The Intellectual

What can ancient Sanskrit poetry of love and longing teach us about our own deepest spirituality? Join host Michael Taft as he explores this question with professor, author, and teacher Rick Jarow. Further topics include the tantric aspect of poetry, how landscape and nature informs and embodies our spirituality, the role of the word in transcendence, sacred passion for the divine as expressed in the poetics of longing, and much more.

Rick Jarow Ph.D. is a author, teacher, and scholar of Indian languages and literature. Recently retired from his position as a Religious Studies professor at Vassar college in New York, Rick leads workshops and retreats worldwide. His books include: In Search of the Sacred, Tales for the Dying, and a new work: The Cloud of Longing: A New Translation and Eco-Aesthetic Study of Kalidasa's Meghaduta.

Rick Jarow's website

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In this episode, Xavier Bonilla has a dialogue with Gabriel Gottlieb about German idealism and the philosophies of Immanuel Kant and Johann Gottlieb Fichte. They define German idealism and where this period sits within the history of philosophy. They discuss the interaction between subject and object and how intersubjectivity plays a role. They mention the impact of Hume on German idealism and define Kant's terms of Apriori and Aposteriori. They talk about how one could understand experience from reason and why Kant was hyperfocused on the rational functions of humans. They also mention Kant's arguments for the existence of god and how German idealism evolved after Kant. 

A background of Fichte is provided and what his beliefs were about the self as activity. They discuss Fichte's moral system and how that lends towards a moral psychology. They mention Fichte's ideas about drives and how his ideas are juxtaposed with Freud's ideas concerning drives. They mention Fichte's nationalism and Fichte's complications with Judaism. They also talk about the philosophy of Schelling and the impact of German idealism on 20th Century philosophy. 

Gabriel Gottlieb is an Associate Professor of Philosophy at Xavier University. His primary interests are on German idealism, specifically the philosophy of Fichte. He is the editor of Fichte's Foundations of Natural Right: A Critical Guide. You can find some of his writing here. Twitter: @xgabegottliebx

The Frankfurt School meets Fisher in this critique of capitalism incorporating memes, mental illness and psychedelia into a proposed counterculture. Spring 2020 to 2021 was the year that did not take place. We witnessed a depression, not economically speaking, but in the psychological sense: A clinical depression of and by society itself. This depression was brought about not just by Covid isolation, but by the digital economy, fueled by social media and the meme. In the aftermath, this book revisits the main Frankfurt School theorists, Adorno, Horkheimer, Benjamin and Marcuse, who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher's Capitalist Realism, The Memeing of Mark Fisher aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age. Taking in the phenomena of QAnon, twitch streaming, and memes it argues that the dichotomy between culture and political praxis is a false one. Finally, as more people have access to the means for theoretical and cultural broadcasting, it is urged that the online left uses that access to build a real-life cultural and political movement.

Mike Watson Mike Watson is a UK-born art and media theorist, critic and curator who holds a PhD in Philosophy from Goldsmiths College. Watson curated at the 55th and 56th Venice Biennale, as well as at Manifesta12 in Palermo. He has written regularly for Art Review, Artforum, Jacobin, and Radical Philosophy. @_leftaesthetics https://www.mikewatson.fi/

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Tune into hear Ossian Ward in conversation with Ai Weiwei, author of 1000 Years of Joys and Sorrows. This conversation was recorded in partnership with Penguin Live and Manchester's HOME.

You can find out more about 1000 Years of Joys and Sorrows here: https://bit.ly/3Cyazk5

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For someone who was largely self-taught, Mary Somerville's rise to renown in the male-dominated world of science was quite remarkable. Although women were barred from being members of the learned societies where knowledge was shared in the early 19th-Century, Somerville found alternative ways to become one of the most respected figures in maths and science of her day.

Scottish-born Somerville played a crucial role in communicating the latest findings in science through a series of successful books. She regretted never making any original discoveries herself however, so does her experience suggest we should re-evaluate the role of originality in science?

Bridget Kendall is joined by Jim Secord, emeritus professor of History and Philosophy of Science at the University of Cambridge, who has edited the works of Mary Somerville; Dr Brigitte Stenhouse, lecturer in the History of Mathematics at the University of Oxford whose doctoral thesis looked at the mathematical work of Mary Somerville; and Ruth Boreham, former project curator at the National Library of Scotland, who is writing a biography of Mary Somerville.

Producer: Fiona Clampin

(Photo: Royal Bank of Scotland £10 note featuring Mary Somerville)

Dr. Anna von der Goltz joined us to discuss her new book, The Other '68ers: Student Protest and Christian Democracy in West Germany.

The Europe Desk is a podcast from the BMW Center for German and European Studies at Georgetown University in Washington, DC. It brings together leading experts working on the most pertinent issues facing Europe and transatlantic relations today. 

Music by Sam Kyzivat and Breakmaster Cylinder

Production by Iris Thatcher, Flora Adamian, Shelby Emami, Mitchell Fariss

Communications by Iris Thatcher, Colleen Dougherty, Mason Kane, Shelby Emami, Flora Adamian 

Design by Sarah Diebboll

https://cges.georgetown.edu/podcast

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If you would like a transcript of this episode, more information about the Center's events, or have any feedback, please email: [email protected].

Season five of our podcast continues with another presentation from our 2020 annual conference: ‘Engaged Phenomenology’ Online. This episode features a presentation from Sam McAuliffe, Monash University

ABSTRACT: Hermeneutic-phenomenology as a method of inquiry is increasingly finding its way into music studies, and the performing arts more generally. Indeed, with respect to music studies there is no shortage of projects where hermeneutic-phenomenology is employed as a means to better understand music, both from the perspective of creating music and experiencing it as a spectator. There is a clear distinction, then, between the practice of music and the application of hermeneutic-phenomenological inquiry; one is used to understand the other. Rarely acknowledged however, are those characteristics that are common to both music and hermeneutic-phenomenology. In this paper I would like to explore one of those shared characteristics: improvisation. By exploring the hermeneutic-phenomenological tradition from a Gadamerian perspective and the practice of music, broadly conceived, I argue that what is common to each is the ‘improvisational encounter’. Which is to say, the improvisation that is essential to the practice of music is equally essential to hermeneutic-phenomenological inquiry. By highlighting the hermeneutic-phenomenological nature of improvisation in music and the improvisational nature of hermeneutic-phenomenology we might better notice the relevance of each field to the other. Consequently, not only can applied hermeneutic-phenomenology better speak to the practice of music, but so too can studying music provide insight into hermeneutic-phenomenology as such. Thus, perhaps by acknowledging the commonalities between art and philosophy we can notice ways in which these disciplines might speak to and complement one another.

BIO: Sam McAuliffe is a PhD candidate at Monash University, working at the intersection of improvised music and philosophical hermeneutics. In addition to his academic work Sam has worked as a musical director for experimental theatre productions, has curated sound installations for major Australian art festivals, and he plays guitar in a variety of ensembles.

This recording is taken from the BSP Annual Conference 2020 Online: 'Engaged Phenomenology'. Organised with the University of Exeter and sponsored by Egenis and the Wellcome Centre for Cultures and Environments of Health. BSP2020AC was held online this year due to global concerns about the Coronavirus pandemic. For the conference our speakers recorded videos, our keynotes presented live over Zoom, and we also recorded some interviews online as well. Podcast episodes from BSP2020AC are soundtracks of those videos where we and the presenters feel the audio works as a standalone: https://www.britishphenomenology.org.uk/bsp-annual-conference-2020/

You can check out our forthcoming events here:

https://www.britishphenomenology.org.uk/events/

The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast. Why not find out more, join the society, and subscribe to our journal the JBSP? https://www.britishphenomenology.org.uk/

Melvyn Bragg and guests discuss William Herschel (1738 – 1822) and his sister Caroline Herschel (1750 – 1848) who were born in Hanover and made their reputation in Britain. William was one of the most eminent astronomers in British history. Although he started life as a musician, as a young man he became interested in studying the night sky. With an extraordinary talent, he constructed telescopes that were able to see further and more clearly than any others at the time. He is most celebrated today for discovering the planet Uranus and detecting what came to be known as infrared radiation. Caroline also became a distinguished astronomer, discovering several comets and collaborating with her brother.

With

Monica Grady

Carolin Crawford

And

Jim Bennett

Studio producer: John Goudie

The female form has been a fraught site of filmic meaning – of desire and violence, of sex and death – from the very beginnings of cinema. But how deep do these meanings travel? How are our understandings of gender and sexuality not the stuff of screen representation but shaped by film technology and culture as well?

Published in November 2020 by Fordham University Press, Genevieve Yue’s Girl Head: Feminism and Film Materiality, “in rich archival and technical detail… examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.”

In this discussion, Dr. Yue articulates her relationship to interdisciplinary research, traces her personal journey from dissertation to book, and argues for the centrality of material culture in feminist film studies.

Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar.

Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, Ms., and Camera Obscura.

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