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What started as a low-key folk set behind a desk in a newsroom has become one of music's most iconic stages. This year, NPR's Tiny Desk Contest drew a record-breaking nearly 7,500 entries. Among them were 75 hopefuls from San Diego, all dreaming of a breakthrough moment.
In this episode, we spotlight two rising artists who stood out for their originality and emotional depth: Aleah Discavage, whose raw, autobiographical ballad is rooted in personal healing, and The Neighborhood Kids, who turned protest and passion into a high-voltage performance.
Watch: Aleah Discavage's NPR Tiny Desk Contest entry "runaways"
Watch: The Neighborhood Kids' NPR Tiny Desk Contest entry "BIDDI BOMB x HUSH"
Plus, we'll unpack the fascinating origin story of Tiny Desk, explore why this unconventional contest continues to resonate with artists and fans alike and hear what drives these musicians to keep creating — even when the stage is small and the odds are long.
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Tiny Desk Concerts mentioned in this episode:
Aleah Discavage's influences:
The Neighborhood Kids' influences:
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Our Lady of Guadalupe is everywhere in art, memory and protest. She's instantly recognizable — hands in prayer, floral dress, starry mantle — but she represents much more than religious devotion. Her 500-year history weaves through colonial violence, activism, survival and cultural adaptation. Today, she remains a powerful symbol, embraced across generations, communities and identities.
"She's pervasive everywhere. She hangs on cars, people tattoo her on their bodies, and artists in particular have expanded that image. They might not look at her in religious terms, but they definitely look at her culturally," said Jeanette Rodriguez, a professor of theology at Seattle University.
This episode explores the evolving meaning of her image through the lens of artists and scholars. Mingei International Museum curator Ariana Torres reflects on the contradictions that give Guadalupe lasting relevance. Theologian Jeanette Rodriguez offers a decolonial interpretation of her origin. Designer Claudia Rodríguez-Biezunski draws on family and heritage to bring la Virgen into contemporary fashion. And muralist Josue Baltezar shares how he honored the connection between the Virgin and an Indigenous earth deity.
Photos: See the artistry up close from Claudia Rodríguez-Biezunski's jacket to moments from our visit to the Mingei
"I think that she's kind of been reclaimed since the beginning. I think reclamation is really what has built her. She's been reclaimed to be against Spain, to be the symbol of Mexican identity. And then she's been reclaimed to, I think, in a way, reject even a broader Mexican nationalist identity — to be like, this is a very personal symbol to me and it has nothing to do with maybe even just being Mexican," Torres said. "And I think it's really interesting how she has been reclaimed as a feminist figure with a lot of people."
Across borders and belief systems, Guadalupe's image lives on — reshaped by those who continue to find meaning in her presence.
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In this first-ever bonus episode of The Finest, we're flipping things around. Host Julia Dixon Evans sits down with producer Anthony Wallace and editor Chrissy Nguyen in a casual conversation recorded at the SDSU theater next to KPBS. We unpack big questions (what is art?), share our hottest takes (sorry, Mona Lisa) and talk about how the show comes together each week. You'll hear how each of us brings a unique perspective to the show, why relatability is our storytelling secret weapon and what keeps us inspired. Expect thoughtful moments, surprising opinions and the kind of banter that comes from real collaboration.
Prefer to watch? This episode is on video too.
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For decades, alt-weeklies like the San Diego Reader were a city's rebellious voice, digging into local politics, covering underground arts and publishing stories no one else would. But their survival depended on classified ads and print advertising, both of which were decimated by Craigslist and the rise of digital media. Now, one by one, these once-essential papers are vanishing. As the Reader ends its print run, we look at what their disappearance means for local journalism.
"They were irreverent. They were conversational. They had a point of view, but they also had a way of looking at the news of the day from a different angle because they knew they had to be different," said Scott Lewis of Voice of San Diego. Lewis began his career writing for an alt-weekly in Salt Lake City, Utah.
Photos: A final glimpse inside the now-closed San Diego Reader office
"And so I think it's demise as a print product — as something that was available, especially the music stuff — it's a bummer to think that these major cities are now going to continue, maybe forever, without that staple of the coffee shops. That thing you could pick up to look at what's coming up, just to have. Print products were the original mobile, right? That's what you could carry with you — and now it's gone."
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Voice of San Diego is a nonprofit news partner of KPBS in our Public Matters series.
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Matthew Lickona's reading list:
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For most of her adult life, artist Mary Jhun has drawn inspiration from a distinct muse: fractured silhouettes of girls, embellished with surreal details. Her paintings have been a way to process trauma, loneliness and despair, while also serving as a fascinating feedback loop into and out of her vivid dream life. She experiences the "girls" in dreams as she paints them, using these visions as fuel for future works.
But when she started using a CPAP machine to treat sleep apnea, her dreams vanished overnight.
"What do we choose? Do we choose the thing that kind of ignites our creativity or our health? And I feel like a lot of artists go through that all the time, no matter what the topic is," Mary said.
Photos: A glimpse into Mary Jhun's studio and signature style
Now, in a new solo exhibition at the Oceanside Museum of Art, Mary has found her way back — to both her girls and her dreams — by incorporating surreal CPAP machinery into her paintings and tricking her body to dream again. Yet a question lingers: What toll does creativity take on our physical, emotional and relational health?
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Watch: Mary Jhun creates intricate Etch-A-Sketch drawing of her "girls" on classic toy
Mary Jhun's creative touchpoints:
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For indie musicians like Julianna Zachariou, Spotify has made music more accessible than ever — but at a cost. With payouts that amount to less than a penny per stream, she's had to turn to crowdfunding and direct fan support to fund her projects. She opens up about the personal toll these struggles take and how she's found ways to stay true to her craft while facing these challenges.
"On my bad days, I wake up and think, 'I've already done the best I can do. This is the most people I'll ever reach, and I'm just sinking into anonymity,'" Julianna said, reflecting on an older song that has reached more than 5 million streams.
"But on my better days, I'm grateful for it. I recognize that it was a different time. Spotify's kind of a monster now. There's no room for 'if it's good enough, it'll find its way.' It's just not a thing right now. It's a trap to let metrics determine that you're doing something better or worse than you were in the past," she said.
Watch: Julianna Zachariou performs "Dreamer, Dreamer" live at KPBS' studio
In this episode, we break down Spotify's business model, the economics of streaming and what it really takes to sustain a career without major-label backing. Julianna's story is a powerful reminder of the need for change in the industry and how we can all play a role in supporting the artists who enrich our lives.
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Julianna Zachariou Track List:
Watch: Julianna Zachariou performs "Becky" live at KPBS' studio
Julianna Zachariou's musical influences:
Photos: See portraits of Julianna Zachariou and a few snaps of her and Josh Flowers making music together
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What does it mean to be a "government artist" in San Diego?
Outgoing Poet Laureate Jason Magabo Perez shares the lessons he's learned from his two-year term, where he brought the city's neighborhoods to life through his vivid poetry. As Paola Capó-García takes on the mantle, she talks about her plans to bring a fresh perspective to the role and expand poetry's reach.
"I think that poetry has a way of winning anyone over if you're showing them that a poem can look and feel and sound like anything, that there's humor in poetry, that decoding a poem can feel like a game that you do with friends. And how one line or one word can have infinite meanings," Capó-García said.
In this conversation, both poets dive into how they demystify poetry for students and the public, and how they can connect and uplift San Diego's diverse communities through verse.
Guests:
Watch: David Tomas Martinez shares a poem from his second collection, "Post Traumatic Hood Disorder"
Yellow
Paola Capó-García
When I was young I thought the soul was a body part
To the right of my heart and in between the pre-breasts
this soul-thing would nest—and then one day it fell out?—
No It stuck around too long
and made a house of my insides The walls were
yellow which I now know is the color of hunger and
that's why I crave baby chicks and gold There
was so much furniture shoved inside of me and even if
the décor was mid-century, the style was mortal My
memory is hungry She wanted me to paint my face
every morning Makeup could enhance better
make use of this face But then my dog licked the second
face off clean That is my favorite movie
From "CLAP FOR ME THAT'S NOT ME" (Rescue Press, 2018).
Found Fragment on Ambition
David Tomas Martinez
v.
if a hood is a sense of place
& a sense of place is identity
then identity is a hood & adult
hood is being insecure in any
hood a hood scares the whitest
folks why folks scared to stop
in the hood & why folks stop
wearing a hood & call it white
nationalism if i tried i would
fail to pass if i failed i would
try to pass when can i retire my
bowl stop needing to beg for my
person hood you see academically
my ghetto pass was revoked please
sir can you direct me to the window
to turn in my man card where
can i apply to enter the whiteness
protection program ive lost
my found identity is a hood
a hood is a sense of place
a place places a hood hood in us
From "Post Traumatic Hood Disorder" (Sarabande Books, 2018).
We Draft Work Songs for the City
Jason Magabo Perez
Here is a parable,
a prayer, perhaps,
for those unmapped;
Here are new students
considering new lives,
new interrogations, new
footnotes, but no new
friendships, no news. None.
Still, the problem of loans.
Still, the problem of rent.
Still, the problem of property.
This alley off University is
a gallery of abandoned mattresses
Stacked against limp wire fencing that
leans against wood panels that
shade the driveway where the
unmapped fall asleep.
Ancestral spirits are
no less spectacle than
principled remembrance:
The craft of this tissue
we often call ourselves.
From "I ask about what falls away" (Kaya Press, 2024).
Mobility
Paola Capó-García
I keep finding people living in my house mouths I've never seen expressions through paint chips and light fixtures I keep coming back to this place I label "house" because my plane tickets are designed to get me here and the bed has been made in the shape of an invitation
I learned to ride a bike on Wednesday and felt new I always resisted I didn't know how to balance on pavement or glitter I didn't know why that would be required of me this bike does not know the road to my house
Website says woman in tight dress slips on butter for twenty minutes, calls it art well what would you call that? an accident? It seems really lovely to me how the butter would go in and out of her pores as if it's always been trying to get back to that place
From "CLAP FOR ME THAT'S NOT ME" (Rescue Press, 2018).
Jason and Paola's literary influences:
Poems Paola often shares with her students:
Photos: San Diego’s poets laureate, captured between words and worlds
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San Diego's music scene is full of talent, but making a living off your art? That's a different story.
Shua, a Southeast San Diego artist with over a million Spotify streams, has lived both extremes: signing a record deal and later facing near homelessness. In this episode, he shares the highs and lows of his career, what it means to be an independent musician today and why fan support is more crucial than ever.
Watch: Shua performs his song "Broken" live at KPBS' studio
We also break down the brutal reality of the modern music industry, where the biggest stars are increasingly taking home the bulk of the earnings while local and indie artists fight to stay afloat. And we explore why local music matters, what we lose when artists can't afford to make their art.
" I think art, if you're willing, can cut through the noise and say to someone, 'See me. Hear me,'" Shua said.
Whether you're an artist, a music lover or just curious about how the industry really works, this episode offers a perspective you won't forget.
Guests:
Photos: See snapshots of Shua
Shua Track List:
Shua's musical influences:
Watch: Shua performs "Lucid Girl" with The Sacred Souls on "Jimmy Kimmel Live!"
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What happens when a viral tea brand moves beyond the café model? For Amy Truong and Lani Gobaleza, it meant embracing a deeper purpose — blending sustainability, mindfulness and tradition. PARU Tea has evolved from a trendy matcha destination into a space dedicated to single origin, custom loose-leaf tea and tea experiences.
But their journey is more than just a business pivot, it's a love story rooted in shared passion and bold choices. In this episode, we dive into how this couple is redefining tea culture in San Diego, proving that slowing down can be just as revolutionary as going viral.
" It really goes into the principle of Japanese tea ceremony. 'Ichigo ichie' is one chance, one meeting. You always want to be your present self because you never know what tomorrow might bring. Everything at this moment counts," Amy said.
Guests:
Teas sampled during our conversation:
Photos: A look behind the scenes at PARU’s journey, space and tea culture.
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