The Ensemblist

The 61st Annual Tony Awards was presented at Radio City Music Hall on June 10, 2007. Just like the last ceremony, the 2007 Tonys had no host but instead a score of celebrity duos as presenters. Heading into the ceremony, two musicals were virtually tied for the most nominations: Spring Awakening with 11 nominations and Grey Gardens with 10. Also with a respectable set of 7 or 8 nominations were Curtains, Legally Blonde and Mary Poppins. Nominated for Best Revival were productions of Company, 110 in the Shade, The Apple Tree and A Chorus Line. 

The 2006-2007 Broadway season found itself amidst many cultural highs and lows. Right in the middle of President George W. Bush’s second presidential term and his international “War on Terror,” the season witnessed the inauguration of the nation’s first female speaker of the House, Nancy Pelosi. On a more sober note, 2007 also saw the school shooting at Virginia Tech, which remains the deadliest school shooting in the history of the United States.

Culturally, the season also saw the inauguration of the very first version of Apple’s iPhone, propelling the world solidly into the age of the smartphone, allowing all the actors in New York to be able to check their rehearsal schedules, and text their stage managers with they’re calling out, RIGHT from the comfort of their cell phone!

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There’s a line in Come From Away that reads “Thank you shopping at Walmart - would like to come to my house for a shower?”Creepy out of context, but in show, it is example of people being helpful and open to other people in a way that feels unfathomable right now. Host Michael Fatica spoke with Alex Finke, a former cast member of Come From Away on Broadway about how this show has a whole new to ring to it in the midst of the events of this past year.

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Today Mo Brady talks with Aiko Nakasone - One of the 15 original cast members of Rent. In the conversation, Aiko shares how her experience creating theatre families has influenced her work as both a yoga instructor and financial educator. 

Rent is celebrating it’s 25th anniversary this year, and a virtual celebration is streaming through Friday March 6th, 8pm Eastern as a part of New York Theatre Workshops 2021 Gala. Enjoy! 

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The 61st Annual Tony Awards was presented at Radio City Music Hall on June 10, 2007. Just like the last ceremony, the 2007 Tonys had no host but instead a score of celebrity duos as presenters. Heading into the ceremony, two musicals were virtually tied for the most nominations: Spring Awakening with 11 nominations and Grey Gardens with 10. Also with a respectable set of 7 or 8 nominations were Curtains, Legally Blonde and Mary Poppins. Nominated for Best Revival were productions of Company, 110 in the Shade, The Apple Tree and A Chorus Line. 

The 2006-2007 Broadway season found itself amidst many cultural highs and lows. Right in the middle of President George W. Bush’s second presidential term and his international “War on Terror,” the season witnessed the inauguration of the nation’s first female speaker of the House, Nancy Pelosi. On a more sober note, 2007 also saw the school shooting at Virginia Tech, which remains the deadliest school shooting in the history of the United States.

Culturally, the season also saw the inauguration of the very first version of Apple’s iPhone, propelling the world solidly into the age of the smartphone, allowing all the actors in New York to be able to check their rehearsal schedules, and text their stage managers with they’re calling out, RIGHT from the comfort of their cell phone!

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In this episode, host Kerstin Anderson talks with Daniel Goldstein, the associate director of Come From Away. He was one of the first theatre practitioners in the world to reopen theatre following the shutdown. He talks with Kerstin about traveling to Melbourne Australia to reopen the show, how the theatremaking experience was modified to keep people safe, as well as both the joy and trauma he believes theatregoers will experience as they are allowed to watch live performances once again

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Actor and playwright Rodney Hicks’ RENT journey began 25 years ago at New York Theatre Workshop, when he was just 21 years old. In 2007, Rodney would return to the Nederlander and take on the role of Benny, a part he once understudied a decade prior. Rodney can be seen as Benny in 2008’s RENT: Filmed Live on Broadway, a pro-shot of RENT’s final performance of the original Broadway production.

Please enjoy our one-on-one with Rodney Hicks as he memorializes his early memories in the show, his personal journey of self growth and discovery, and what RENT means to him. 

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Choreographer and performer Charlie Williams is no stranger to The Ensemblist, nor is he a stranger to Disney’s mega musical, Frozen, which closed on Broadway last May, but has sparked new life internationally. Charlie has played a critical role in Frozen’s legacy, as both an ensemble performer and Associate Choreographer. When it came to mounting the show in Sydney, Australia, where audiences and performers can finally return to in-door gatherings and performance spaces, Charlie was the obvious choice to step in and train the show’s newest crop of ensemblists.

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Disney’s Aladdin, beloved animated classic turned hit musical, opened on Broadway at the New Amsterdam theater in March of 2014, directed and choreographed by Casey Nicholaw with score by Alan Menkin, Howard Ashman, Tim Rice and Chad Beguelin. Featuring both iconic songs originally written for the animated movie as well as some brand new tunes, it received five Tony nominations, and gave James Monroe Iglehart his first Tony win. Ho  Audiences have been dazzled, not only by 100,000’s of swarovski crystals, but the timeless story of street-rat to prince, and trapped princess turned independent woman. Since then the magic of Agrabah has been brought all over the world and to every corner of North America! 

On today’s episode, we share some of our favorite stories from members of the Broadway and national tour casts of Aladdin, originally shared on the podcast or on our blog. 

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The 38th Annual Tony Awards was hosted by Julie Andrews and Robert Preston on June 3, 1984. Presented at the Gershwin Theatre, current home of the long-running Wicked, the show featured three medleys dedicated to composers: John Kander and Fred Ebb, Jerry Herman and Stephen Sondheim. Heading into the ceremony, two musicals were virtually tied for the most nominations: Sunday in the Park with George with 10 nominations and La Cage aux Folles with nine. Baby and The Tap Dance Kid followed behind with seven nominations each. This season there were no musicals nominated for Best Revival.

The 1983-84 Broadway season spanned a time with many notable events. Marking the final year of President Ronald Reagan’s first term, 1984 found itself a leap year, an election year, and a Summer Olympics year, which the US hosted in Los Angeles, CA; in an internationally petty move, our long-time Cold War rivals, The Soviet Union, boycotted those games. This season also saw the creation of the federal holiday to commemorate the legacy of Dr. Martin Luther King, Jr., with Reagan having signed its originating bill the previous November. This year also would see the founding of Canada’s famed entertainment company, Cirque du Soleil.

In New York, one of the largest events to take place, and it is mentioned in the telecast, is that A Chorus Line makes history as the longest running musical on Broadway; after eight years, and 3,389 performances, A Chorus Line broke the record on September 29th, 1983. It would continue to hold that record until 1997, when it was overtaken by Cats. Today it holds the Number 7 spot on the list of longest running Broadway musicals, surpassed only by Phantom, the Chicago revival, The Lion King, the original production of Cats, Wicked, and the original production of Les Miserables.

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Following the journey of The Addams Family has been surprising. Before I started, I wasn’t even sure the original creative team would want to go on record with me about the show’s tumultuous development. And yet, their gracious excitement to jump back into the world of The Addams Family showed me something that I hadn’t experienced as a member of the Broadway cast: many people like this show.

First and foremost on that list was book co-author Rick Elice, who enjoyed getting his hands dirty as he wrote and rewrote the book to uncover clearer and more specific obstacles for his characters. Also on that list were Dontee Kiehn and Steve Bebout who, after closing the Broadway and national tours, went on to stage many, many well-received productions of the musical around the globe. And then there were those who are mounting the show now: the teachers and students creating little Addams Families of their own all across the country.

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