By REMA-European Early Music Network
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The podcast currently has 39 episodes available.
Hello and welcome to the last special episode of the 4th season of the Early Music Podcast, dedicated to the impressions shared by the participants of the Early Music Summit with host Darina Ablogina.
CREDITS
guests Richard Lorber, WDR and the Early Music Days in Herne
Mélanie Froehly, ZAMUS
Thomas Höft and Georg Kroneis, Kunsthaus 17
Lila Hajosi, Ensemble Irini
Jorge Losana, ECOS Festival
Sofie Vanden Eynde, Imago Mundi Ensemble
Jurgen De bruyn, Zefiro Torna Ensemble
Karin Cuéllar Rendón, Early Music America
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
Nocturne in E major, Frédéric Chopin
performed by Raoul Koczalski
Historical recording, 1938
¡Cucú, cucú!, Juan del Enzina
performed by Ensemble Cantoria
2021
Ensemble Irini at La Cité de la Voix
2017
The White Rose, Florence Beatrice Price
performed by Reginald Mobley and Agave
American Orignals: A New World, A New Canon, Acis 2021
Introduction, Sofie Vanden Eynde
Mistress Elizabeth Davenant, Her Songes, 2012
The Nutcracker Suite, op. 71a, Piotr Ilitch Tchaikovsky
Symphony No. 41 & Symphony No. 41 in C 'Jupiter', K. 551, Wolfgang Amadeus Mozart
In a branch of music where research plays such a central role, how can there be such a disconnection between research and performance? How can we create cooperation between both fields? These themes, according to Rebekah Ahrendt, are central in "EarlyMuse", a research action funded by the European Cooperation in Science and Technology (COST). Listen to her describe her ideal world in this final episode of the 4th season of the Early Music Podcast!
CREDITS
guest Rebekah Ahrendt, Utrecht University
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
String Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky": III. Adagio molto e mesto, Ludwig van Beethoven
performed by Quatuor Ébène
Beethoven around the World, Erato 2019
The White Rose, Florence Beatrice Price
performed by Reginald Mobley and Agave
American Orignals: A New World, A New Canon, Acis 2021
How early music can be specific in its approach to new audiences? How are conservatoires tackling this issue? Isaac Alonso de Molina shares his views on the need for conservatoires to teach audience development, as the first step to develop the artists' skills to engage with society, and a focal point of the European Association of Conservatoires' Early Music working group discussions.
CREDITS
guest Isaac Alonso de Molina, Koninklijk Conservatorium Den Haag
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
Ave verum corpus, O sacrum convivium
performed by La Academia de los Nocturnos and Ensemble La Danserye
2023
What’s the situation of inclusion in the Early Music sector? In this episode, countertenor Reginald Mobley puts the issues of race, gender, and more generally, identity under the spotlight. He talks about the challenges and discrimination he faced as an Afro-American singer, and opens our eyes to the progress that still needs to be made to make the sector more inclusive.
CREDITS
guest Reginald Mobley, countertenor
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
Music for a while, Henry Purcell
performed by Reginald Mobley and Brandon Acker
2022
The White Rose, Florence Beatrice Price
performed by Reginald Mobley and Agave
American Orignals: A New World, A New Canon, Acis 2021
What’s the current situation of recordings in Early Music? How can we innovate in a sector that has undergone such change in recent years? Listen to Hannelore Guittet’s view on the topic: starting as co-founder of recording label NomadMusic, she had to adapt to drastic changes in the recording industry and created interactive application NomadPlay. She shares some of her processes and reflects on the perks of this creative mindset!
CREDITS
guest Hannelore Guittet, NomadPlay
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
Partita No.1 in B-flat major, BWV 825, Johann Sebastian Bach
performed by Jean-Luc Ho
Intégrale des Partitas pour clavecin, NoMadMusic 2018
In this episode, Tiago Simas Freire discusses how research is also a means of connecting the past with present emotions. More than historically informed, Early Music can be culturally informed and resonate with our own experiences. And that’s the first step for successful research projects that will breach the market!
CREDITS
guest Tiago Simas Freire, "Per esercitarsi nella dispositione di gorgia" (CNSMDL, Schola Cantorum Basiliensis, HEM Geneva)
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
Ad Tenebras - Jerusalem surge - Responsório II, Dizidme qual de los dos, Requiem aeternam - Graduale - Anonyme, Zente Pleto - Vilancico Negro a2 & a6
performed by Capella Sanctae Crucis and Tiago Simas Freire
Ad Tenebras, Artway Records / University of Coimbra 2023
How do we create and innovate in early music today? How do we reappropriate music that has been played thousands of times? Raphaël Pichon puts honesty, generosity, objectivity and responsibility at the heart of his work with the Pygmalion ensemble. In this 4th episode, he shares his views on the challenges faced by each generation, the need for an open mind and artistic responsibility.
CREDITS
guest Raphaël Pichon, Ensemble Pygmalion
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
Les Boréades, RCT 31, Act IV, Scene 4: Entrée de Polymnie, Jean-Philippe Rameau
performed by Ensemble Pygmalion and Raphaël Pichon
Enfers, Harmonia Mundi 2018
Cantata BWV82 - Ich Habe Genug, Johann Sebastian Bach
performed by Ensemble Pygmalion and Raphaël Pichon
live performance, Philharmonie de Paris 2018
What role do agents play in promoting early music? How can they help the sector evolve? Management, digitization, new expectations, news skills... Clémentine Richard from l'Agence Artist Management shares her views on the changes in the management business in this third episode of the Early Music Podcast.
CREDITS
guest Clementine Richard, Agence Artist Management
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
Aria, Nicola Matteis
performed by Gli Incogniti and Amandine Beyer
False Consonances of Melancholy, Alpha Classics 2019
III. Adagio molto e mesto
String Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky", Ludwig Van Beethoven
performed by Quatuor Ébène
Beethoven around the world, Warner Classics 2020
Symphonie No. 3 Eroica, Op. 55
Ludwig Van Beethoven
performed by Orchestre Elektra
live performance, Paris 2023
What’s the scope of early music? This unanswerable question impacts our practices and our approaches to the sector. Since reaching a common definition seems idealistic, why not embrace the different meanings given to these words, and what they imply for their supporters and their activities? In this second episode, Romina Lischka shares her specific vision of early music, influenced by an intercultural approach and a desire to pass on and broaden horizons by mixing oral and written traditions, early and contemporary music.
CREDITS
guest Romina Lischka, leader of the Hathor Consort
interview & editing Darina Ablogina
production REMA
design Doretta Rinaldi
music
King of Denmark’s Galliard
Raga Bhairavi: Alap
In Nomine
When Daphne from fair Phoebus did fly
performed by Hathor Consort and Uday Bhawalkar
Dhrupad Fantasia, Fuga libera 2020
The podcast currently has 39 episodes available.