In space no one can hear you scream, which is good because these teenagers are doing a lot of it. But then again, I would too if a NASA-engineered murder-bot was responsible for launching me into the atmosphere along with a group of non-astronaut high schoolers.

This week we tune in to see Jim Carrey perform one of his first dramatic roles as the unwitting star of a reality TV show.

On a very special episode of The Editing Bay, we tackle our first documentary and the timely topic of race relations with this Netflix original from director Ava Duvernay.

This week we mark the passing of director Joel Schumacher by revisiting this star-studded ode to being 20-something in the 80s.

Master-of-disaster Roland Emmerich has made a career out of destroying cities and national landmarks in his movies. But this time it’s Mother Nature doing the damage, and there’s nothing dreamy Dennis Quaid or derpy Jake Gyllenhaal can do about it.

We return to our post-apocalyptic motif for 2020 with this Mad Max-esque flick with a twist ending. We usually don’t issue spoiler-alerts, but if you ever intend to see this movie (which 2 out of 3 of us recommend), consider yourself warned.

The 90's were lousy with crime movies featuring colorful characters speaking in their own vernacular, but this hidden gem is no Tarantino-clone. Don’t sleep on this sleeper-hit or you might get Buckwheats.

Who doesn’t like a good dystopian-future story, especially when told through a young-adult lens and starring a bunch of pretty 20-somethings? This week we pay tribute to the one that started it all, but are the odds in its favor?

Wikipedia tags this film as an “absurdist dystopian black comedy film.” Yup, that about sums’er up. Colin Farrell is here to talk about death and make you feel sad and stuff in this downer from 2015.

We get a dose of estrogen this week as Joe’s wife Sara joins the show to chat about this Disney classic that put Anne Hathaway on the map.