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As usual there are spoilers ahead!
I would love to know what you make of the ending of this film if you watched it. Best place to do that is on social media. Threads, Instagram and Bluesky.
1957 USA seems like a country on the brink of huge social change. (Of course, I say this with the benefit of hindsight and with a deep affection for the decade that was just around the corner.) But so many of the events of the year are an indication of what’s to come.
The Civil Rights Act of 1957 was the first of many legislative attempts to bring federal protection for African Americans in the face of growing dissatisfaction in the South towards desegregation of schools and society.
1957 was the year the Little Rock Nine were enrolled into a previously all white school. The photos of nine black children often surrounded by angry and jeering crowds and the presence of US paratroopers are staggering.
It is the year Enovid was approved by the FDA for menstrual problems. Two years later it would become the first FDA approved contraceptive pill.
And in October 1957 Russia launched Sputnik into orbit causing a shock across the USA. Despite anxiety about their biggest rival the country was not ready for such a display of technological accomplishment.
The year prior in 1956 Jack Arnold (who had become somewhat disillusioned by the increasingly schlocky independent sci-fi films of the late 50s) was convinced to return to Universal to make The Incredible Shrinking Man.
Richard Matheson’s story is an unusual examination of a man losing stature both physically and socially. Many consider this Jack Arnold’s greatest science fiction film. We have two wonderful guests to explain why that might be.
Scott Higgins is a Professor of Film at Wesleyan University as well as being the Curator of the Wesleyan Cinema Archives. He has written multiple books and essays about film.
Ian Scott is a Professor of American Film and History at The University of Manchester. He has written extensively about politics and film in Hollywood.
Chapters
00:00 Introduction
01:42 Jack Arnold’s best film?
06:30 Special effects and 1950s horror
09:15 1957 USA: The rumblings of change
13:29 Metaphors and definitions of masculinity
30:43 Kafka, psychoanalysis and The Kinsey Reports
35:22 Women
37:38 The End!
45:17 Legacy
49:55 Recommendations for the listener
NEXT EPISODE!
Next episode we will be talking about what the book The Golden Turkey Awards declared as the Worst Film of All Time by The Worst Director of All Time. Plan 9 from Outer Space by Ed Wood is available to rent or buy on various online platforms. Just Watch is a good resource to check where it might be available in your region. Mubi and Pluto are only available in some regions but do offer a decent range of older science fiction films.
Hosted on Acast. See acast.com/privacy for more information.
4.7
167167 ratings
As usual there are spoilers ahead!
I would love to know what you make of the ending of this film if you watched it. Best place to do that is on social media. Threads, Instagram and Bluesky.
1957 USA seems like a country on the brink of huge social change. (Of course, I say this with the benefit of hindsight and with a deep affection for the decade that was just around the corner.) But so many of the events of the year are an indication of what’s to come.
The Civil Rights Act of 1957 was the first of many legislative attempts to bring federal protection for African Americans in the face of growing dissatisfaction in the South towards desegregation of schools and society.
1957 was the year the Little Rock Nine were enrolled into a previously all white school. The photos of nine black children often surrounded by angry and jeering crowds and the presence of US paratroopers are staggering.
It is the year Enovid was approved by the FDA for menstrual problems. Two years later it would become the first FDA approved contraceptive pill.
And in October 1957 Russia launched Sputnik into orbit causing a shock across the USA. Despite anxiety about their biggest rival the country was not ready for such a display of technological accomplishment.
The year prior in 1956 Jack Arnold (who had become somewhat disillusioned by the increasingly schlocky independent sci-fi films of the late 50s) was convinced to return to Universal to make The Incredible Shrinking Man.
Richard Matheson’s story is an unusual examination of a man losing stature both physically and socially. Many consider this Jack Arnold’s greatest science fiction film. We have two wonderful guests to explain why that might be.
Scott Higgins is a Professor of Film at Wesleyan University as well as being the Curator of the Wesleyan Cinema Archives. He has written multiple books and essays about film.
Ian Scott is a Professor of American Film and History at The University of Manchester. He has written extensively about politics and film in Hollywood.
Chapters
00:00 Introduction
01:42 Jack Arnold’s best film?
06:30 Special effects and 1950s horror
09:15 1957 USA: The rumblings of change
13:29 Metaphors and definitions of masculinity
30:43 Kafka, psychoanalysis and The Kinsey Reports
35:22 Women
37:38 The End!
45:17 Legacy
49:55 Recommendations for the listener
NEXT EPISODE!
Next episode we will be talking about what the book The Golden Turkey Awards declared as the Worst Film of All Time by The Worst Director of All Time. Plan 9 from Outer Space by Ed Wood is available to rent or buy on various online platforms. Just Watch is a good resource to check where it might be available in your region. Mubi and Pluto are only available in some regions but do offer a decent range of older science fiction films.
Hosted on Acast. See acast.com/privacy for more information.
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