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We're sharing an episode of the Voice of San Diego podcast that we think The Finest listeners will love. The VOSD team discusses HBO's "Neighbors," including an episode featuring a San Diego man whose front-yard workouts have raised concerns among his neighbors. The show also looks at how human behavior may have played a role in the orphaning of two bear cubs in Monrovia, California. Plus, The Finest talks with Voice of San Diego reporter Jakob McWhinney about his favorite grimy dive bars and how these spaces help build community.
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Taylor Guitars is one of the world's best-known acoustic guitar makers, with roots in San Diego and a history of changing how guitars are designed and made. But founder Bob Taylor's work has taken him far beyond the factory floor. A trip to Cameroon to investigate an ebony sawmill exposed a problem with wood used in his guitars and sent Bob on a decades-long journey involving forests, sustainability and some surprising research. We visit Taylor Guitars in El Cajon and talk with Bob about the company's evolution, his approach to guitar making and what happened when he started asking where the wood in his guitars actually came from. And that's where elephants come into the story.
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Dianna Cowern, better known as Physics Girl, built a career explaining science to millions of people. But after a mild case of COVID, she developed debilitating symptoms that left her largely bedbound and unable to do many of the things she once took for granted, including sharing physics videos with her devoted fans. After struggling to find answers, she was diagnosed with ME/CFS and mast cell activation syndrome. Three years after she stopped making videos, Dianna recently returned to Physics Girl with a new science video. We talk with Dianna her husband, Kyle Kitzmiller, about the illness that changed their lives, the treatments that have helped her regain some abilities, the challenges of caring for someone with a poorly understood condition and what researchers are still trying to figure out.
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San Diego musician Nicole Hernandez grew up in Tijuana with a Cuban father and a mother from Sinaloa, Mexico. The music she heard growing up, from salsa and reggaeton to hip-hop, now finds its way into her sound. After discovering Nicole through the NPR Tiny Desk Contest, we invited her and her band to perform at the KPBS San Diego Book Festival. After the performance, Nicole joined us in the studio to talk about her debut album, "Layers," writing in English and Spanish, the stories behind songs like "Viste" and "Rina," and how she brought together an all-women band of musicians from around San Diego.
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Nicole's band for the Sun Drenched Sounds live performance:
A viral beach meetup in Pacific Beach brought hundreds of remote workers together to work in the sun. It also raised a bigger question: If working from home gives us so much freedom, why are so many people craving connection?
" The costs of remote work are really subtle, and they are slow to take hold," says researcher Emma Harrington. "It takes a while to feel these accumulated effects of not having as strong connections to your colleagues. By contrast, not going on that commute, that happens immediately and is quite salient."
We take our laptops (and mics) to Petco Park for a remote work day and put the idea to the test. Can people actually get work done at a baseball game? And what happens when you replace the isolation of working from home with a crowd of strangers? We talk with Emma about the hidden downsides of remote work, from loneliness to missed opportunities for mentorship and friendship, especially for younger workers. Then, as the Padres game heads into the ninth inning, our experiment takes an unexpected turn.
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The Kumeyaay have long told stories through rock art, vivid images carved into stone that preserved culture, memory and meaning. Today, that tradition continues in a new comic book created by Kumeyaay educators and historians to challenge the erasure of Indigenous history in California classrooms. Co-written by SDSU professor Ethan Banegas, a member of the Barona Band of Mission Indians, the book brings Kumeyaay life — from ancestral knowledge to colonization and resistance — into a format designed for students and teachers. Blending community memory, academic research and lived experience, the comic is both a resource and a tool of reclamation. It replaces silence with story, and invisibility with truth.
At the KPBS San Diego Book Festival, we brought together three organizers from very different book clubs to talk about the communities they've built around reading. Enid Sherman has been meeting with the same group of women for 25 years. Mimi Phung started the North County Vietnamese Book Club to connect with other Vietnamese people and better understand her own heritage. And Courtney Geilenfeldt's cookbook club brings people together around a different cookbook and a shared meal each month. Their stories get at a bigger question: What makes a group of people become a community? They talk about the friendships that have grown from their clubs, the conversations that happen around the books and the moments when a monthly gathering becomes something people can't imagine giving up. Plus, they share some favorite books and advice for anyone thinking about starting a book club of their own.
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What started as a few skits between friends has grown into one of San Diego's most talked-about independent creative projects. The creators of "End of the 8" take us behind the scenes of turning their love of Ocean Beach into a sitcom, casting friends instead of actors, filming in local businesses and discovering that one pilot was enough to bring their community together. They talk about learning as they went, keeping creative control and why the Ocean Beach neighborhood itself has become the show's biggest star.
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Ocean Beach spots mentioned in this episode:
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Every new technology changes the way art is made. Generative AI is pushing those questions into the spotlight faster than many artists expected. As with other big leaps in industry and technology throughout history, it's not always as simple as being for or against it.
From animation studios and independent creators to Comic-Con panels and university labs, we follow the people navigating one of the creative world's biggest turning points. Some choose not to use AI. Others see it as another tool. Many fall somewhere in between. Their stories reveal that the real conflict isn't simply humans versus machines. It's about preserving imagination, protecting artists and deciding what role technology should play in creative work.
As AI becomes more capable, one question keeps surfacing: What makes a piece of art feel unmistakably human?
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