Director Nigel Dick is behind some of the most iconic videos (and images) in rock history. Whether it's Britney Spears, Guns n Roses, Oasis, Tears for Fears, Cher, Def Leppard, or hundreds of others, his visuals are what shapes our impressions of these artists. In this incredibly entertaining conversation, we dive into all the best stories from his nearly 45 years of directing including his time making Hollywood features, how videos are made from the top down, working with temperamental artists, and filming the recording of Band Aid's "Do They Know It's Christmas." Chalk this up to an instant classic! Enjoy! 

www.nigeldick.com

www.patreon.com/c/thehustlepod

The Saints were a very important band in the history of Australian rock. Their mixture of melodic but greasy garage rock with a punk spirit was unlike anything else in the 70s. It produced the song they're still best known for, "(I'm) Stranded", one of the greatest punk anthems ever. That debut album of the same name from 1977 was recently given the deluxe treatment - 4 albums of remastered versions, b-sides, live shows, and more. Guitarist Ed Kuepper joins us to discuss his own, and the band's history including how they made that killer debut, why he left the band after three albums for a solo career, the loss of Saints frontman Chris Bailey, and a ton more. Enjoy! 

www.edkuepper.com

www.feelpresents.com/fp_tour/the-saints-73-78/

www.patreon.com/c/thehustlepod

Australian producer Charles Fisher's resume is all over the place. Two of his earliest producing jobs were with Australian punk legends Radio Birdman followed by Air Supply! That kind of diversity continued for decades working with everyone from Olivia Newton-John to Divinyls to Jimmy Barnes to Hoodoo Gurus to Deep Blue Something (as well as more Australian artists like Moving Pictures and Ol' 55). In the 90s he hit the jackpot when he did Savage Garden's debut album that went on to sell over 15 million copies. We often discuss the effect financial success has on an artist's desire to create, but here we hear it from the producer's perspective which is a fascinating story. Enjoy! 

Thanks mostly to his magical work with John Mellencamp, Don Gehman was one of the biggest producers of the 80s. He was by John's side from the Cougar days through his whole peak period ending with The Lonesome Jubilee. Along the way he also produced REM's best album, Life's Rich Pageant, Bruce Hornsby's A Night on the Town, and many more, but the success started to wane. Then, he took on the job of producing this new band with a funny name called Hootie and the Blowfish and we know how that ended. Don doesn't do a lot of interviews so we're lucky to hear him discuss all of this as well as Chicago, Brian Setzer, Jimmy Barnes, Pat Benatar and a bunch of others. Don figured out what the sound of Heartland rock in the 80s should sound like, and we're all better off for it. 

Robin Millar doesn't let anything hold him back. The man is blind, and yet he became one of the most successful producers in the UK in the 80s. His biggest claim to fame is shepherding a young Sade to two world-beating albums (her first two). Working together to find her unique sound made him the go-to guy for "sophistopop" and brought him a ton of success. He did the first few Everything But the Girl albums, the Fine Young Cannibals' debut, the first Colin Hay album and even scratched his rock itch by doing the third Big Country album. Oh, and he discovered Phoebe Bridgers and Cigarettes After Sex. And he was appointed CBE. And knighted. And, again, he's blind. You won't believe this one! 

Irish chef Rory O'Connell has become a True North for Jon. His cooking shows have become appointment viewing in the Lamoreaux house. Funny enough, it isn't about the food. It's his calming demeanor and relaxing spirit that makes you feel everything will be ok. In this unexpected conversation, we get into his cooking school in Ireland, how he got on television, his favorite foods, his passion for the planet, and much more. It may not be music, but this one means a lot! Enjoy. 

When David Bowie wanted to update his sound in the 90s to the drum-n-bass that was popular on the streets, he picked producer/musician Mark Plati to get him there. Mark had come up under the mentorship of the great Arthur Baker and was venturing out on his own. He thinks it was producing Babylon Zoo's "Spaceman" that sealed the deal with Bowie. Mark stuck around for a decade producing albums like Earthling, Hours, and Reality. In addition there's work with the Cure, Duncan Sheik, Prince and many others. Mark's still at it producing and performing. Enjoy! 

The way producer Niko Bolas tells it, he's never worked a day in his life. He went into a studio about 45 years ago and just never came out. Along the way he's worked with many of the greats like Toto, Kiss, Steve Perry, Keith Richards, Linda Ronstradt, the Jacksons and tons more. One of his strongest bonds has been with Neil Young who he partnered with in the 80s and has never left. They continue to work together on Neil's exhaustive remastering project of his entire archive. "Neeks" tells us about all of this and tons more. Enjoy! 

Stereo MC's are coming back to the states this month for the first time in 24 years. It's a short trip - three shows on the east coast in three nights - but it's a start. Frontman Rob Birch joins us this week to discuss the band's history. They broke big with "Connected" off their third album (that song still sounds just as fresh and groovy today), but they took 9 years to issue a follow up and momentum stalled. They may not be prolific, but the quality has always been there. We also get into the influence of rap and hip-hop on their sound, coming back to the US in May to play Cruel World, touring with Jane's Addiction and Happy Mondays, and much more. These guys have never lost their golden touch. Enjoy! 

By the late 70s, drummer Dony Wynn thought his music career might be over. Nothing was really happening and he wasn't holding down gigs. Then the great Robert Palmer heard him and everything changed. Dony joined the fray around the Secrets album in 1979 and stuck around for the next 15 years or so. Dony joins us this week to tell us what it's like working for Robert during his peak (and post peak) period, why they had that magic and his times working with Robert Plant, Steve Winwood, Wang Chung, Dr. John, Josie Cotton and more. These days, Dony is more focused on writing and photography, but he can sure tell a good story! Enjoy!