It is with much regret that we come to the end of the journey that has been The Film ’89 Podcast, as tonight’s episode marks for the guys a peak of sorts, a culmination of the last 7 years which has all led to the film we’re covering on this monumental episode. Steve, Neil and Skye are joined by a returning co-host who hasn’t been on Film ’89 since Episode 40, way back in November 2019, when he and Steve reviewed The Irishman, it’s our good friend, Tony Sower. Tony joins us to discuss his all-time favorite film, a film that we’ve been threatening to cover on the podcast for the longest time. If the name of this podcast takes influence from the ‘80s and nostalgia for movies we grew up with, then this film in a way typifies that era. And if the 1980s will be remembered for particular types of film, then the high concept action film is surely one of those types, born out of a decade where excess was celebrated. That film is the 1985 Arnold Schwarzenegger action classic, Commando. Some frankly hyperbolic opinions are going to be put forth on tonight’s episode, opinions as big as the Austrian Oak himself. Commando sees Arnie, after the fantasy heroics of Conan The Barbarian and the sci-fi horror of The Terminator, playing a more grounded, contemporary role as retired Army Commando, John Matrix. Yet there’s ultimately nothing grounded when it comes to Commando, a film that takes over the top machismo to hitherto unseen levels in a film that may be the action film distilled to its purest form. We hope you’ve enjoyed The Film ’89 Podcast, we’d love to carry on, but after a peak like Commando, there’s nowhere to go but down, and we always intended to go out on a high. Adios. 

On Episode 132 of The Film ’89 Podcast, Steve and Skye are joined by returning co-hosts, Jacob Rivera and Leighton Winstone to discuss a film from the director who has had the most coverage on Film ’89, with no less than 5 episodes dedicated to his films and one of those being a double bill, it’s legendary filmmaker, Martin Scorsese. The film being discussed is one that the guys have desperately wanted to cover since the podcast began, Scorsese’s 1980 biopic of former World Middleweight boxing champion, Jake La Motta, starring Robert De Niro, it is of course Raging Bull. Shot in back and white and featuring a staggering, Oscar winning central performance by De Niro, Raging Bull also features stellar turns from Cathy Moriarty, in her debut acting role as La Motta’s long suffering second wife, Vickie and Joe Pesci as La Motta’s put upon brother, Joey. Raging Bull has become an enduring classic of cinema, hailed by many critics as one of the greatest films ever made and here it’s given the in-depth Film ’89 treatment for its 45th anniversary. 

On Episode 131 of The Film ‘89 Podcast, Steve, Neil and Skye are joined by returning co-hosts, Bill Scurry and Matthias Van De Roest to celebrate the 30th anniversary of the Academy Award winning crime thriller, The Usual Suspects (1995). Critically acclaimed upon its release and making a considerable worldwide box office haul on a meagre $6 million budget, it’s amazing ensemble case, incredible Oscar winning script, precise editing and sharp direction would make it an endearing classic of the 1990s. Unfortunately the film doesn’t get spoken about as frequently as it once did, likely due to the controversy that arose in the intervening years surrounding its director and one of its stars. But putting aside those issues and examining it purely as a work of collaborative art, The Usual Suspects remains one of the greatest crime dramas ever conceived and is a film that’s endlessly rewarding and rewatchable.

On Episode 130 of The Film ‘89 Podcast, Neil & Skye will be grabbing their glow-rods and avoiding physical contact greetings as they jump forward in time from a crime ridden Los Angeles of 1996, to a seemingly harmonious, but borderline fascist utopian 2032 San Angles as they discuss the 1993 action-science-fiction cult classic, Demolition Man, from producer Joel Silver and then first time director, Marco Brambilla. It stars Sylvester Stallone, Wesley Snipes and Sandra Bullock in her breakout role. The guys discuss how this seemingly by-the-numbers ‘90s action film has transcended its roots due to it having layers of subtly clever social commentary and a level of mind boggling prescience that has helped it continue to age like a fine wine with each passing decade. 

Episode 129 of The Film ‘89 Podcast, our first of 2025, is a companion piece to our episode from last February, Episode 112, where Steve, Skye and John Arminio discussed Bram Stoker’s 1897 novel, Dracula, and both Tod Browning’s 1931 film adaptation as well as Francis Ford Coppola’s 1992 version, Bram Stoker’s Dracula. For this episode, the same trio will be giving you their in-depth and spoiler filled review and analysis of director Robert Eggers’ remake of F.W. Murnau’s 1922 German expressionist silent horror classic, Nosferatu: A Symphony of Horror, this new version titled simply, Nosferatu. As well as Murnau’s film, the guys will also be discussing acclaimed German director Werner Herzog’s 1979 remake, Nosferatu the Vampyre.

On Episode 128 of The Film ‘89 Podcast, Neil and Skye are joined by returning co-host, filmmaker, producer and master cinephile, Adam Rackoff. When planning what films to cover on Film ‘89, we invariably aim to choose films that we love and want to talk about but always consider whether you, our valued listeners would want to hear us discuss those same films. Well, for the film we’ve chosen for this episode, we’ve been wholly self indulgent for once. Christmas is coming so we’ve decided to treat ourselves and pick a film that Neil and Skye have wanted to champion and discuss on the podcast since it first started. That film is a Star Trek film and it’s the first big screen outing for The Next Generation crew and something of a passing of the torch between the original series crew and the TNG gang, Star Trek: Generations. Generations is often regarded as one of the lesser loved Trek films and as much as it seems to have been more positively reappraised in recent years, it’s not going to feature on most fans’ lists of their favourite Star Trek films, but for Neil, Skye and Adam, the opposite is true. So as well as giving the film the usual in-depth Film ‘89 analysis for its 30th anniversary, our trio of hosts are going to try and get to the bottom of just why they love this oft-maligned film so much. 

On Episode 127 of The Film ‘89 Podcast, Skye and returning guest host, acclaimed film poster artist, Tony Stella, continue their annual coverage of the long running James Bond series of films with 1964’s Goldfinger. Directed by Guy Hamilton, Goldfinger is the third film in the series and is based on the seventh James Bond book by author Ian Fleming. This time Bond is tasked by the Bank of England and Mi6 to investigate gold magnate Auric Goldfinger, who they suspect is building up a vast inventory of gold by nefarious means. Sean Connery’s third outing as the British super spy is regarded by many as the pinnacle of the franchise, now the longest running in film history, and features a superb cast including Gert Fröbe as the titular villain as well as Honor Blackman and Shirley Eaton as two of the most memorable Bond girls. The word iconic is often overused in the realm of film criticism, but Goldfinger is filled with moments and situations that truly earn that description. So join the guys as they give their usual passionate, in-depth analysis of the film for its 60th anniversary.

On Episode 126 of The Film ‘89 Podcast, Steve and Skye are joined by returning co-host Becky D’Anna. Becky is a marketing executive for Sony Pictures, a seasoned podcaster and an expert on film and the film industry, making her the ideal guest-host with which to celebrate the 70th anniversary of Alfred Hitchcock’s 1954 thriller, Rear Window, starring James Stewart, Grace Kelly, Thelma Ritter and Raymond Burr. Shot on just one location, a huge set built on the Paramount Studios backlot, Rear Window is the ultimate tale of voyeurism as Stewart’s wheelchair bound photographer, L.B. Jeffries, ropes in his beautiful socialite girlfriend Lisa (Grace Kelly) and his insurance company appointed nurse Stella (Thelma Ritter) into his personal investigation into what he believes is the murder of one of the residents of his bustling tenement block. A masterclass in visual storytelling, Rear Window is one of the Master of Suspense’s most beloved films and certainly one of several peaks in a staggering filmography, a movie that would influence filmmakers for decades to come. 

Episode 125 of The Film ‘89 Podcast is our 2024 Halloween Horror Special and joining Skye and regular co-host John Arminio, is author, podcast producer, filmmaker and expert in all things horror related, J. Blake Fichera. Last year it was The Exorcist, and the focus of this year’s Halloween episode is a celebration of the 50th anniversary of another equally remarkable, influential and iconic horror classic, Tobe Hooper’s, The Texas Chain Saw Massacre (1974). Made on a meagre budget with a cast of unknowns, Hooper’s film would quickly achieve iconic status and go on to permeate popular culture like few other horror films before it. It would become hugely influential but would never be equalled in terms of its almost documentary approach to the fictional events it depicts, inspired by the exploits of real life killers such as Ed Gein. The guys discuss the making of the film and explore the many layers of sociopolitical commentary that Hooper intentionally or even subconsciously weaved into this macabre work of art, a stunningly shot, meticulously crafted, grimy and unsettling masterpiece of horror cinema, laid bare by the experts at Film ‘89. 

On Episode 124 of The Film ‘89 Podcast, Steve, Neil and Skye return to the films of James Cameron and his directorial debut (not counting Piranha 2), starring possibly the most prominent megastar of their childhood, Arnold Schwarzenegger. That film is Cameron’s gritty, action-science-fiction smash hit, The Terminator, which celebrates its 40th anniversary this month. The product of a fever dream Cameron had whilst in Rome during the Piranha 2 debacle, The Terminator represents one of the most cost effective filmmaking endeavours of the 1980s, whereby a potentially pulpy science fiction yarn was bolstered by some truly defining star turns, none more so than the titular character himself. Schwarzenegger’s portrayal of a killer cyborg from the future would define his career like no other role. Coupled with precise filmmaking from a young, driven, perfectionist director, some stunning effects work from artists such as Stan Winston, a stunning, synth-filled, percussive and atmospheric score from composer Brad Fiedel, and some gorgeous cinematography and tight editing, these ingredients would come together to create a film that the Film ‘89 team regard as one of the most important films of their upbringing, one that holds up today as a true masterpiece of genre filmmaking.