The Hysteria Continues

The Lamp, an exotic artifact dating from 3,500 BC makes its arrival in America from the Middle East, via a strange and perilous journey on a ship mysteriously plagued by deaths. 90 years later, robbers break into the home of the Lamp's current owner - an old lady. After ransacking the house and uncovering the Lamp, they murder the lady in cold blood. Unwittingly, they let loose an evil 'Genie' who doesn't like to be rubbed the wrong way. Next stop is the local museum where a bunch of students are partying. The Genie is on the rampage and the orgy of death begins.

We are joined by fan/friend of the show, Austin Stenberg, for a look at the 1987 slasher-adjacent killer genie movie, The Lamp (aka The Outing), giving our initial thoughts along with an expansive deep dive on the film's background, its cast and crew, and more!

Cameron Mitchell stars as the owner of an apartment building that becomes the central location for a series of brutal murders carried out by someone with a bursting toolbox (ooer). The police are baffled, and before any action can be taken, another young resident is attacked. And another. And another.

Along with our general thoughts on The Toolbox Murders, we examine the film's worldwide release history, dig into the backgrounds of the cast/crew, serenade one another with insults and country music (mutually exclusive much?), and more!

Murderous lunatics in red robes, gothic castles, severe fetal abandonment, and a wee bit of detective work comprise this double-bill featuring a string of gruesome murders in a gothic castle and across a musical conservatory in The Red Queen Kills Seven Times (1972), and Mozart Is A Murderer (2001), respectively.

Along with our general thoughts on both films, we take a look at the contrasts between gialli from 1972 and 2001, we (try to) dissect the convoluted plots of each film, we look into the cast/crew, and much, much more!

555... Every five years, within five days, unsuspecting couples are brutally murdered. Who is behind these bloodbath sex crimes? What does the third five mean?

Nathan scrapes, as only he can, the bottom of the SOV barrel to deliver unto us 555 reasons to recoil in terror... Yes, it's 555 (1988) from director Wally Koz. In addition to our general thoughts, we take a look at the life lead by director Koz, where 555 stands up against other SOV flicks, and much, much more!

Struggling artist Reno paints to survive, but the pulsating paranoia of the city squirms and crawls in his psyche, splitting his mind from the strain. Reno's response is a fast finger on the trigger of a killer drill. Plug into terror with The Driller Killer!

We are joined by Bill Ackerman and brave a few technical hiccups (no video tracks for Justin or Bill) to deliver one of our longest shows in a while, deep diving into the sketchy world of Abel Ferrara's The Driller Killer (1979), looking at everything from the sleazy atmosphere to its sordid release history (including its status as a Video Nasty), and a lot more in between!

Estranged siblings, Scott and Ashley, look to mend their relationship on a 3-day hiking trip. As tensions rise, Scott gets lost and falls into a 10-foot-deep spike pit, impaling him through his leg and leaving him trapped. He and his friends soon learn that his fall was no accident, but the beginning of a deadly hunt perpetrated by a deranged madman whose use of deadly traps each adds a gory notch to his body count, one by one.

A sight-unseen choice from Erik, we give our general thoughts on this backwoods throwback and also discuss the cast, crew, and what's next for director James Kondelik.

An abandoned cargo ship, two brothers in law enforcement, blood-thirsty Dobermans, and a mysterious killer con dos conjuntos diferentes comprise this double-bill featuring a string of gruesome murders in Texas and across the Rio Grande in The Day Of The Jackal (1984), and its sequel, Massacre In Rio Grande (1988).

Along with our general thoughts on both films, we take a look at the landscape of Mexican slasher cinema, the similarities to the Golden-Age American counterparts, hideous red sofas, silky mustaches, boozy mothers, body-popping strip clubs, and much, much more!

Someone's killing the beautiful young majorettes at the local high school. Could it be Harry, the voyeuristic janitor? Tommy, the nerdy photographer for the high school yearbook? Mace Jackson, the sleazy local drug pusher? Jeff Holloway, the star quarterback for the high school football team? Or could the identity of the killer be just one of the many incredibly shocking twists you'll discover as you watch The Majorettes?

Along with our general thoughts, we dissect this slasher/action mashup (from page to screen) from director Bill Hinzman, looking at its origins dating all the way back to its 1979 novelization from John Russo, its sordid release history at some point between 1986 and 1988, and much, much more!

14-year-old Lisa (Staci Keanan) and her mother Katherine (Cheryl Ladd) share everything, but Lisa has one secret: she and her best friend engage in brief flirtations with attractive men. The girls are just having a little fun, until Lisa encounters Richard (D.W. Moffett), a handsome charmer who's also the notorious Candlelight Killer, strangling unsuspecting women in the area. Drawn into his deranged world, Lisa's innocent game of phone tag becomes deadly serious, and the stakes are people's lives!

Along with our general thoughts, we dissect this psycho-thriller/home invasion/From Hell/slasher mashup from director Gary Sherman, looking at its origins dating all the way back to 1981, its failed cinematic release in 1990, and how it became a smash hit on VHS and cable channels.

Danielle Breton (Margot Kidder) is a beautiful young model, the kind of girl you meet only in your dreams. But this dream turns into a nightmare when young reporter Grace Collier (Jennifer Salt) witnesses a brutal murder in Danielle's apartment. Danielle has a secret: she lives half a life, and the other half is lived by her formerly-conjoined, murderous sister Dominique. One sister is lovely, gentle, and kind - the other is quite mad, and you never know which one you're holding in your arms.

We're joined by author, director (1991's Guilty As Charged and 2001's Elvira's Haunted Hills, among others), and screenwriter Sam Irvin for a look at the 1972 psycho-thriller, Sisters, with Sam's treasured memories of working with director Brian De Palma on The Fury (1978), Home Movies (1979), and Dressed To Kill (1980) acting as a retrospective backdrop on the famed director.

This 90+ minute special episode bypasses our usual shtick (no Joke Of The Week or Recently Seen) for a candid interview (we'll return to our regular format on the next episode), with fascinating insights into the wide world of Brian De Palma, our general thoughts on Sisters, and more.