Robert Redford's legacy is vast. To honor his passing, we're re-airing one of our favorite episodes: The Great Waldo Pepper. Fun fact: Roger, Gala, and Quentin viewed this movie on film at The New Beverly Cinema. It's co-hit, The Sting, was also supposed to be featured in this episode, but we ended up letting The Great Waldo Pepper stand alone.

Here's to the dreamers.

This episode was originally Season 1, Episode 19 and aired March 28th, 2023.

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You can also write us a question by sending a letter to The Video Archives Podcast, 1014 South Westlake Boulevard, Suite #14-1328, Westlake Village, CA 91361.

On the Season 2 finale of The Video Archives Podcast, Quentin Tarantino and Roger Avary take you to see a show in The King and I.  In the King and I, a widowed governess travels to Siam to tutor the wives and children of the stubborn King.  She expects a challenge, but what she doesn’t expect is to fall in love.  Quentin and Roger talk about the chemistry between Yul Brynner and Deborah Kerr, the colorful stagecraft of the film, and the moments they just can’t get enough of … etcetera, etcetera, etcetera.

Quentin & Roger pull two more movies off the shelves at Video Archives over on Patreon (along with our first ever video episode).

On this episode of The Video Archives Podcast … the bases are loaded, and Quentin Tarantino & Roger Avary are hoping for a grand slam home run in The Bad News Bears in Breaking Training.  In this sequel to the smash hit, The Bad News Bears are back and on their way to Houston to play an exhibition game.  The only problem?  They have no coach!  Quentin and Roger discuss how Jackie Earle Hailey earns his spot as top billed, how the film deals with issues like a true 70’s movie, and the lessons that this film can teach you as both a child and an adult.

Then, over on Patreon: We follow that conversation up with The Fighting Eagle, starring Rod La Rocque and produced by Cecil B. DeMille. Quentin and Roger walk us through this napoleonic wars adventure flick and highlight their favorite parts. Then Quentin and Roger take a Ride in a Pink Car — where a man thought to be dead returns home to find that everything has changed.

Missing Video Archives this week?  The good news is you don't have to!  Get your fix of Quentin and Roger every week by subscribing to our Patreon.  Here's a sneek peak of the full conversation on Body and Soul (1981).  You can hear the rest of this conversation and this week's Aftershow catch up by subscribing to our Patreon.

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You can also write us a question by sending a letter to The Video Archives Podcast, 1014 South Westlake Boulevard, Suite #14-1328, Westlake Village, CA 91361.

On this episode of the Video Archives Podcast, Quentin Tarantino & Roger Avary are on The Hunt for Red October.  The soviets have developed a technologically-superior nuclear submarine that could begin World War III — and its heading straight for us.  While the rest of the government is preparing for the attack, CIA analyst Jack Ryan has a different idea: he believes Captain Ramius is planning to defect.  Now, he has to prove it.  Quentin and Roger discuss their first experiences watching the film, how John McTiernan perfectly cast these roles, and analyze both the strengths and weaknesses of the film.

Experience the full episode over on Patreon.

Missing Video Archives this week?  The good news is you don't have to!  Get your fix of Quentin and Roger every week by subscribing to our Patreon.  Here's a sneek peak of the full conversation on 1941.  You can hear the rest of this conversation and this week's Aftershow vaulted conversation by subscribing to our Patreon.

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You can also write us a question by sending a letter to The Video Archives Podcast, 1014 South Westlake Boulevard, Suite #14-1328, Westlake Village, CA 91361.

On this episode of The Video Archives Podcast, Quentin Tarantino and Roger Avary join the colorful eclectic cast of Steven Spielberg's 1941.  In the days after the attack on Pearl Harbor, panic grips California as they believe that Japanese officers are everywhere.  Turns out, they are!  A wayward Japanese military submarine tries to make its way to Hollywood, and as it does, we get to see the stories of manic panic of the day.  Join the guys as they discuss Spielberg as a director and his relationship with the ever-erect John Milius, how opinions of the production influenced critiques on the film, and the very important novelization of the movie. 

Listen to the full version of this episode over on our Patreon.

Missing Video Archives this week?  The good news is you don't have to!  Get your fix of Quentin and Roger every week by subscribing to our Patreon.  Here's a sneek peak of the second movie in last week's episode, Guns of the Magnificent Seven.  You can hear the rest of this conversation and this week's Aftershow vaulted conversation by subscribing to our Patreon.

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You can also write us a question by sending a letter to The Video Archives Podcast, 1014 South Westlake Boulevard, Suite #14-1328, Westlake Village, CA 91361.

On this episode of the Video Archives Podcast Quentin Tarantino & Roger Avary uncover Quentin’s latest obsession: 1936’s The Last of the Mohicans.  In this classic tale written by James Fenimore Cooper, two sisters and a British commander are abducted by the Hurons and can only be rescued by the last of the Mohicans.  What ensues is a romantic tale of epic proportions set in the midst of the French and Indian War.  After giving a brief history lesson on director George B. Seitz, Quentin and Roger discuss exactly what has drawn them to this title, the different iterations they’ve watched, and how Randolph Scott may have won Quentin over. 

Then, over on Patreon — we continue the conversation with another film adapted from a classic book: Northwest Passage.  Two friends join Rogers’ Rangers during the French and Indian War.  Quentin and Roger talk about the history of this film along with the intense brutality of some of the fight sequences.  Then, we’re back with director George B. Seitz — but this time, in the Wild West with Kit Carson.  Quentin and Roger discuss the action sequences, what it was like viewing this on 16mm, and the delicate balance of the love triangle in this film.