was the biggest size they made and was intended for clothing designers and engineers. High end digital animators and illustrators used them too but Wacom didn't consider them their target audience. I had to go through a specialist supplier to get mine It took a few years for the industry to wake up to the fact that digital artists even existed. Till then we had to have advanced knowledge of computer specs and enough money to spare. I've spent many thousands on powerful computers, programs and digitising hardware. Now however it's VERY very simple. You have a big choice of digitiser tablets you can buy, not just Wacom, ANY modern computer can run them, the art programs are cheap and easy to find. There are also Android tablets like the Samsung Tab S, or Note phones, the Apple pen with the Ipad pro, and many Windows 10 computers that come with pressure sensitive styli. That is the route I decided to try this time: a mid-price non-gaming 2 in 1 tablet ultrabook. i7 processor, 16 gig of ram, 512 gig SSD, and only integrated graphics, which are decent specs to do any 2D digital art, video or sound editing I need. I don't know how it works with direct input from its pen since I haven't got that accessory yet, but it works fine with my old Wacom Cintiq. The most important thing about getting into digital art is to beware of bad advice from people concerned with status! Don't be tricked into thinking you have to spend too much on something because it seems to be “THE THING”. At the moment that would be the Apple iPad pro and the pen you get with it or HD Wacom Cintiqs with over 8000 levels of pressure. They will do the job, certainly, but so will almost all the other options too: just as smoothly, fast and trouble free. It's not the program or the hardware that makes the great picture, it's your skill alone. All you need from your hardware and software is enough pressure sensitivity to be good for natural drawing (1024 is enough for that, more than 2048 is mainly just marketing), low latency (the pen makes marks as soon as you touch it to the screen): Do not fall for marketing numbers here, try it out and see for yourself, it depends on your art program, your processor, and your ram, not just the tablet or pen. You also need enough ram and processor speed so that you can work at a big size if you like and have a lot of layers. Back in the day that would be expensive, now $200-$300 4 year old Samsung Galaxy Tab S3 can handle that super easily. I'm a classically trained artist in traditional materials. I started playing with digital art in the late 90s and got into it in a big way after 2000, so I've been doing this for over 20 years. I've gained a bit of experience in that time. :) Some programs that're available and good for digital art: Clip studio paint, Manga studio, Toon boom, Gimp, Photoshop, Artflo, Sketchbook pro, Procreate (iPad), media bang, What are you using right now for digital art? This week Gunwallace has given us the Music to Tag Forester’s theme - Gunwallace says: Tag Forester is the hero in a number of comics by rickrudge. Rather than do a theme for a specific one I've just done a theme for the character. Cool, simple, calm, relaxed, while also tough and capable. Tag Forester’s theme moves like a big jungle cat: full of a slow grace, totally fearless, hiding the true extent of his power. The sound is a classic 70’s! Topics and shownotes Links A review of the Samsung Tab S 3 and 4 - https://www.parkablogs.com/picture/artist-review-samsung-tab-s4-vs-tab-s3-drawing Featured comic: Arcadia Project - https://www.theduckwebcomics.com/news/2020/jan/28/featured-comic-arcadia-project/ Featured music: Tag Forester’s theme - https://www.theduckwebcomics.com/user/rickrudge/, by Rickrudge, rated M to A. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

Sexpostion is sex plus exposition, it's exposition with sex on the screen. Tantz Aerine addressed the topic of sexposition in an article last year, but what we're doing here is talking about the reason it even exists, why it isn't a new trend, and why it probably won't last. Basically, movies and TV shows always get more and more sex and nudity in them when broadcast standards are relaxed. Sex and nudity draw in viewers so they're always popular tools. Back in the 20s during the early days of Hollywood films had more sex and nudity, but then politics caught up with them, standards were introduced and that changed. This pattern has repeated over and over with every form of media delivery service and in every country (the introduction of video, porn films going mainstream in the 1970s, the rise of “art house” cinema, pay TV/cable TV etc). The main reason for the current trend of sexy stuff in TV shows isn't a reflection of modern culture in general, rather it's because broadcast standards for streaming content are loose because they haven't caught up with it yet. The sex and nudity is there because they can get away with it, same as has always happened in the past when standards and the rest of culture hasn't yet caught up. Some subjects we touch on are… a tangent into musicals, the sexposition heavy Australian TV sows Alvin Purple (1970s), Number 96 (1970s), Chances (1990s), Art house film directors like Almodovar and Fellini, and various brief mentions of modern TV that reintroduces the trend such as Deadwood, The Deuce, West world, The Witcher, and of course Game of Thrones. This week Gunwallace has given us the theme to ACCIDENTALS: A gathering of titanic forces, powerful energies coalesce, let the epic battle commence. Dark times lie ahead for earth's mightiest heroes. This is an orchestral war anthem for superhumans! This theme would go perfectly over the opening credits of an A grade superhero film! Topics and shownotes VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Links Sexposition newspost - https://www.theduckwebcomics.com/news/2019/dec/20/sexposition-do-not-google-that/ The third Wife (movie Tantz mentions) - https://www.imdb.com/title/tt7692966/ Transneptunian, a sexposition heavy comic by El Cid - (NSFW) https://www.theduckwebcomics.com/TransNeptunian/ Featured comic: Shrouded RD - https://www.theduckwebcomics.com/news/2020/jan/21/featured-comic-shrouded-rd/ Featured music: ACCIDENTALS - https://www.theduckwebcomics.com/ACCIDENTALS/, by Boy Phaff, rated M. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/