On Episode 156 of The Film ‘89 Podcast, Neil and Skye are doing something they’ve not done for several years, they’re reviewing a new comic book movie. What was once a regular thing on Film ‘89 tailed off with the downturn in quality of the Marvel Cinematic Universe post Avengers: Endgame, with one exception, 2021’s Sony Pictures collaboration, Spider-Man: No Way Home, arguably the last great entry in the MCU. But after 5 long years, Tom Holland is back as everyone’s favourite web-slinging crime fighter in Spider-Man: Brand New Day. In the aftermath of No Way Home, Peter Parker has spent the last few years successfully fighting crime and garnering public support and even working alongside the police, but at the expense of his personal life now that everyone’s memories of Peter Parker being Spider-Man have been wiped, including that of his best friend, Ned and girlfriend, MJ. Already a huge commercial success in the first week following its release, Brand New Day just might be the film that reignites Neil and Skye’s love of and enthusiasm for comic book movies. So tune in to hear their in-depth and spoiler-filled review of a film that’s on course to become the most successful film of 2026 and one beloved by audiences and critics alike. 

Episode 155 of The Film ‘89 Podcast is a full-on history lesson as hosts Martin Kessler and John Arminio take a trip back to 480 BC as they celebrate the 20th anniversary of Zack Snyder’s big screen adaptation of legendary comic book writer Frank Miller’s 300. 300 tells the epic tale of the Battle of Thermopylae, and how an alliance of Greek city-states fought the invading Persian army in the mountain pass of Thermopylae. Vastly outnumbered, the Greeks held back the enemy in one of the most famous last stands in history. Snyder’s hyper-stylised film employed then-cutting-edge filmmaking techniques and remains one of the most faithful comic-book adaptations ever made. In addition to analysing the film, John and Martin delve deep into Greek history and discuss Christopher Nolan’s new adaptation of Homer’s The Odyssey, as well as Wolfgang Petersen’s 2004 film Troy, loosely based on Homer’s The Iliad. 

On Episode 154 of the Film ’89 Podcast, Steve and Skye are joined by returning co-host, Becky D’Anna. A veteran of Hollywood movie marketing and a seasoned podcaster, Becky now has her very own podcast, the brilliant Hanging with Becky Podcast. The topic of this episode is a film that’s not only one of the Film ’89 team’s all-time favourites, it’s also become the most requested film for the team to cover, but moreover, it’s Becky’s all-time favourite film; from 1991, director James Cameron re-teams with superstar Arnold Schwarzenegger; it is of course, Terminator 2: Judgment Day. Also starring Linda Hamilton, Robert Patrick and Edward Furlong, T2 was not only the most expensive film ever made upon its release in July 1991, but it would go on to be a critical and commercial smash hit and the highest-grossing film that year. But more than that, it was a film so groundbreaking in its use of cutting-edge special effects technology that it would forever change the face of cinema. More than just an action-science-fiction blockbuster, T2 is a superbly written and impeccably directed film, and easily one of the greatest movies ever made and more than worthy of the usual in-depth Film ’89 treatment. 

Episode 153 of The Film ’89 Podcast lands just in time for this year’s July 4th celebrations, and there’s no more fitting a film that the guys could be covering than one that honours that great American holiday. Joining Neil and Skye (who definitely aren’t American) is returning co-host, filmmaker, producer and master cinephile (and importantly, an American), Mr Adam Rackoff. And the film they’re discussing is an epic alien invasion film that takes its cues from ‘50s science-fiction, ‘70s disaster movies, and also one of the Film ’89 Team’s favourite pieces of event television, the early ‘80s miniseries, V. That film is Independence Day, which celebrates its 30th anniversary the day this episode drops. With a superb ensemble cast and featuring jaw-dropping special effects that still impress three decades on, Independence Day, on a relatively meagre budget considering its scope and scale, would go on to utterly dominate the global box office in 1996, becoming far and away the most financially successful film that year. It would also set a new benchmark for special effects in an era where CGI was yet to dominate, and still puts many modern-day, big-budget effects-heavy movies to shame. In many ways, Independence Day is the sort of film that cinema is made for, and along with Jurassic Park, represents one of the very best examples of big budget '90s summer blockbusters, influenced by their 1970s disaster themed forbears, and is a film that will be ingrained in the minds of anyone who was of a certain age in 1996, who’ll never forget the cinematic phenomenon that was defined by those iconic images of colossal alien ships hovering over America.

On Episode 152 of The Film 89 Podcast, Steve and Skye are joined by a trio of returning co-hosts, Jacob Rivera, Kyle Reardon and Leighton Winstone, to discuss one of the all-time great serial killer thrillers, director Jonathan Demme’s multi-Oscar-winning 1991 adaptation of Thomas Harris’ best-selling novel, The Silence of the Lambs. Starring Jodie Foster, Anthony Hopkins, Scott Glenn and Ted Levine, the film would receive huge critical acclaim and worldwide box office success and would go on to become one of only three films to win “the big 5” at the Academy Awards; Best Picture, Best Director, Best Adapted Screenplay, Best Actor and Best Actress, as well as nominations for Best Editing and Best Sound. The Silence of the Lambs is widely regarded as one of the greatest films in the history of the medium and is given the in-depth Film ’89 treatment for its 35th anniversary. 

On Episode 151 of The Film ‘89 Podcast, Steve and Skye are joined by a trio of guest-hosts that may be the greatest ever assembled for a single episode of the podcast as they celebrate the 40th anniversary of James Cameron’s Aliens. The sequel to Ridley Scott’s 1979 sci-fi-horror masterpiece, Alien, Cameron’s film wouldn’t be a retread, but an evolution of the story of Ellen Ripley (Sigourney Weaver), as well as expanding what we know about the life-cycle of the deadly species she encountered in the first film. Featuring a superlative ensemble cast, an electrifying pace and endlessly quotable dialogue, as well as incredible special effects and a landmark score from composer James Horner, Aliens is rightly considered not just one of the greatest sequels ever made, but one of the greatest movies, period. So join our battle-hardened crew as they dive into the making of this incredible film and give their in-depth analysis of Aliens for its 40th anniversary. 

The story of Episode 150 of The Film ’89 Podcast is one of ‘the episode that nearly wasn’t’. It was to be a gift to our listeners as Steve, Neil and Skye finally covered a film that has become the one most requested by our listeners to get the Film ’89 treatment, Raiders of the Lost Ark. The initial recording went well until, at the end, it quickly became apparent that Neil’s audio hadn’t recorded. In the days that followed, no fix could be found, and it was looking likely that the episode was lost. Then tragedy struck on Wednesday, May 6th, when news broke of the passing of our dear friend, regular guest-host and prolific film poster artist, Tony Stella. The impact of Tony’s sudden and tragic passing has been one that we have struggled to come to terms with, but when he was last on Film ’89, Tony made plans to join us when we finally got around to covering Raiders, one of his favourite films. Alas, in the weeks leading up to recording Raiders, Tony’s workload meant he had to pass on the episode. Following the tragedy that ensued, the Film ’89 team felt that every effort should be made to salvage the episode as a small but fitting tribute to the man who would have loved discussing one of his favourite films. In true hero fashion, Neil stepped up to the mic and, from memory and some notes cribbed from the remaining audio of Steve and Skye, re-recorded his audio 4 days after the initial recording. This was then painstakingly edited into the original audio of the other two hosts, and we hope the final product meets our usual standards. The film itself needs no introduction; we’ll let the episode cover that. Tony Stella was, in our opinion, the greatest living film poster artist, who, in his passing, leaves a hole that cannot be filled. More than that, he was a loving father and our very dear friend. Our heartfelt sympathy goes out to his family, friends, and our thanks go out to the thousands of people who have given tribute to both the great man and his incredible legacy of phenomenal artwork. Tony, this one’s for you, you’ll always be classy. 

Just as they did on Episode 147, so they are doing so again on Episode 149 as the Film ‘89 team travel back in time to 1966, this time to celebrate the 60th anniversary of both a film and television show that, for a brief two-year period, was a worldwide phenomenon. Starring Adam West and Burt Ward, the television show is of course, Batman, and it would then transition to the big screen with 1966’s Batman: The Movie. Skye and returning co-hosts John Arminio and Martin Kessler, explore what made the show such a hit and take a deep dive into a film that pits the Dynamic Duo against not one, but four of their most heinous super-criminal nemeses, The Penguin, The Joker, Catwoman and The Riddler. For those weaned on darker takes on the character from the likes of Frank Miller, Tim Burton and Christopher Nolan, this take on Batman will seem like a garish, high camp, and therefore barely recognisable iteration, but sixty years on, the show and movie still have a huge and loyal following. So slide down the Bat-poles, set atomic batteries to power, turbines to speed and join us in a celebration of ‘60s Batman.

On Episode 148 of The Film ‘89 Podcast, we’re back talking Star Trek as we continue our coverage of the original crew’s big screen adventures. Having already covered the first three films for each of their 40th anniversaries, it’s now the turn of Star Trek IV: The Voyage Home, which brought an end to the “Genesis Trilogy” consisting of the second, third and fourth Trek films, where the story in each film follows directly into the next. Following the death and destruction of The Wrath of Khan and The Search for Spock, returning director and star, Leonard Nimoy, wanted a lighter tone as well as a strong ecological message, that of whale preservation, and both of these aspects, coupled with our crew playing fish out of water in a San Francisco 300 years in their past, helped the film become the most financially successful Star Trek film of them all and a firm favourite among fans. So join Skye and returning co-hosts John Arminio, Bill Scurry and Adam Rackoff in a celebration of the 40th anniversary of one of the very best Star Trek adventures. 

On Episode 147 of The Film ‘89 Podcast, Skye and returning guest-host Stephen Simpson are celebrating the 60th anniversary of and also taking an in-depth look at the making of director John Frankenheimer’s epic, nearly 3-hour-long motor racing drama, Grand Prix. Starring James Garner, Yves Montand, Eva Marie Saint, Toshiro Mifune and a huge international supporting cast, Frankenheimer’s movie is a marvel of technical filmmaking that captures the thrills and danger of Formula 1 as few other films have. Filmed alongside the 1966/67 F1 season with unprecedented cooperation from the drivers and teams of the era, Grand Prix is arguably the finest big-screen representation of motor racing ever made, and a time capsule of a period when the sport was on the cusp of changes that would alter it forever.